Every now and then I see a beautiful box which held perfume from long ago. People collect these boxes for many reasons: the rareness of the perfume name, company, the artistic style of the box, or they have the bottle and need the box to complete the presentation.
It's fascinating how even seemingly mundane items like perfume boxes can carry such significance and charm, becoming sought-after collectibles. The allure of vintage perfume boxes often lies in their combination of aesthetics, history, and nostalgia. Each box holds a story, whether it's about the fragrance it once contained, the era it represents, or the craftsmanship that went into its design. Plus, for collectors, completing a set with the original box adds an extra layer of authenticity and completeness to their collection. Do you collect these boxes yourself, or are you just drawn to their beauty?
It's fascinating how even seemingly mundane items like perfume boxes can carry such significance and charm, becoming sought-after collectibles. The allure of vintage perfume boxes often lies in their combination of aesthetics, history, and nostalgia. Each box holds a story, whether it's about the fragrance it once contained, the era it represents, or the craftsmanship that went into its design. Plus, for collectors, completing a set with the original box adds an extra layer of authenticity and completeness to their collection. Do you collect these boxes yourself, or are you just drawn to their beauty?
A Diversity of Materials:
Boxes for holding perfume bottles come in various materials from paper, velvet, wood, celluloid, leather, shagreen (sharkskin), mirrors, bakelite, galalith, lucite, silk, satin, wicker, cardboard/pasteboard and different types of metal.
The diversity of materials used for perfume boxes reflects the creativity and craftsmanship of their designers. From the luxurious feel of leather and shagreen to the sleekness of metal and lucite, each material adds its own unique touch to the presentation of the perfume.
Paper:
Utilizing high-quality, textured papers with exquisite designs or finishes, manufacturers would have created sturdy yet visually appealing exteriors for their luxury cardboard boxes. These papers could feature intricate patterns, embossing, or metallic accents to convey a sense of opulence and exclusivity.
Metals:
Companies like Delettrez used fabulous metal presentation cases, made up of white metal which were given a bronze finish. These beautiful boxes were often designed by famous French artists of the time. Dralle oftentimes contained their tiny perfumes in metal cases designed as lighthouses for luxury editions, their most common bottles were wooden and in the stylized shape of a lighthouse.
Dralle's use of metal cases shaped like lighthouses is particularly intriguing. Not only does it add an element of whimsy and uniqueness to the presentation, but it also reflects the theme of the fragrance itself. This creative approach to packaging enhances the overall experience of the perfume, making it memorable for collectors and enthusiasts alike. Metal presentation cases, like those crafted by Delettrez, not only provided a sophisticated way to showcase perfumes but also served as miniature works of art, often designed by renowned artists. The attention to detail and the bronze finish would have made them truly stand out among other packaging options.
Satin:
Satin covering for perfume boxes adds a touch of luxury and elegance to the packaging, enhancing the overall presentation of the fragrance. Satin, with its smooth texture and lustrous sheen, creates a visually appealing surface that conveys a sense of opulence and sophistication.
Perfume boxes covered in satin offer a tactile experience for the consumer, inviting them to engage with the packaging and creating a memorable unboxing experience. The softness of satin provides a gentle cushioning for the perfume bottle, protecting it from scratches or damage while adding a layer of refinement to the presentation.
Satin covering can be used in various ways in perfume packaging, including covering the exterior of the box, lining the interior, or embellishing specific elements such as lids or inserts. It comes in a wide range of colors, allowing perfume houses to customize the packaging to match the branding and aesthetics of the fragrance.
Overall, satin covering adds a luxurious finishing touch to perfume boxes, making them stand out on store shelves and creating a lasting impression on consumers.
Velvet:
Velvet is a material synonymous with luxury and refinement, making it an excellent choice for accentuating perfume packaging. Velvet's soft and tactile surface creates an inviting feel, encouraging consumers to interact with the packaging. Running their fingers over the velvety texture adds to the sensory experience, evoking a sense of indulgence and luxury.
The rich appearance of velvet adds a visual depth and sophistication to perfume boxes. Its deep hues and subtle sheen catch the light, drawing attention to the packaging and enhancing its overall aesthetic appeal. Velvet provides a protective layer for perfume bottles, preventing scratches and damage during transportation and storage. Its gentle cushioning effect ensures that the fragrance remains safe and secure within the box.
Velvet comes in a variety of colors, allowing perfume houses to tailor the packaging to match the branding and style of the fragrance. Whether it's a bold and vibrant hue or a classic and understated tone, velvet offers versatility in design options. Velvet-covered lids or inserts elevate the perceived value of the perfume box, creating a sense of exclusivity and luxury. This attention to detail appeals to discerning consumers who appreciate the finer aspects of packaging and presentation.
Incorporating velvet covering into perfume boxes adds a touch of refinement and indulgence, enhancing the overall allure of the fragrance and appealing to consumers who seek a premium experience.
Leather:
Introducing leather elements or accents into the design of perfume boxes can indeed elevate their prestige and luxury appeal. Whether it's leather trim, handles, or even entire covers, leather adds a touch of sophistication and durability. Plus, the tactile experience of handling leather can evoke a sense of exclusivity and quality for the consumer.
