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Welcome to my unique perfume blog! Here, you'll find detailed, encyclopedic entries about perfumes and companies, complete with facts and photos for easy research. This site is not affiliated with any perfume companies; it's a reference source for collectors and enthusiasts who cherish classic fragrances. My goal is to highlight beloved, discontinued classics and show current brand owners the demand for their revival. Your input is invaluable! Please share why you liked a fragrance, describe its scent, the time period you wore it, any memorable occasions, or what it reminded you of. Did a relative wear it, or did you like the bottle design? Your stories might catch the attention of brand representatives. I regularly update posts with new information and corrections. Your contributions help keep my entries accurate and comprehensive. Please comment and share any additional information you have. Together, we can keep the legacy of classic perfumes alive!
Showing posts with label Jacques Griffe. Show all posts
Showing posts with label Jacques Griffe. Show all posts

Saturday, April 15, 2017

Mistigri by Jacques Griffe c1953

Mistigri by Jacques Griffe, launched in 1953, is a fragrance that carries with it a name rich in cultural and emotional significance. The word "Mistigri" is French and is often associated with the image of a mischievous, playful cat. The term originates from the French language, where "Mistigri" or "Mistou" is a colloquial name for a cat, particularly one that is endearing, cunning, or even a little mysterious. The name has been used in French literature and popular culture, sometimes as a character name, depicting a creature or a person with a playful yet elusive nature. The name "Mistigri" carries dual meanings in French, referring both to a cat and to the "Jack of Clubs" in a deck of cards.

Jacques Griffe's choice of the name Mistigri for his 1953 fragrance suggests a deliberate evocation of these characteristics. The image of a cat, with its grace, mystery, and playful unpredictability, aligns with the nature of the fragrance itself—a spicy green composition designed for women. The fragrance likely intended to capture a sense of feminine allure that is both captivating and a little enigmatic, much like a cat that one cannot fully understand or predict. The name "Mistigri" would evoke feelings of intrigue, charm, and subtle seduction, making it a fitting and unique name for a perfume.

The choice of such a name also aligns with the broader context of the early 1950s, a time when the world was emerging from the austerity of the post-war period and beginning to embrace a new sense of glamour, sophistication, and freedom. The 1950s saw the rise of more adventurous and bold fragrances, as women sought to express themselves in ways that had been restrained during the war years. Mistigri, with its spicy green notes, would have stood out as a unique and daring choice, offering something different from the more traditional floral or powdery scents that had dominated earlier decades.

In the context of other fragrances on the market at the time, Mistigri could be seen as both aligning with and diverging from the trends. The early 1950s was a period marked by a growing interest in more complex, multi-dimensional fragrances that combined floral notes with deeper, spicier, or woodier accords. Mistigri fits this trend with its spicy green composition, yet the specific blend of notes and the playful, feline-inspired name set it apart as a distinctive offering. While many fragrances of the era aimed to evoke a sense of classic elegance, Mistigri might have appealed to women who wanted to express a more playful, independent, and slightly mysterious side of their personality.


Saturday, January 24, 2015

Parfums Jacques Griffe

Jacques Griffe, born in Carcassonne, France, in 1910, was a remarkable figure in the world of fashion, known for his mastery of garment construction and his innovative use of fabric. His early career was shaped by the influence of his mother, a talented milliner, and his initial training as a tailor. However, it was his time spent with the legendary couturier Madeleine Vionnet that profoundly impacted his approach to design. Under Vionnet’s tutelage, Griffe honed his skills in handling the bias cut, a technique that would become a signature element in his work.

After refining his craft with Vionnet, Griffe went on to establish his own fashion house in the 1940s. His designs were characterized by their bold use of color and luxurious fabrics, reflecting his love for strong visual statements. Griffe was not only a master of construction but also a visionary who brought a sense of modernity and sophistication to his creations. His work resonated with the elegance of his mentor, Vionnet, while also incorporating his distinct flair for innovation.

Griffe’s career was also shaped by another significant influence—Captain Molyneux, a revered designer of the time, whom Griffe succeeded in the fashion world. This trio of influences—his mother’s artistry, Vionnet’s precision, and Molyneux’s legacy—combined to create a designer who was both technically adept and creatively inspired. Griffe’s boutique and ready-to-wear range became synonymous with quality and style, cementing his place as a master of French fashion in the mid-20th century.

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