Welcome!

Welcome to my unique perfume blog! Here, you'll find detailed, encyclopedic entries about perfumes and companies, complete with facts and photos for easy research. This site is not affiliated with any perfume companies; it's a reference source for collectors and enthusiasts who cherish classic fragrances. My goal is to highlight beloved, discontinued classics and show current brand owners the demand for their revival. Your input is invaluable! Please share why you liked a fragrance, describe its scent, the time period you wore it, any memorable occasions, or what it reminded you of. Did a relative wear it, or did you like the bottle design? Your stories might catch the attention of brand representatives. I regularly update posts with new information and corrections. Your contributions help keep my entries accurate and comprehensive. Please comment and share any additional information you have. Together, we can keep the legacy of classic perfumes alive!

Friday, February 14, 2025

Parfums Joncaire

A. Joncaire, Inc. was a short-lived American perfumery company that made a modest name for itself in the early 20th century, with its founding in 1918 at 72 Broad Street in Boston, Massachusetts. The company was initially established as a manufacturing and retail entity for perfumes, and it soon became a notable player in the burgeoning fragrance industry. By 1922, the company had been incorporated under the name A. Joncaire, Inc., with a capital of $25,000, divided into 250 shares. The company was headed by E.S. Rowell as president, Thomas F. Brown as treasurer, and J.M. Stone Jr. as a director. This incorporation helped solidify the company’s position in the perfume market during the 1920s, a period of innovation and growth for the industry.

The company marketed its products under the name Parfums Joncaire, presenting itself as a prestigious French brand. However, it was later revealed that Joncaire had unscrupulously advertised its perfumes as being imported from France, even though they were not. 

In 1932, A. Joncaire, Inc. relocated to new headquarters at 145 South Street, Boston, signaling a new chapter in the company's growth. During this time, Joncaire launched a variety of fragrances, contributing to the development of the American perfume market, especially in the 1920s and 1930s, when the demand for luxury goods such as perfumes surged. The company’s perfumes were marketed to a wide audience, with many aimed at evoking sophistication, elegance, and modernity, in line with the Art Deco movement and the prevailing tastes of the time.

Saturday, February 8, 2025

Anthracite by Jacomo c1990

In 1990, Parfums Jacomo made a bold statement in the fragrance industry with the release of two distinct fragrances under the shared name Anthracite: one for men, labeled Pour L'Homme, and one for women, Pour Elle. The choice of the name "Anthracite" is particularly evocative, derived from the French word for a high-grade form of coal. Pronounced “ahn-trah-seet,” anthracite suggests both sophistication and strength, conjuring images of shimmering black surfaces and the deep allure of night. The name evokes emotions tied to luxury, stability, and power—characteristics that both men and women of the time would aspire to embody in their choice of fragrance.

The term Anthracite embodies a duality that resonates well with the contrasting yet complementary nature of the two fragrances. For men, it represents a crisp, clean scent reflecting confidence and vitality, while for women, it conveys a fresh, fruity floral-oriental allure that invites intrigue and warmth. In the early 1990s, as societal norms around gender began to evolve, fragrances like Anthracite that catered to both men and women became emblematic of a more progressive approach. Consumers were increasingly looking for scents that expressed individuality while also embracing traditional gender identities.

Thursday, January 30, 2025

Cuir de Chasse by Etienne Aigner c1963

No. 1 Cuir de Chasse by Etienne Aigner, launched in 1963, carries a name steeped in tradition and luxury. The phrase "Cuir de Chasse" is French, translating to "hunting leather" in English and pronounced as "kweer duh shahss." The term conjures images of rugged elegance, evoking the scent of finely crafted leather goods, such as saddles or hunting gear, long associated with the outdoors and an active lifestyle. In choosing this name, Aigner tapped into an age-old connection between leather, luxury, and adventure, creating a fragrance that appeals to women seeking a scent that conveys strength, sophistication, and a casual sense of refinement.

Cuir de Chasse, being a leather fragrance for women, suggests a bold, assertive scent profile, with the rich, earthy tones of leather possibly accented by aromatic and woody notes. Leather as a fragrance note typically evokes warmth, durability, and depth, often associated with high-quality materials. The fragrance's classification as "casual" aligns with the idea of effortless elegance—perfect for women who desired to make a statement without being overly formal or ornate. At the time, this kind of scent may have appealed to women embracing a modern sense of individuality and independence, offering an alternative to the more floral or powdery fragrances dominating the market in the early 1960s.

