Cigalia by Roger et Gallet c1910

"Cigalia" by Roger et Gallet was launched in 1910, a period that coincided with the height of the Art Nouveau movement. This era, spanning roughly from 1890 to 1910, was characterized by its emphasis on natural forms, intricate lines, and organic motifs. Insects, particularly those with intricate and delicate forms like cicadas, became popular symbols and design elements in various forms of art, jewelry, and fashion. The appreciation of nature's elegance and complexity resonated deeply with the cultural and artistic sensibilities of the time.

The name "Cigalia" is derived from the word "cigale," which means "cicada" in French. Cicadas are known for their distinctive life cycle and the loud, rhythmic songs produced by the males to attract females. These insects are particularly famous for emerging en masse after spending years underground as nymphs, a phenomenon that has captured human fascination for centuries. Their emergence is often associated with the arrival of summer, symbolizing renewal and the passage of time.

The sound cicadas make is a high-pitched, continuous buzz, produced by the rapid buckling of tymbals, a part of their exoskeleton. This sound is synonymous with the heat of summer and the fullness of nature's bloom. Cicadas typically emerge during the warmer months, their life cycles synchronized with the seasons to maximize the chances of survival for their offspring.

In cultural symbolism, cicadas often represent longevity, immortality, and rebirth due to their unique life cycle. In various traditions, they are seen as harbingers of change and transformation, making "Cigalia" a name imbued with rich and evocative meanings. For a perfume, this name suggests a sense of timelessness, renewal, and the beauty of nature, qualities that would have been appealing to the sophisticated women of the Belle Époque.

Paquerettes by Roger et Gallet c1913

In 1913, the period when Roger et Gallet launched their perfume "Paquerettes," Europe was experiencing the Belle Époque era, characterized by a flourishing of arts, culture, and optimism before the outbreak of World War I. This was a time when society embraced elegance and refinement, with a keen interest in perfumes that captured the essence of nature and femininity.

Daisies, the namesake of "Paquerettes," hold a symbolic charm in perfumery. Known for their delicate white petals and cheerful demeanor, daisies evoke feelings of innocence, purity, and simplicity. Their fresh, floral scent is often associated with cleanliness and a sense of natural beauty. While daisies themselves are not typically used to extract essential oils for perfumery due to their minimal fragrance yield, their symbolic and aesthetic appeal makes them a popular choice for perfume names and themes.

Roger et Gallet likely chose the name "Paquerettes" for its evocative charm and romantic connotations. "Paquerettes," meaning daisies in French, suggests a fragrance that embodies the freshness and purity associated with these flowers. The name would appeal to individuals seeking a perfume that captures the essence of a spring meadow, filled with blooming daisies under a clear blue sky. For those who appreciate floral scents without overwhelming sweetness, "Paquerettes" would offer a subtle, natural fragrance that complements a sophisticated yet understated style.

Cigalia by Roger et Gallet and Scarabee by LT Piver

Rene Lalique is well known as a genius who designed and manufactured beautiful perfume flacons. In my opinion, the two most interesting pieces were made around the same time for two different companies, LT Piver & Roger et Gallet. Each bottle is a stylized insect, a cicada and an Egyptian scarab beetle. These were popular motifs during the Art Nouveau era and must have appealed to women with refined tastes.

Blue Carnation by Roger et Gallet c1905

Blue Carnation by Roger & Gallet: launched in 1905, then revived in 1937. You can also find it in its French name Oeillet Bleu.

Pavots D'Argent by Roger et Gallet c1926

The perfume "Pavots d'Argent" by Roger et Gallet was launched in 1926, a period characterized by significant social and cultural transformations. The Roaring Twenties was an era marked by economic prosperity, the flourishing of the arts, and a shift in societal norms, particularly concerning women's roles and freedoms. This was a time when women were increasingly embracing new fashions, working outside the home, and asserting their independence.

In this context, gardening, including the cultivation of flowers such as poppies, became a popular pastime for many women. The opium poppy, known for its vibrant and delicate flowers, was particularly admired for its beauty and symbolism. Although the growing of opium poppies at home was not widespread due to their association with opium production, ornamental varieties of poppies were common in home gardens, appreciated for their aesthetic appeal rather than their narcotic properties.

"Pavots d'Argent" translates to "Silver Poppies" in English. Roger et Gallet likely chose this name for its evocative imagery and luxurious connotations. The term "pavots" (poppies) evokes a sense of natural beauty and delicate elegance, while "d'argent" (of silver) adds an element of opulence and sophistication. Together, the name suggests a blend of nature's beauty with a touch of preciousness, making it a fitting choice for a high-end perfume.

Fleurs d'Amour by Roger et Gallet c1902

Fleurs d'Amour by Roger et Gallet was launched in 1902. This is one of the earliest perfumes marketed by Roger and Gallet in America.

Santalia by Roger et Gallet c 1955

Santalia was launched in 1955 by Roger et Gallet. Most people might remember it better as a  hair oil. It was very popular in India.

Le Jade by Roger et Gallet c1923

Le Jade by Roger et Gallet was launched in 1923. Le Jade was subtitled "The Precious Perfume."