And using faux leather, like leatherette, provides a more affordable option while still maintaining the luxurious look and feel. It's a smart way to enhance the perceived value of the packaging without compromising on quality.
Mirrors:
Mirrors played a role in presentation cases. Both Lucien Lelong and Worth used mirrors on presentations for Mon Image and Je Reviens in the 1930s to convey a modern Art Deco style that has not been imitated by others.
Incorporating mirrors into perfume presentation cases was a brilliant move by Lucien Lelong and Worth during the 1930s. Not only did it add a touch of glamour and sophistication to their packaging, but it also aligned perfectly with the Art Deco aesthetic that was popular during that time. The use of mirrors not only served a practical purpose, allowing users to admire themselves while applying the fragrance, but it also enhanced the overall visual appeal of the presentation.
By integrating mirrors into the design, Lelong and Worth created a sense of luxury and modernity that set their perfumes apart from others on the market. This innovative approach to packaging demonstrated their commitment to both style and functionality, making their fragrances stand out in the competitive perfume industry. It's remarkable how these design choices from the past continue to inspire and captivate us today.
Woods:
In the 1950s, Marquay offered a limited edition of their Prince Douka perfume, it was contained inside of a carved mahogany case with a African theme. Marquay's decision to present their perfume in a carved mahogany case with an African theme is both exquisite and evocative and represents a culturally significant approach to perfume packaging. The use of mahogany, a luxurious wood known for its rich tones and elegant finish, would have added a sense of opulence to the presentation, while the African theme likely contributed to the exotic allure of the fragrance, making it a captivating piece for collectors and enthusiasts alike.
Roger et Gallet's 1910 Cigalia perfume and soaps were packaged in wooden boxes pressed with an Art Nouveau cicada design, a remarkable example of early 20th-century perfume packaging. The Art Nouveau style, known for its flowing lines, natural motifs, and attention to detail, was a perfect match for the delicate and elegant essence of Cigalia.
The cicada motif holds symbolic significance, often representing renewal, transformation, and the beauty of nature. By incorporating this motif into their packaging, Roger et Gallet not only added visual appeal but also conveyed a sense of freshness and vitality associated with their fragrance and soap products.
This unique and artistic approach to perfume packaging not only protected the product but also enhanced its presentation, making it a coveted item for collectors and enthusiasts of both perfume and Art Nouveau design. It's a testament to Roger et Gallet's commitment to craftsmanship and beauty in every aspect of their products.
On the other hand, Roger et Gallet's choice to package their Cigala perfume and soaps in wooden boxes pressed with a stylized cicada showcases the elegance and charm of the Art Nouveau style. The cicada motif, with its graceful lines and naturalistic details, adds a touch of whimsy and sophistication to the packaging. It's a testament to the attention to detail and artistic flair that characterized perfume packaging during this era.
Marquay's limited edition of Prince Douka perfume in the 1950s, housed in a carved mahogany case with an African theme, represents a luxurious and culturally significant approach to perfume packaging. The use of mahogany, with its rich tones and elegant finish, would have added a sense of opulence to the presentation, while the African theme likely contributed to the exotic allure of the fragrance.
On the other hand, Roger et Gallet's Cigala line in 1910, featuring perfume and soaps packaged in wooden boxes pressed with an Art Nouveau cicada, exemplifies the elegance and artistic sophistication of early 20th-century perfume packaging. The Art Nouveau style, characterized by its flowing lines and organic motifs, was a perfect complement to the delicate and natural essence of the Cigala fragrance.
Both examples showcase the attention to detail and craftsmanship that went into perfume packaging during their respective time periods, making them not just vessels for the products, but also pieces of art in their own right.
Plastics:
Galalith, a casein-based plastic, and Rhodoid, a thermoplastic derived from cellulose acetate, offered unique advantages in terms of durability, flexibility, and aesthetic appeal. The incombustible nature of Rhodoid would have been particularly advantageous for perfume packaging, ensuring the safety and preservation of the fragrances it contained. The use of innovative materials like galalith and Rhodoid in perfume packaging reflects the spirit of innovation and creativity that characterized the perfume industry during that time.
Other Materials:
Nina Ricci's presentation of Fille d'Eve perfume in 1952, was nestled inside a satin-lined wicker basket, and represents a charming and elegant packaging choice. The combination of wicker, satin, and the careful arrangement of the perfume inside a basket would have created a delightful and memorable unboxing experience for consumers.
Wicker baskets evoke a sense of rustic charm and natural beauty, while the addition of satin lining adds a touch of luxury and refinement. This juxtaposition of materials likely appealed to consumers looking for both sophistication and whimsy in their perfume packaging.
By presenting Fille d'Eve in such a unique and carefully crafted manner, Nina Ricci not only enhanced the visual appeal of the product but also created a sense of indulgence and luxury for the consumer. It's a wonderful example of how perfume packaging can contribute to the overall experience of using and enjoying a fragrance.
