La Fuite des Heures/Fleeting Moment by Balenciaga c1947

"La Fuite des Heures" or "Fleeting Moment" by Balenciaga is a classic fragrance that was launched in 1947. It's renowned for its elegant and timeless scent, capturing the essence of fleeting moments with its sophisticated blend of notes. Germaine Cellier, a prominent perfumer known for her bold and innovative creations, was the mastermind behind this iconic fragrance. By 1949, it had made its way to the USA, further solidifying its status as a beloved scent worldwide.

Miracle by Lentheric c1924

In 1924, when Lentheric launched the perfume "Miracle - Miracle," the world was amidst a transformative era marked by artistic and cultural revolutions. This period, known as the Roaring Twenties, epitomized a newfound sense of liberation and decadence following the First World War. The name "Miracle - Miracle" was carefully chosen to resonate with the zeitgeist of the time, capturing the spirit of optimism, innovation, and fascination with the extraordinary.

Against this backdrop, Max Reinhardt's play "Miracle" became a sensation, starring the enchanting actress Diana Manners, celebrated for her beauty and charm. The play itself symbolized the allure of theatrical magic and the ability to transport audiences to realms of wonder and fantasy. Lentheric's decision to name their perfume after this play was strategic, aiming to evoke a sense of enchantment and allure that resonated with the desires of the era's cosmopolitan and sophisticated clientele.

Moreover, the name "Miracle - Miracle" suggests not only the miraculous allure of the fragrance itself but also the transformative power it promises to its wearer. Just as Diana Manners captured hearts on stage, the perfume sought to captivate with its elegant blend of scents, promising wearers a touch of theatrical glamour and sophistication. In essence, the choice of name was a nod to the cultural currents of the time, where art, theater, and beauty converged to create moments of pure enchantment and allure, mirroring the essence of Lentheric's exquisite fragrance.

Garwood's Standard Perfumes

Philadelphia; claimed established in 1852; most likely c1873; a subsidiary of Schandein & Lind in c1900; launched a range of fragrances in the first quarter of 20th century.

Monsieur de Rauch by Madeleine de Rauch c1950

Monsieur de Rauch, a fragrance attributed to the fashion house of Madeleine de Rauch, was launched in either 1950 or 1966, according to the Dictionnaire des Parfums (1972-1973 edition). Madeleine de Rauch, the creative force behind the brand, was a French couturier who ventured into the world of perfumery, much like many designers of the time. Her haute couture house was known for its elegance and understated luxury, which naturally carried over into her fragrances. As a designer, she sought to reflect her refined aesthetic not only in fashion but also in scent, offering perfumes that resonated with sophistication and class.

The choice of the name "Monsieur de Rauch" appears to be deeply rooted in a sense of heritage and prestige. In French, "Monsieur" simply means "Mister," a formal title of respect for men, while "de Rauch" refers to the designer's family name. In terms of pronunciation, "Monsieur de Rauch" would sound like Muh-syuh duh Rosh, with the final "ch" pronounced like the “sh” in “shush.” The use of "Monsieur" in the fragrance's name evokes an image of an elegant, well-groomed gentleman, possibly one of aristocratic lineage or refined taste. The name conjures feelings of respect, formality, and timeless masculinity, suggesting that this fragrance was intended for a man who values sophistication and carries himself with dignity.

For men of the period in which Monsieur de Rauch was released, the fragrance likely conveyed a sense of identity. During the mid-20th century, men's fragrances were often marketed to reflect ideals of strength, maturity, and refinement. A scent named "Monsieur de Rauch" would appeal to the gentleman who wished to exude a sense of command and elegance. The name suggests not only a fragrance but an entire persona — someone who appreciates the finer things in life, perhaps reminiscent of a French aristocrat or a man of business and social standing.

When translated into a scent, "Monsieur de Rauch" was created by master perfumers Raymond Chaillan and Jacques Bercia. It is described as a refreshing yet bittersweet citrus-woody fragrance, with prominent woody and lemony notes. This blend suggests a balance of sharpness and warmth, with the citrus offering a clean, invigorating opening, and the woods adding a depth that speaks to masculinity and stability. The bittersweet quality points to a sense of maturity, making the fragrance suitable for a man who is confident and complex.

Marie Earle Perfumes

Established in 5th Avenue New York in 1910.

Colgate Perfumes

Colgate & Co. was located at 55 John Street New York. Established 1806. Richard M. Colgate, Gilbert Colgate, Sidney M. Colgate, Austen Colgate.

