Sari Perfumes

Sari, a short-lived perfumery company from France, operated during the 1920s and 1930s, known primarily for its production of perfumes. Little information is available about the company, highlighting its relative obscurity in perfume history. 

An intriguing connection emerges with the perfume Lune de Miel, shared with another perfumery entity named Benoit, suggesting a possible affiliation or collaboration between the two brands. Despite its brief tenure, Sari managed to market Lune de Miel successfully, as evidenced by its availability for purchase until at least 1932. 

The limited historical footprint of Sari reflects the transient nature of many smaller perfumery firms of the early 20th century, often overshadowed by larger, more enduring brands. Researchers seeking further details on Sari may explore specialized perfume archives or vintage collections, where additional insights into its products and legacy could potentially be uncovered.

The perfumes of Sari:

• 1923 Eros
• 1926 Lune de Miel

Eros:

The perfume Eros, notable for its presentation in a flacon designed by Cristalleries de Baccarat, specifically under design number 517, holds historical significance in the world of perfumery packaging. This distinctive bottle design was not exclusive to Eros alone; it was also utilized by Madhva for their perfume Ta Wao. 

This shared use of the Baccarat #517 bottle suggests a deliberate choice by both perfume houses to employ a prestigious and visually striking container for their fragrances. Baccarat, renowned for its exquisite crystal craftsmanship, lent its expertise to perfume packaging, elevating the allure and luxury associated with Eros and Ta Wao during their respective periods of availability. This shared aesthetic element underscores the interplay between perfume design and presentation in capturing the essence of luxury and elegance for discerning consumers.

Lune de Miel:

The perfume Lune de Miel, French for "honeymoon," was notable for its presentation in a distinct flacon crafted by C. Depinoix & Fils, renowned for their exquisite designs. This particular bottle design held significance not only for Lune de Miel but also for Benoit, another perfumery that utilized the same container for its own rendition of Lune de Miel perfume. 

Available in both black and turquoise crystal variations, each accented with silver enamel trim, the bottle exuded a sense of luxury and craftsmanship typical of high-end perfumery packaging during its era. This shared use of the Depinoix & Fils bottle underscores the collaboration or shared design elements between perfume houses, reflecting the artistic and aesthetic choices made to enhance the appeal and distinction of their respective fragrances. Such historical details highlight the intricate relationship between perfume design, packaging, and the artistry involved in presenting scents to consumers in the early to mid-20th century.