The manufacturers:
Joseph Albessard:
Joseph Albessard's firm in France played a significant role in the perfume industry during the 1920s, specializing in the manufacturing of boxes, graphics, and labels for perfume companies. Employing talented artists such as Front, Wuitz, Paule Richard, and Bernard Naudin (who also contributed to the designs for Paul Poiret), the company was known for its high-quality craftsmanship and artistic innovation.
Participating in the 1925 Paris Art Deco Exhibition was a testament to the firm's influence and contribution to the Art Deco movement, which was characterized by its sleek lines, geometric shapes, and bold designs. Albessard's involvement in this exhibition likely showcased their expertise in creating packaging and graphics that reflected the modern and avant-garde sensibilities of the time.
However, despite their success and creative prowess, the firm faced financial challenges and ultimately went bankrupt by 1932. Nonetheless, their legacy lives on through the designs and contributions they made to the perfume industry during the vibrant and dynamic era of the 1920s.
Rene Bergeron:
Rene Bergeron's legacy as a manufacturer of superior quality perfume boxes is a testament to his craftsmanship and dedication to his craft. Beginning his venture in 1890, Bergeron likely recognized the importance of packaging in the presentation and marketing of perfumes. His commitment to excellence ensured that the boxes produced by his company were not just containers but works of art in their own right.
During this period, perfume packaging was often elaborate and ornate, reflecting the luxurious nature of the fragrances they contained. As a manufacturer of superior quality boxes, Bergeron would have played a vital role in meeting the demands of perfume houses for packaging that matched the prestige of their products.
Bergeron's attention to detail, choice of materials, and commitment to quality likely set his boxes apart from others on the market, earning him a reputation for excellence among perfume companies and collectors alike. His contributions to the perfume industry continue to be appreciated by those who admire the beauty and craftsmanship of vintage perfume packaging.
Berlan, Lederlin et Cie:
Berlan, Lederlin et Cie's extensive repertoire as manufacturers of metal accessories, including those crafted in metal anglaise (a term for aluminum) with antique silver or gold patina, demonstrates their versatility and skill. Established in 1867, the company's focus on producing powder and soap boxes in an artistic style reflects the attention to detail and craftsmanship prevalent during the late 19th and early 20th centuries.
The use of metal anglaise with antique patina would have given their products a sense of timeless elegance and sophistication, making them desirable items for both practical use and decorative display. Additionally, their brass covers for perfume bottles, whether adorned with enamels or left plain, would have added a touch of luxury and refinement to the presentation of fragrances.
Beyond their contributions to the perfume industry, Berlan, Lederlin et Cie's production of jetons, metal money stamps used in France during the 1920s, showcases their adaptability and ability to meet the needs of different markets and industries.
Overall, the company's legacy is marked by its dedication to quality craftsmanship, artistic expression, and innovation in the field of metal accessories, leaving behind a lasting impact on the world of decorative arts and luxury goods.
Albert Pierre:
Albert Pierre's specialization in manufacturing metal ware, particularly aluminum perfume boxes and brass stopper covers, underscores their expertise in providing essential components for the perfume industry. With clients like Rigaud and Roger et Gallet, both renowned perfume houses known for their commitment to quality and elegance, Albert Pierre likely played a significant role in enhancing the presentation and functionality of their products.
The use of aluminum for perfume boxes would have offered a lightweight yet durable option for packaging, while brass stopper covers added a touch of sophistication and protection to the perfume bottles. By providing these essential components, Albert Pierre contributed to elevating the overall aesthetic and appeal of the perfumes produced by their clients.
Their collaboration with prestigious perfume houses speaks to Albert Pierre's reputation for craftsmanship and reliability in delivering high-quality metal ware. Through their contributions to the perfume industry, they helped enhance the luxury and allure of fragrances, ensuring that every aspect of the presentation met the highest standards of excellence.
F. Bouvet et F. Gaud:
By combining these materials with expert craftsmanship and attention to detail, P. Lorphelin would have created bespoke luxury boxes that not only protected and showcased perfumes but also served as exquisite works of art in their own right, reflecting the sophistication and elegance of the brands they represented.
F. Bouvet et F. Gaud's legacy in crafting luxury perfume boxes, particularly for esteemed clients like Bourjois, highlights their contribution to the perfume industry's aesthetic appeal and brand presentation. Established initially as Maison A. Coste et Cie in 1893, the company underwent a transition when Felix Grasset took over around 1921, evolving into F. Bouvet et F. Gaud.
Their specialization in manufacturing plastics, including galalith (also known as "French Bakelite"), for various applications such as combs, jewelry, and perfume boxes, demonstrates their versatility in materials and their ability to adapt to changing consumer preferences and industry demands.
Galalith, a type of plastic derived from casein, offered a lightweight yet durable alternative for perfume boxes, allowing for intricate designs and luxurious finishes. By providing galalith perfume boxes for Bourjois, F. Bouvet et F. Gaud contributed to the brand's reputation for elegance and sophistication.