Key Dates:

• 1806: Company is founded by William Colgate in New York to make starch, soap, and candles.
• 1857: After founder's death, company becomes known as Colgate & Company.
• 1873: Toothpaste is first marketed.
• 1896: Collapsible tubes for toothpaste are introduced.
• 1898: B.J. Johnson Soap Company (later renamed Palmolive Company) introduces Palmolive soap.
• 1910: Colgate moves from original location to Jersey City, New Jersey.
• 1926: Palmolive merges with Peet Brothers, creating Palmolive-Peet Company.
• 1928: Colgate and Palmolive-Peet merge, forming Colgate-Palmolive-Peet Company.
• 1947: Fab detergent and Ajax cleanser are introduced.
• 1953: Company changes its name to Colgate-Palmolive Company.
• 1956: Corporate headquarters shifts back to New York.
• 1966: Palmolive dishwashing liquid is introduced.
• 1967: Sales top $1 billion.
• 1968: Colgate toothpaste is reformulated with fluoride; Ultra Brite is introduced.
• 1976: Hill's Pet Products is purchased.
• 1987: The Softsoap brand of liquid soap is acquired.
• 1992: The Mennen Company is acquired; Total toothpaste is introduced overseas.
• 1995: Latin American firm Kolynos Oral Care is acquired; Colgate-Palmolive undergoes major restructuring.
• 1997: Total toothpaste is launched in the United States; Colgate takes lead in domestic toothpaste market.
• 2004: Company acquires European oral care firm GABA Holding AG; major restructuring is launched.

Colgate Company of Jersey City, NJ from 1879 to 1959.

Colgate & Company had been a pioneer in establishing international operations, creating a Canadian subsidiary in 1913 and one in France in 1920. In the early 1920s the firm expanded into Australia, the United Kingdom, Germany, and Mexico. Colgate or its successor firm next created subsidiaries in the Philippines, Brazil, Argentina, and South Africa in the late 1920s. In 1937 the company moved into India and by the end of the 1940s had operations in most of South America. By 1939 Colgate-Palmolive-Peet's sales hit $100 million.

Electric Youth by Debbie Gibson c1989

Electric Youth by Debbie Gibson: Launched in 1989 in association with Revlon. Named after the best selling pop album and song.

What are Marine Fragrances?

Fragrances can be classified by certain olfactive families, or themes, or accords.

Marine:

themes are one of the newest members of the fragrance family. These notes are also called aquatic, oceanic, aqueous  and these fragrances evoke the odor of fresh sea air. It is virtually impossible to capture the true essence of oceanic air, so to create this special note, the ingredient Calone is added.

Other notes are used to evoke the watery scent of freshly fallen rain these include florals such as water lily, water hyacinths, lotus, as well as fruits and vegetables such as melon, and cucumber.

Fragrances that are classified as Marine are:

• Acqua di Gio by Giorgio Armani
• Aqua Motu by Comptoir Sud Pacifique
• Aquawoman by Rochas
• Aspen by Coty
• Bleu Marine by Pierre Cardin
• Charlie White by Revlon
• Cool Water Woman by Davidoff
• Dune by Christian Dior
• Escape by Calvin Klein
• Flore by Carolina Herrera
• Ghost Myst by Coty
• Inis by Innisfree
• Kenzo Pour Homme by Kenzo
• L'Eau d'Issey Pour Homme by Issey Miyake
• Nautica by Nautica
• Nilang by Lalique
• Ocean Dream by Giorgio Beverly Hills
• Polo by Ralph Lauren
• Ralph Lauren Blue
• Sunflowers by Elizabeth Arden
• Sunwater by Lancaster
• 360 degrees by Perry Ellis

What are Citrus Fragrances?

Fragrances can be classified by certain olfactive families, or themes, or accords.

Citrus: 

also known as hesperidic, have the familiar, fresh, crisp scents of lemons, oranges, tangerines and grapefruit peels, as well as the more exotic of scents of bergamot, petit grain and neroli (orange blossom). Eau de Cologne is the classic citrus scent. Citrus notes are generally found in men’s colognes and women’s sporty type perfumes or colognes. There are subdivisions of classifications in this family and they are:floral chypre citrus, citrus spicy, citrus woody, citrus amber, and citrus aromatic.

