Launched in 1987 by Revlon, Halston Couture was introduced as a high-fashion revival—a fragrance designed to recapture the glamour and prestige of the Halston name at a time when the original 1975 Halston perfume had lost some of its cultural resonance. The name Halston Couture was carefully chosen, evoking the rarefied world of bespoke fashion and elite luxury. "Couture," a French term meaning "sewing" or more broadly "high fashion," conjures visions of flowing silk gowns, private fittings, and the kind of understated elegance that defined Halston’s design legacy in the 1970s. This name not only tethered the fragrance to Halston’s golden era of style but also suggested an elevated, tailored approach to scent—something meant to feel custom-made and intimately refined.
Yet the choice was also strategic. In the competitive and crowded fragrance landscape of the mid- to late 1980s, Couture positioned the perfume as part of the ongoing trend toward luxury and designer branding. These were the years of excess, glamour, and power-dressing—shoulder pads, cinched waists, and dramatic silhouettes ruled both the runways and the boardrooms. Fragrance trends followed suit, with many perfumes boasting rich, complex compositions designed to assert presence and sophistication. Against this backdrop, Halston Couture entered the market not simply as a new scent, but as a statement: a return to elegance, though now framed within the louder, more opulent language of the 1980s.
Ironically, despite his name being front and center, Halston himself reportedly objected to the release of Halston Couture. He was unhappy with every aspect—its packaging, its bottle design, and most of all, its scent. This disconnect highlights the tension between commercial branding and artistic control. By this time, Halston had lost ownership of his company name, and Couture was very much a Revlon project, created under the direction of IFF (International Flavors & Fragrances) to revive interest in the declining Halston fragrance portfolio.