The 1960s was a decade of cultural shifts, where traditional gender roles were being redefined, and women were asserting more independence in both the professional and personal spheres. Against this backdrop, Cuir de Chasse stood out by offering a leather-based fragrance—typically seen as masculine in perfumery—reimagined for women. Leather fragrances were already gaining popularity among men, but Aigner’s bold move to market Cuir de Chasse as a women’s scent was a departure from the floral and aldehydic perfumes that had been the standard for women in previous decades. This fragrance embodied a growing trend towards gender-neutral or androgynous elements in fashion and scent, catering to women who wanted to break away from traditional norms.


Wednesday, January 22, 2025

Corrida by Louis Feraud c1966

Louis FĂ©raud’s Corrida, originally launched in 1966 (with some sources incorrectly suggesting 1975), captures the essence of a bold, masculine fragrance tied to both its name and its composition. The name "Corrida" is a Spanish word that refers to a traditional bullfight, pronounced as "koh-REE-dah." The choice of such a dramatic, culturally rich name evokes images of passion, courage, and virility—characteristics often associated with bullfighters, or "toreros," who face life-threatening challenges in the arena. The word “Corrida” conjures a sense of raw, primal energy and evokes vivid scenes of sunlit arenas, the tension of the crowd, and the dance of man and beast. The emotional charge behind the name is one of daring adventure, a duel between instinct and control.

In scent form, Corrida would likely reflect these intense, visceral emotions. As a sporty fragrance for men, it would interpret the vibrancy of the arena with zesty top notes of lime and verbena, offering a sharp and refreshing citrus kick that mimics the adrenaline rush before the battle. The heart of the fragrance would delve into spices, symbolizing the heat, energy, and complexity of the fight, while the woods in the base offer a grounding, earthy finish that represents strength, endurance, and masculinity. The result is a fragrance that captures both the fiery drama of the moment and the lingering impact of the experience.

Men of the 1960s, when Corrida was first launched, would have related to the bold name and scent in a context of rising individuality, freedom, and personal expression. This era saw the emergence of men becoming more open to exploring their identities through grooming and fragrance, a shift from more conservative, understated scents. The name Corrida would have appealed to men who saw themselves as strong, dynamic, and adventurous—perhaps inspired by the rebellious spirit of the 1960s and the cultural fascination with Mediterranean lifestyles, particularly in fashion and cinema.



Tuesday, January 14, 2025

Balestra by Renato Balestra c1978

Renato Balestra, an Italian fashion designer renowned for his sophisticated couture, was known for his elegant, dramatic designs that blended timeless Italian craftsmanship with modern flair. By 1978, when Balestra was launched, his name was synonymous with luxury, refinement, and high fashion. Choosing to name the perfume after himself, Balestra, likely emphasized a personal connection to his creative identity. The word "Balestra" comes from Italian, meaning "crossbow," which is pronounced bah-LEH-strah. The name evokes precision, strength, and a sense of direction, much like the elegant, defined lines that characterized his couture collections. Women who wore the fragrance may have imagined themselves embodying these qualities—graceful yet powerful, poised yet daring.

The name "Balestra" also suggests imagery of movement and swiftness, bringing to mind a confident woman aiming for her ambitions with precision and elegance. In the late 1970s, women were asserting themselves more prominently in various spheres of life, and a fragrance called "Balestra" would have appealed to those who saw themselves as dynamic and modern, yet still feminine. The name might have conjured feelings of empowerment, as well as a deep connection to Italian artistry and heritage.

In scent, "Balestra" could be interpreted as embodying this balance of strength and femininity. Classified as a fresh floral fragrance, it opens with a bright aldehydic top, which adds a sparkling, slightly metallic crispness, like a clean, fresh breeze. This aldehydic layer is softened by green and fruity notes, suggesting the ripe sweetness of orchards in spring, perhaps evoking images of a verdant Italian countryside under a bright sky. There’s a sense of freshness, energy, and vitality in this introduction—an invitation to embrace the day with confidence.