Fragrances that are classified as Citrus are:

• Armani by Giorgio Armani
• Boss by Hugo Boss
• California for Men by Max Factor
• Calyx by Prescriptives
• Cool Water for Men by Davidoff
• Eau de Courreges
• Eau de Guerlain
• Eau de Rochas
• Eau de Patou by Jean Patou
• Eau Fraiche by Christian Dior
• Eau Sauvage
• Guess by Georges Marciano
• Herrera for Men by Carolina Herrera
• Imperiale by Guerlain
• Lagerfeld Photo by Karl Lagerfeld
• Lauder for Men by Estee Lauder
• Listen for Men by Herb Alpert
• Liz Claiborne by Liz Claiborne
• Monsieur de Givenchy
• Nobile by Gucci
• O de Lancôme by Lancome
• Poison by Christian Dior
• Santa Fe for Women
• Tiffany for Men by Tiffany & Co
• Tuscany per Uomo by Aramis
• 4711

Intoxication by D'Orsay c1938

In 1938, the world was on the brink of World War II, with the lingering effects of the Great Depression still palpable. This was a period marked by a desire for escapism and glamour amidst uncertainties and hardships. The fashion and beauty industries often responded to such times by offering products that promised a temporary reprieve from reality, allowing people to indulge in fantasies and pleasures. "Intoxication" by Parfums D'Orsay was launched during this era, embodying this very spirit of escapism and allure. Notably, this was also a few years after the end of Prohibition in the United States, a time when society was embracing newfound freedoms and celebrating the return of legal alcohol consumption, which added to the zeitgeist of indulgence and revelry.

Parfums D'Orsay choosing the name "Intoxication" for their perfume speaks volumes about the emotional and sensory experience they aimed to evoke. The word "intoxication" suggests a state of being overwhelmed by powerful feelings or sensations, often associated with love and passion. In connection with love, "intoxication" conveys the idea of being so deeply enamored and consumed by another person that one feels a heady, almost dizzying sense of euphoria. This is an apt metaphor for a fragrance, which has the power to evoke strong emotional responses and create lasting impressions. In the context of the post-Prohibition era, the name also hints at a liberated, joyous embrace of pleasure and indulgence.

"Intoxication" is an appropriate name for a perfume because it encapsulates the transformative and alluring nature of fragrances. Perfume can create an almost magical effect, enhancing one's presence and evoking deep-seated emotions and memories. A scent that claims to intoxicate suggests that it can captivate and enthrall, much like the feeling of falling in love or being swept away by a powerful emotion. The end of Prohibition had seen a resurgence in nightlife and social gatherings, where people sought to enjoy themselves freely, and a perfume named "Intoxication" would perfectly complement this atmosphere of revelry.

In the context of perfumery, "Intoxication" relates to the concept of creating a compelling and irresistible fragrance. Perfumers aim to craft scents that can evoke strong, almost addictive responses. The name implies that the perfume has a potent and unforgettable quality, designed to leave a lasting impression on those who encounter it.

"Intoxication, the champagne fragrance that whispers 'Someone lovely has just passed by' wearing Intoxication".

Bridal Bouquet by Dana c1961

Bridal Bouquet by Dana: launched in 1961. Some of my sources state that it was first launched in 1935, but I cannot find any period advertisements to confirm this.

Antilope by Weil c1928

Antilope by Weil: launched in 1928. The perfume was trademarked in 1931 and was relaunched after WWII ended in 1945. Created by Claude Fraysse.

c1947 ad

Platine by Dana c1938

Platine by Dana: launched in 1938 in France and in USA by 1939.

The name means "platinum" and the bottles had silvery platinum foil flakes floating inside to resemble platinum. The fragrance was also released in Spanish-speaking countries as Platino.

Xanadu by Faberge c1969

Xanadu, introduced in 1969 as a groundbreaking division of Fabergé, revolutionized the realm of skincare, toiletries, and cosmetics. The brainchild of Fabergé, Xanadu promised a fresh approach to personal care for both men and women. Described in The Magazine of Wall Street and Business Analyst in 1968, Xanadu was anticipated to bring forth a new era in beauty products, offering an innovative blend of luxury and efficacy. With its launch, Xanadu aimed to redefine beauty standards and set new benchmarks in the industry.

The Magazine of Wall Street and Business Analyst, 1968:

"Early in 1969, Faberge will introduce Xanadu, a new concept in skin creams, toiletries and cosmetics for both sexes."

Tailspin by Lucien Lelong c1940

Tailspin by Lucien Lelong: launched in 1940. Created by Jean Carles. This perfume was marketed in France as Passionnement.