Their transition into plastics manufacturing showcased their commitment to innovation and staying ahead of the curve in the ever-evolving world of materials and manufacturing techniques. F. Bouvet et F. Gaud's collaboration with Bourjois and other clients underscores their significance in the perfume industry's supply chain and their lasting impact on the world of luxury packaging.
Comptoir Galarodo:
Comptoir Galarodo's specialization in crafting luxury presentation boxes using innovative materials like galalith and Rhodoid showcased their commitment to quality and creativity in the perfume packaging industry. Situated in Oyonnax-Paris-Lyon, the company's use of these materials would have added a touch of sophistication and modernity to their products.
Comptoir Galarodo's collaboration with Zedanti, albeit an obscure brand, demonstrates their versatility and willingness to cater to a diverse range of clients. By providing luxury presentation boxes for Zedanti, they likely contributed to the brand's efforts to establish a distinctive identity and elevate the perceived value of its products. Comptoir Galarodo's contribution to this legacy underscores their importance in shaping the aesthetics and functionality of perfume packaging during their era.
P. Lorphelin:
P. Lorphelin's specialization in crafting luxury boxes for perfumers suggests a dedication to exquisite craftsmanship and attention to detail. Situated at 14, rue de l'Atlas in Paris, the company likely catered to the discerning needs of perfume houses seeking elegant and distinctive packaging for their fragrances.
Luxury boxes play a crucial role in the presentation and branding of perfumes, often serving as the first point of contact between the consumer and the product. P. Lorphelin's boxes would have needed to reflect the prestige and quality associated with the perfumes they contained, contributing to the overall allure and desirability of the brand.
P. Lorphelin's specialization in crafting luxury boxes for perfumers at 14, rue de l'Atlas in Paris likely encompassed a range of materials to meet the diverse needs and preferences of their clientele. Incorporating materials like paper, satin, velvet, and leather, P. Lorphelin would have offered bespoke packaging solutions that exuded elegance and sophistication, enhancing the presentation of perfumes and elevating the brands they served.
While specific details about P. Lorphelin's history and clientele may be limited, their existence and focus on luxury packaging underscore the importance of craftsmanship and design in the perfume industry. Perfume houses often relied on skilled artisans like P. Lorphelin to create packaging that conveyed the essence of their brand and resonated with their target audience.
The legacy of companies like P. Lorphelin highlights the collaborative nature of the perfume industry, where skilled artisans and craftsmen played a vital role in bringing the vision of perfume creators to life through exquisite packaging designs.
La Cellophane:
A newly invented product, cellophane provided perfume companies diverse options for covering perfume boxes and other packaging. Cellophane is an excellent material for perfume boxes, offering both practical benefits and aesthetic appeal. Cellophane provides a protective covering for perfume boxes, preventing them from getting soiled or damaged during shipping or handling. Its transparent nature allows the beauty of the perfume box to show through while safeguarding it from external elements. Cellophane, normally seen as crystal clear, could also be had in a variety of colors.
The crystal-clear quality of cellophane ensures that the perfume boxes remain visible, allowing customers to see the product inside. This is particularly advantageous for showcasing the design, color, and branding of the perfume bottle and packaging. Cellophane comes in various colors, offering opportunities for customization. Perfume brands can choose cellophane in colors that complement their brand identity or the fragrance inside the box. This allows for creative and eye-catching packaging designs.
Depending on the thickness and finish of the cellophane, it can add a luxurious touch to the perfume boxes. High-quality cellophane with a glossy or matte finish can enhance the perceived value of the packaging, making it more appealing to customers. Overall, using cellophane for perfume boxes combines practicality with aesthetics, making it an attractive option for packaging fragrances.
Maquet:
Maquet, engraved luxury papers for leather perfume boxes and advertisements was located at 10 rue de la Paix, Paris. Maquet had clients such as Guerlain, whose pretty Poudre aux Ballons face powder box was covered with Maquet lithography. It's fascinating how intricate details like lithography could enhance the allure of beauty products like face powder boxes.
LT Piver also utilized the Maquet lithos for their face powder boxes especially for their Belflor poudre de riz. Maquet was quite the powerhouse in luxury paper engraving, especially for esteemed clients like Guerlain and LT Piver. Collaborations like these must have elevated their reputation in the world of high-end packaging and advertisements. The Rue de la Paix in Paris is synonymous with luxury, so it seems fitting that Maquet was situated there, at the heart of elegance and sophistication.
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BETCIC:
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The company BTCIC, also known as BETCIC, a glassworks in France who was active after WWI, who made bottles, labels and total presentations for companies such as Caray, Parfums Paul, Eroy and others.
It's remarkable to learn about BTCIC's contribution to the perfume industry in France post-World War I. Being involved in crafting not just bottles but also labels and complete perfume presentations speaks to their versatility and expertise in the field. Collaborating with esteemed brands like Caray, Parfums Paul, and Eroy underscores their significance in the world of fragrance packaging and presentation. Perfume bottles and their accompanying packaging play a crucial role in shaping a brand's identity and allure, and it sounds like BTCIC played a significant role in enhancing the visual appeal and sophistication of these fragrances.