Dolme by LT Piver c1910

Launched in 1910 by the renowned French perfumery LT Piver, Dolmé carries a name that seems steeped in exoticism and cultural allure. The choice of "Dolmé" may have been inspired by Dolmabahçe Palace, the opulent residence of Ottoman Sultans in Constantinople (modern-day Istanbul). This reference appears in Annie Jane Harvey's 1871 book Turkish Harems and Circassian Homes, a popular account that painted a vivid picture of life within the palace and the broader cultural mystique of the Ottoman Empire. By choosing this evocative name, LT Piver might have sought to transport wearers to a faraway world of luxury and sensual intrigue.

The word "Dolmé" likely draws from the Turkish root "dolma," meaning "filled" or "stuffed," often used in the context of culinary dishes like dolmas. However, in the name of Dolmabahçe, it implies "filled garden" or "filled harbor," reflecting the palace's construction on reclaimed land along the Bosphorus. In French, "Dolmé" would be pronounced dol-MAY (with a soft "d" and emphasis on the second syllable). The word exudes an exotic and sophisticated air, evoking images of grandeur, refinement, and hidden mysteries.

"Dolmé" conjures visions of ornate marble halls, gilded chandeliers, and the shimmering waters of the Bosphorus. It suggests a scent that is both opulent and enigmatic, enveloping the wearer in the aura of a bygone era. Emotions tied to the name may include wanderlust, nostalgia, and a desire for indulgence, resonating with the fascination for Eastern cultures that was prevalent in Europe at the time.

The year 1910 fell within the Edwardian era (1901–1914), a period marked by elegance, optimism, and global change. It was a time when Europe reveled in cultural refinement while standing on the brink of modernity. Fashions were opulent yet transitioning, with women wearing flowing, high-waisted gowns inspired by Greco-Roman styles, often adorned with intricate lace and embroidery. Art Nouveau dominated aesthetics, influencing everything from architecture to jewelry design, while Orientalism captivated the imagination.

In perfumery, this era emphasized rich, layered compositions featuring exotic ingredients like ambergris, musk, and floral absolutes, creating fragrances that were luxurious and complex. A perfume like Dolmé would have appealed to women seeking to evoke mystery and sophistication, aligning with their fascination for far-off lands.

For women of 1910, DolmĂ© likely symbolized a departure from the familiar—a passport to the imagined sensuality and opulence of the East. The name carried connotations of forbidden pleasures and unattainable beauty, aligning with the allure of travel and discovery. The perfume itself would have been interpreted as a fragrant translation of this dream, possibly featuring warm, resinous notes, opulent florals, and an undercurrent of exotic spices to embody the palace's splendor.

Sunday, January 5, 2025

Plaisir by Parfums Raphael c1956

Launched in 1956, Plaisir by Parfums Raphael was positioned as a "younger" fragrance in contrast to its esteemed sibling, Replique. The name "Plaisir," derived from the French word for "pleasure," evokes a sense of joy and delight. Pronounced as "pleh-zeer", the term conjures images of carefree moments and blissful experiences, making it a fitting title for a fragrance designed to embody youthfulness and exuberance. In a post-war era marked by optimism and a burgeoning sense of freedom, women of the time would have resonated deeply with the name Plaisir, associating it with the pleasures of life, such as love, beauty, and adventure.

Created by the esteemed perfumer Pierre Blaizot, Plaisir is classified as an oriental fragrance that prominently features roses and jasmine, offering a lush, romantic scent profile. The fragrance opens with a fresh, green aldehydic top, which introduces a crisp brightness that captures attention. As it unfolds, the heart reveals a rich and spicy floral blend, showcasing the opulent notes of roses, daffodil, wisteria, and jasmine. This heart is beautifully complemented by a woody base, composed of musk, amber, tobacco, Russian leather, moss, sandalwood, and vanilla, which grounds the fragrance with warmth and depth.



Thursday, December 26, 2024

Tocade by Rochas c1994

Tocade by Rochas was launched in 1994, a decade marked by significant cultural and social shifts. The early 1990s saw the aftermath of the economic boom of the 1980s, a period of optimism and consumerism, giving way to a more nuanced and introspective era. The rise of grunge fashion, alternative music, and a new wave of feminism were emblematic of this time. Women in the 1990s were increasingly asserting their independence, exploring their identities, and embracing a blend of modernity with a touch of nostalgia for past glamour. In this context, Tocade by Rochas emerged as a symbol of bold femininity and playful sophistication.