Tuvara by Tuvache c1948

Tuvara by Tuvache: launched in 1948. The name Tuvara was trademarked in 1965 by Tuvache. The name Tuvara comes from a species of the cassia plant and was also the name of Mme. Tuvache's daughter.

Sirocco by Lucien Lelong c1934

Sirocco by Lucien Lelong: launched in 1934. The name comes from the warm wind that blows off the Sahara.

Padisha by Weil c1922

Padisha by Weil: launched in 1922, as a gift to special clients. It was later relaunched  for public sale in 1947.

Embrujo de Sevilla by Myrurgia c1933

"Embrujo de Sevilla," launched in 1933 by Myrurgia, emerged during the Great Depression, a period marked by economic hardship and a yearning for escapism. The early 1930s were characterized by global financial instability, widespread unemployment, and social unrest. During these challenging times, luxuries like perfume offered a form of affordable indulgence and a way to momentarily transcend the daily struggles. The allure of Seville, a city steeped in rich history and romance, provided the perfect backdrop for such a product, promising a sensory escape to a more exotic and enchanting world.

Seville, the capital of Andalusia in southern Spain, is renowned for its vibrant cultural heritage, stunning architecture, and lush gardens. The city's history is a tapestry woven with influences from various civilizations, including the Romans, Moors, and Christians. Landmarks like the majestic Seville Cathedral, the Giralda tower, and the Alcázar palace with its beautiful Mudejar architecture, are emblematic of Seville's storied past. The city is also famous for its passionate flamenco music and dance, vibrant festivals like Feria de Abril, and the intoxicating aroma of orange blossoms from its many gardens.

Films of the era, such as "Blood and Sand" (1922) and its remake in 1941, showcased the romantic and exotic allure of Spain, with themes of passionate love, bullfighting, and the picturesque Spanish landscapes. These films played into the public's fascination with romanticized views of Spanish culture, making the setting of Seville an appealing and evocative choice for a perfume.

Myrurgia's choice of the name "Embrujo de Sevilla," which translates to "The Spell of Seville" in Spanish, cleverly captures the essence of this captivating city. The word "embrujo" conveys enchantment, magic, and allure, evoking a sense of mystery and seduction. This makes "Embrujo de Sevilla" an excellent name for a perfume, as it promises an enchanting and transformative experience for the wearer.

Crescendo by Lanvin c1958

Launched in 1958, Crescendo by Lanvin entered the fragrance market during a period of post-war optimism and burgeoning modernity. The 1950s were characterized by a blend of traditional elegance and emerging innovation in the perfume industry. Iconic fragrances like Dior's Miss Dior (1947) and Chanel No. 5 (1921, but continuously popular) were celebrated for their classic compositions, while new trends began to favor more complex and adventurous scents. The floral oriental classification of Crescendo placed it among the sophisticated and richly layered perfumes that appealed to the era's evolving tastes.

Lanvin's choice of the name "Crescendo" is both evocative and symbolic. The word "crescendo," derived from Italian, refers to a gradual increase in volume or intensity in music. In the context of perfume, it suggests a fragrance that unfolds and intensifies over time, revealing its complexity in layers. This concept would resonate deeply with women in the late 1950s, who were increasingly embracing modernity, sophistication, and depth in their personal style and life choices.

Women of the time would likely respond to Crescendo with enthusiasm and appreciation for its nuanced composition and evocative name. The word "Crescendo" conjures images of rising emotions, building intensity, and a harmonious blend of notes, much like a musical composition. It evokes a sense of anticipation and excitement, mirroring the progressive and optimistic spirit of the era. The imagery associated with Crescendo would be one of elegance, grace, and a powerful, yet controlled, allure.

Interpreted in relation to perfume, "Crescendo" implies a scent experience that starts subtly and grows more pronounced and captivating as it develops on the skin. It suggests a dynamic fragrance journey, where each layer of notes builds upon the previous one to create a symphony of aromas. For women in 1958, wearing Crescendo would be akin to embarking on an olfactory journey that mirrors their own life's crescendo—full of growth, complexity, and beauty.

The name also hints at a sense of drama and performance, aligning perfectly with the cultural backdrop of the time, where cinema, theater, and music were flourishing. Crescendo by Lanvin, therefore, not only offered a luxurious and sophisticated fragrance but also encapsulated the excitement and dynamic changes of the era, making it a memorable and fitting choice for the modern woman of the late 1950s.