Honore Rey:
Honoré Rey's craftsmanship in manufacturing specialty boxes, particularly leather-covered perfume boxes that resembled luxurious jeweler's cases, is truly noteworthy. Their attention to detail and commitment to quality would have made these boxes a prized possession, elevating the presentation of the perfumes they contained. Having DuBarry of England as their most notable client highlights the prestige and high standards associated with Honoré Rey's creations. These luxurious boxes not only served a functional purpose but also added a layer of elegance and sophistication, enhancing the overall experience of the product.
Saillard:
G. Cassard:
G. Cassard, established in 1893, became a distinguished name in the production of boxes and papers for the perfume industry, specializing in elegant cylindrical boxes. Their craftsmanship and attention to detail likely made them a preferred choice for esteemed perfume brands such as Isabey, Grenoville, and Godet. These cylindrical boxes would have been designed to not only protect the perfumes but also to enhance their visual appeal, reflecting the luxury and sophistication associated with these brands. The legacy of G. Cassard in the realm of perfume packaging underscores the importance of high-quality presentation in the luxury goods market.
Gaston Poucet:
Verreries Gaston Poucet, located at 18 avenue Weber, Pantin (Quatre-Chemins), France, played a significant role in the perfume industry during the early 20th century, particularly in 1930. Specializing in the creation of luxury and semi-luxury bottles for perfumery, they were known for their expertise in designing and manufacturing sophisticated and aesthetically pleasing bottles. The creation of unique models for perfumes would have been a testament to their innovation and artistry, catering to the high standards and expectations of the luxury perfume market. Their work contributed to the overall branding and appeal of the perfumes, making each bottle not just a container, but a piece of art that complemented the fragrance it held.
Gaston Poucet specialized in crafting bottles for a variety of industries, not just for perfumery, but also for drugstores, pharmacies, chemistry, and laboratories. Their expertise extended to various techniques such as color glass production, grinding stoppers and bottles with emery, satin finishing, cutting, and engraving.
In the realm of perfumery, Poucet's bottles would have played a crucial role in enhancing the presentation of fragrances, reflecting the brand's identity and aesthetic. Their mastery of techniques like engraving and satin finishing allowed for the creation of intricate and visually appealing designs, adding to the allure of the perfumes they contained.
Furthermore, Poucet's reputation for quality and innovation likely garnered attention from press articles, highlighting their contributions to the industry and showcasing their expertise in bottle manufacturing. Overall, Gaston Poucet's specialization in crafting bottles for various sectors underscores their commitment to excellence and their ability to meet the diverse needs of their clientele.
Gouvernet:
Gouvernet, located at 31 rue des Panoyaux, Paris, was a prominent creator of luxury cardboards and printings, particularly active around 1930. Their expertise in crafting high-quality perfume boxes was sought after by prestigious names such as Mury. The attention to detail and craftsmanship in Gouvernet's boxes would have significantly enhanced the overall presentation and appeal of the perfumes, reflecting the luxury and sophistication associated with the products. Their contributions to the packaging industry highlight the importance of elegant and meticulously crafted presentation in the world of high-end perfumes.
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Le Carton Luxe:
Le Carton Luxe, with its offices at 8, Impasse du Pressoir and workshops at 5 Impasse de Genes in Paris, was a distinguished creator of perfume boxes, active around 1930. They were known for their meticulous packaging solutions for perfumers, ranging from high luxury boxes crafted with precious fabrics, satin, and skin to fine everyday items. Their emphasis on modern, original artistic creations set them apart in the industry, ensuring that each product, whether luxurious or more commonplace, was presented with exceptional elegance and care. Le Carton Luxe's work significantly contributed to the visual and tactile appeal of perfumes, enhancing the overall customer experience.
R. Levasseur, based at 10 rue Quincampoix in Paris, was renowned for creating luxury cartons for the perfumery industry, particularly active in 1930. Their expertise in designing and manufacturing high-quality cartons made them a preferred choice for perfume brands seeking to enhance the presentation and appeal of their products. The luxurious cartons crafted by R. Levasseur would have played a crucial role in conveying the elegance and sophistication of the perfumes they encased, contributing to the overall brand image and customer experience.
Les Ebenisteries Paul, located at 73 boulevard de la Boissière, Noisy-le-Sec, France, specialized in all wooden packaging for the perfumery industry, active around 1930. They offered a wide range of products including compact boxes, sieves, caps, galleries, and presentation bases. Their approach involved creating customized studies and presentations for each client, ensuring tailored solutions that met specific needs.
Emphasizing the versatility and benefits of wood, Les Ebenisteries Paul highlighted that everything traditionally made in cardboard could be replicated in wood, offering advantages such as resistance to oxidation and cost-effective tooling. Wood's enduring quality and utility made it an appealing choice for luxury packaging, ensuring that wooden boxes remained functional and aesthetically pleasing over time. Their craftsmanship would have significantly contributed to the elegance and durability of perfume presentations, enhancing the overall value and appeal of the products.