The choice of the name "Tocade" for this perfume is particularly significant. "Tocade" derives from the French word "toquade," which means "flirtation." This term evokes a sense of lightheartedness, spontaneity, and charm, capturing the essence of a fleeting romantic fancy or a whimsical attraction. The word itself carries connotations of playfulness and allure, making it an apt choice for a fragrance intended to embody the spirit of flirtation and joyful seduction.

In English, "toquade" translates to "flirtation," a term that perfectly aligns with the intended persona of the perfume. By naming the fragrance Tocade, Parfums Rochas aimed to convey a sense of whimsical charm and irresistible allure. This name suggests a fragrance that is not just a scent but an experience—a playful dance of notes that captivates and intrigues. It hints at a perfume that is meant to be worn with confidence and a touch of mischief, appealing to those who enjoy the art of subtle seduction and the thrill of romantic adventures.

"Tocade" is an appropriate name for a perfume because it resonates with the experiences and emotions of its intended audience. The 1990s woman who would be drawn to a fragrance called Tocade would likely be confident, independent, and open to exploring new facets of her personality. She would appreciate the blend of traditional and modern elements, much like the fragrance itself, which combines classic floral notes with a contemporary twist.

This woman would respond to Tocade with enthusiasm, finding in it a reflection of her own playful and flirtatious nature. The scent would serve as an extension of her personality, enhancing her charm and leaving a memorable impression on those around her. Tocade would become her signature, a fragrant expression of her joie de vivre and romantic spirit.


Wednesday, December 18, 2024

Fantastique by D'Orsay c1952

The perfume "Fantastique" by Parfums D'Orsay was launched in 1952, a period marked by post-World War II recovery and a surge in optimism and creativity. This era saw the emergence of new social norms and cultural shifts as people embraced modernity and sought to leave the hardships of the war behind. The 1950s were characterized by a sense of glamour and sophistication, with the fashion and beauty industries flourishing as women sought to express their newfound freedom and individuality.

The name "Fantastique" translates to "fantastic" in English, conveying a sense of wonder, excellence, and extraordinary qualities. Parfums D'Orsay likely chose this name to encapsulate the spirit of the time, aiming to offer a fragrance that was not only appealing but also evocative of the dreams and aspirations of the era. The term "fantastique" suggests something out of the ordinary, enchanting, and magical, making it a fitting name for a perfume intended to evoke a sense of allure and mystery.

"Fantastique" would be an appropriate name for a perfume as it conveys a sense of extraordinary beauty and captivating charm. In perfumery, the concept of intoxication is often used to describe the effect a fragrance can have on the senses, creating an almost hypnotic allure that draws people in. A perfume named "Fantastique" would aim to intoxicate the wearer and those around her with its enchanting scent, leaving a memorable impression.

Friday, December 13, 2024

La Rose Jacqueminot by Coty c1902

During the Edwardian era, garden parties reigned as the epitome of social gatherings among the elite. These events, steeped in tradition and elegance, provided the perfect backdrop for showcasing the latest floral marvels, including the coveted Jacqueminot rose. As guests mingled amidst the lush blooms, sipping on cool drinks, and indulging in dainty treats served al fresco, the successful blooming of the Jacqueminot rose stood as a testament to the host's horticultural prowess and status within polite society.

In the picturesque settings of these lively garden parties, elegant women adorned themselves in ethereal white lawn dresses, known as lingerie dresses, evoking a sense of timeless grace and sophistication. Their ensembles were complemented by large wide-brimmed picture hats, adorned with whimsical accents such as stuffed birds and blooming flowers, anchored in place by long, fancy hat pins.

As they chatted away amidst the fragrant blooms, these women may have held delicate hand-painted porcelain cups in one hand, savoring the refreshing taste of sweet iced tea or lemonade, while using a fancy hand fan in the other to cool off from the summer heat. Their attire was completed with pristine white gloves, adding a touch of refinement to their ensemble.

The tables were adorned with lace tablecloths, polished silver flatware, and sparkling crystal lemonade pitchers, creating an atmosphere of opulence and elegance. Amidst this scene of sophistication, the delicate aroma of the Jacqueminot rose lingered in the air, adding a layer of romantic allure to the festivities. With every breath, guests were transported to a realm of timeless beauty and refined luxury, where the essence of the rose intertwined seamlessly with the splendor of the garden party.



Featured Post

Faking Perfume Bottles to Increase Their Value

The issue of adding "after market" accents to rather plain perfume bottles to increase their value is not new to the world o...