Huguet, located at 64 rue Jean-Jacques Rousseau in Paris, was a distinguished publisher and manufacturer of artistic cardboards, particularly active around 1930. Specializing in creating high-quality packaging for new perfumes, Huguet's work was positioned as a key factor in ensuring the success of their clients' products. Their expertise in combining aesthetic appeal with practical design made their cardboards not just protective containers, but integral components of the brand's image and marketing strategy. By providing exquisite and unique packaging solutions, Huguet helped perfume brands stand out in a competitive market, contributing significantly to their overall success.
Keller Dorian:
Keller Dorian of France, known for manufacturing spectacular and colorful Art Deco images for boxes and papers, has a longstanding reputation for quality and artistry. Active historically and continuing in business today, Keller Dorian has been celebrated for their artistic papers that exude good taste, elegance, and distinction. Their Art Deco designs have been a hallmark of sophistication, enhancing the visual appeal of packaging and printed materials.
Originality is a crucial aspect of Keller Dorian's success and enduring reputation. This originality not only distinguishes their products but also attracts clients who seek distinctive and memorable packaging and printed materials. This enduring commitment to excellence in design and production has cemented Keller Dorian's place as a leader in the industry, consistently delivering products that stand out for their beauty and refinement.
Maison Cotigny:
Maison Cotigny, located at 67 boulevard de la Marne, La Varenne Saint-Hilaire, was known for crafting luxury cardboard presentation boxes, featuring intricate and elaborate designs. Their expertise extended to creating a wide variety of models, showcasing their versatility and skill in the art of box making. Notably, Maison Cotigny produced the presentation boxes for Suzanne's perfume, "Secret de Suzanne," adding to their portfolio of prestigious collaborations.
Moreover, Maison Cotigny's participation in the 1925 Art Deco Exhibition in Paris underscores their commitment to innovation and excellence in their craft. Alongside another esteemed box manufacturer, Flament & Devallon, located at 50 rue Saint-Sabin, Paris, they showcased modern creations in cardboard boxes, demonstrating their mastery of luxury packaging. Flament & Devallon were renowned for their complex geometric models, contributing to the artistic and avant-garde spirit of the Art Deco movement. The participation in such prestigious exhibitions further solidified their reputation as leaders in the industry, known for their ability to create luxurious and visually striking packaging solutions.
Gaston Jeanbin, located at 38 rue Sainte-Croix-de-la-Bretonnerie in Paris, was a prominent figure in the printing and publishing industry. Beyond their primary role as printers and publishers, Gaston Jeanbin's firm also specialized in crafting boxes and labels for perfume companies, particularly for their luxury productions. Their participation in the prestigious Art Deco Exhibition of 1925 alongside other esteemed firms like Laurent, Bona, Bicart, Sardou et Chatelan highlighted their commitment to excellence and innovation in their field.
Laurent, Bona, Bicart, Sardou et Chatelan, situated at 27 avenue de la Grande-Armée, also distinguished themselves for producing luxury boxes, earning a Grand Prize at the Parisian Exhibition. This recognition underscored their expertise in crafting high-quality packaging that complemented the elegance and sophistication of luxury perfumes.
The passing of Gaston Jeanbin in July 21, 1933, marked the end of an era in the printing and publishing world. As a typographer and lithographer in Paris and a member of the Union of Printers of France Masters since 1910, Jeanbin made significant contributions to his profession. His legacy lives on through his contributions to the industry and his dual professional and military roles, leaving an indelible mark on the printing and publishing community
Marboeuf et Cie, a deluxe box, label, and paper manufacturer, made a significant impact at the Exhibition with their exquisite craftsmanship and attention to detail. Their notable clients, including Cadolle, Chanel, Gabilla, Vivaudou, Rigaud, Rimmel, and Roger et Gallet, speak to the high regard in which their work was held within the perfume industry. Collaborating with such esteemed brands reflects Marboeuf et Cie's reputation for excellence and their ability to create packaging and labels that enhance the allure and luxury of the perfumes they accompany. Their participation in the Exhibition would have showcased their innovative designs and dedication to quality, further solidifying their position as leaders in the field of luxury packaging.
Jean Martin:
Chanel's reputation for luxury extends beyond their fragrances to their presentation, including the use of Jean Martin's luxury presentation boxes. Jean Martin's expertise in crafting high-quality boxes would have complemented Chanel's brand image perfectly, ensuring that their products were presented with the utmost elegance and sophistication.
It's noteworthy that Jean Martin also supplied Bourjois, another prestigious brand known for its quality cosmetics and fragrances. This indicates the breadth of Jean Martin's clientele and their ability to cater to the needs of various luxury brands.
The collaboration between Chanel and Jean Martin, as well as their association with Bourjois, underscores the importance of luxurious presentation in the world of high-end cosmetics and perfumery. It's a testament to the meticulous attention to detail and dedication to quality that both Chanel and Jean Martin are renowned for.
Marius Milou et Cie:
Marius Milou et Cie played a crucial role in providing Parfums Caron with their presentation boxes, reflecting the high standards of luxury and elegance associated with the Caron brand. As a manufacturer of luxury cartons made from leather, paper, and textiles, Marius Milou et Cie catered not only to Parfums Caron but also to other prestigious perfume companies. Their specialization in crafting exquisite boxes tailored for perfumers exemplified their commitment to quality and attention to detail.
With their house located in Paris at 24 rue des Petites-Ecuries, Marius Milou et Cie also had a significant presence abroad, with agents in key cities such as New York, London, Stockholm, Milan, Barcelona, Cairo, Hollywood, Cuba, Para (Brazil), Constantinople, and Brussels. These agents facilitated the distribution of Marius Milou et Cie's luxurious packaging solutions to an international clientele, further solidifying their reputation as a leading provider of premium presentation boxes for the perfume industry.
Clement et fils:
Clement et Fils, located at 13 rue Saint-Merri in Paris, was renowned for its expertise in manufacturing luxury cardboard boxes, cases, and coffrets for a wide range of products, including perfumes, handkerchiefs, gloves, and candy bags. Their specialization in crafting high-quality packaging solutions catered to the needs of luxury brands seeking to elevate the presentation of their products.
The diversity of Clement et Fils' offerings, spanning various industries such as perfumery, fashion, and confectionery, highlights their versatility and ability to adapt to different market demands. Whether it was housing delicate perfumes, elegant accessories like gloves and handkerchiefs, or delectable treats like candy, Clement et Fils' packaging solutions were designed to exude sophistication and enhance the overall experience for consumers.
Their location in Paris, a hub of fashion and luxury, likely positioned them at the forefront of the industry, serving prestigious clients and contributing to the city's reputation as a center for exquisite craftsmanship and attention to detail in packaging design.
Guillet-Audibert:
Guillet-Audibert, a limited liability company based in Paris at 233 avenue Daumesnil, specialized in manufacturing luxury cardboard and galalith boxes, as well as creating artistic presentations for perfumes and candies. The company was founded with Mr. François-Louis Guillet serving as the manager, operating during the 1920s and 1930s.
While there may be limited information available about Guillet-Audibert, their focus on producing high-quality cardboard and galalith boxes for luxury items suggests a commitment to craftsmanship and elegance. Additionally, their specialization in creating artistic presentations for perfumes and candies indicates their versatility and ability to cater to different industries and products.
Despite the scarcity of details about the company, Guillet-Audibert likely contributed significantly to the packaging industry during its active years, leaving a mark of sophistication and creativity through its luxury boxes and artistic presentations.
Nurdin:
Nurdin's contribution to the world of luxurious printed papers, boxes, and paper advertising fans for perfumers such as LT Piver, Rigaud, Bourjois, Godet, and Rosine underscores their significance in the packaging industry. Despite limited information about the company, its participation in the 1925 Art Deco Exposition in Paris suggests that Nurdin was esteemed for its creativity and craftsmanship.
At the Expo, Nurdin showcased two items that exemplified their artistic flair and attention to detail: a paper fan featuring shades of blue, green, and black, and a perfume box adorned with blue, white, and pink flowers, accented by black ribbon, against a gray background. These designs likely garnered attention for their elegance and sophistication, reflecting the Art Deco aesthetic prevalent during that time.
While little is known about Nurdin, their involvement in prestigious exhibitions and collaborations with renowned perfumers highlight their significance in the world of luxury packaging and design during the early 20th century.
Goujon designed luxury lithographed papers. Roland Goujon was an artist known for his work primarily in the 1920s and 1930s, particularly in the realm of luxury lithographed wallpapers and eye-catching posters. His participation in the 1925 Art Deco Exposition in Paris underscores his significance in the world of luxury packaging design during that period.
At the Expo, Goujon's company displayed a face powder box (poudre de riz) that exemplified his artistic style and the Art Deco aesthetic of the time. The design featured a woman adorned in a large crinoline skirt, set against a green background with white decorations, and accented by red and gold foliage. This intricate and visually captivating design would have showcased Goujon's talent for blending artistry with functionality in the creation of luxurious packaging.
Goujon's contributions to luxury lithographed papers and boxes for face powders left an indelible mark on the industry, with his designs sought after for their beauty and craftsmanship.
Germouty:
Germouty's contribution to luxury lithographed paper design for perfumery and confections, often referred to as "art papers," highlights the significance of their work in the realm of packaging aesthetics during the early 20th century. Despite limited information available about the designer, their participation in the 1925 Art Deco Exposition in Paris suggests recognition for their talent and creativity.
At the Expo, Germouty's company exhibited a lithographed paper-covered case for a perfume bottle, showcasing their expertise in creating visually striking and ornate designs. The use of red, blue, black, and gold colors would have added to the allure and sophistication of the packaging, reflecting the Art Deco aesthetic prevalent during that period.
While little is known about Germouty and their specific contributions, their involvement in prestigious exhibitions like the 1925 Art Deco Exposition underscores their significance in the world of luxury packaging design, where their art papers played a crucial role in enhancing the visual appeal of perfumes and confections.
L. Bertrand, located at 15 rue Grenier, St-Lazare in Paris, was renowned for manufacturing deluxe lithographed cardboard boxes for perfume and powders. Their specialization in crafting high-quality packaging solutions catered to the needs of luxury brands seeking to enhance the presentation of their products.
The use of lithographed cardboard allowed L. Bertrand to create visually appealing designs with intricate details and vibrant colors, adding to the allure of the perfumes and powders they housed. Their deluxe boxes would have served as both protective containers and decorative pieces, reflecting the sophistication and elegance associated with the brands they represented.
As manufacturers of deluxe packaging, L. Bertrand likely played a significant role in shaping the visual identity of various perfume and powder brands, contributing to their overall branding and consumer appeal.
Seguin (Veuve H.) et Aubert:
Seguin (Veuve H.) et Aubert specialized in manufacturing "fine fancy cardboard" and participated in the 1925 Exhibition. Established through the partnership of Pierre Aubert and the widow of Henri-Adolphe Seguin in 1921, the company operated from 49bis rue de Lancry in Paris. While their prominence may have faded over time, their presence at the 1925 Exhibition underscores their significance in the luxury packaging industry during the early 20th century.
The listing of workers such as Mr. Gosselin (Prosper-Daniel), a cutter worker, and Mrs. Gosselin, formerly Antoine (Eugénie-Georgette), a cardboard worker, in the 1927 edition of the Journal Officiel de la République française provides insight into the skilled labor force behind Seguin (Veuve H.) et Aubert. Their expertise would have been essential in producing the company's "fine fancy cardboard" and maintaining its reputation for quality and craftsmanship in the field of luxury packaging.
Evette Germain et Cie, located at 243 rue Saint-Martin in Paris, was a prestigious company known for providing luxury papers and cartons for perfumeries. The company had a rich history, dating back to its founding in 1802. Under the leadership of Mr. Eugene Vacquerel, the company underwent significant transformation in 1881 with the construction of the Aubervilliers factory, dedicated to the mechanical manufacture of novelty paper and cardboard.
Mr. Eugene Vacquerel's sons-in-law, Mr. Armand Evette and Mr. Gaston Germain, played key roles in the company's success. They established a special department for printing papers in collaboration with Mr. Jules Breton, revitalizing the business and solidifying its position in the luxury printing industry. Armand Evette, in particular, was esteemed by his peers and served as the president of the Friendly Association of former students of the Central School in 1910.
In 1925, the Eugene Vacquerel Establishments were taken over by his grandchildren, including MM. Maurice Germanin, Georges Evette, Marcel German, and Jacques Mautin. The Aubervilliers factory, covering 15,000 square meters and employing over 100 workers, utilized steam mills with a driving force of more than 1,000 horsepower.
Evette Germain et Cie specialized in manufacturing papers for luxury printing and had a prominent role in producing cardboard and fancy paper for the thriving perfume industry. Their contributions were recognized with awards such as the Medal of Honor in 1892 and 12 Grand Prix & Hors Concours awards from 1878 to 1913. They also exhibited at the 1925 Art Deco Exposition in Paris, further showcasing their excellence in the industry.
Sennet et Cie:
Sennet et Cie, a printing firm established in 1853 as H. Deschamps, emerged as one of the foremost producers of boxes and labels, catering to prestigious clients in the perfume industry and beyond. Their reputation for quality and craftsmanship earned them partnerships with notable brands such as Erizma, Gilot, Isabey, Lengyel, Sauze Freres, and Vibert Freres.
Specializing in the production of boxes and labels, Sennet et Cie played a crucial role in enhancing the visual identity of their clients' products. Their designs would have adorned perfume bottles and packaging, contributing to the overall branding and appeal of the fragrances they represented.
Throughout their history, Sennet et Cie maintained a commitment to excellence, ensuring that their printing materials met the highest standards of quality and sophistication. Their long-standing presence in the industry and prestigious client roster attest to their enduring influence and significance in the world of luxury packaging.
G. Heymann:
G. Heymann, located at 86 rue de Rivoli in Paris, was renowned for providing exquisite printed papers for perfume and powder boxes, with one of their most notable clients being Dorin.
Their specialty in producing beautiful printed papers would have contributed significantly to the visual appeal and branding of the perfume and powder boxes they adorned. The intricate designs and high-quality printing techniques employed by G. Heymann would have enhanced the overall presentation of the products, adding to their allure and sophistication.
By collaborating with prestigious brands like Dorin, G. Heymann solidified their reputation as a leading provider of printed papers for luxury packaging in the perfume industry. Their contributions to the aesthetics and branding of perfume and powder boxes would have played a key role in capturing the attention of consumers and conveying the elegance of the products they contained.
Lorscheider-Schang, Buedingen, and Addison were among the prominent American companies specializing in luxury packaging, producing finely printed boxes that catered to various industries, including perfumery. The Bedford Paper Box Company, Harvey T. White, WC Ritchie, and Foxon also made significant contributions to the packaging industry, with a focus on quality and creativity in their designs.
As American companies, they brought their own unique style and techniques to the art of box printing, contributing to the diversity and competitiveness of the global packaging market. Their ability to produce wonderfully printed boxes not only showcased their expertise but also demonstrated the growing influence of American craftsmanship in luxury packaging during their respective eras.
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