Chenier Perfumes, Inc.

Viviny Perfumers Inc., based in West Haven, Connecticut, operated under the trade name "André Chénier," a nod to the celebrated 18th-century French poet. The company launched a comprehensive line of toilet preparations during the 1920s, which included perfumes, face powders, talcum powders, face creams, bath salts, lipsticks, and rouges. Their diverse offerings reflected the expanding beauty and cosmetics market of the era. Notably, Viviny Perfumers supplied exclusive perfumes for the upscale B. Altman department stores, catering to a clientele that demanded refined and luxurious products.

In 1931, Viviny Perfumers introduced a series of single-flower perfumes under the banner “André Chénier Fleurs.” It is believed that this collection may have been the perfumes specially commissioned for B. Altman. These creations captured the simplicity and elegance of floral fragrances, a popular trend during the early 20th century. Carroll Cut Rate Perfumer, a New York-based retailer, also marketed André Chénier perfumes, broadening their distribution and appeal.

Parfums Boue Soeurs

Boué Soeurs, a renowned couture house, was established in 1899 by two French sisters, Sylvie and Jeanne Boué, whose creative vision and entrepreneurial spirit would leave an indelible mark on the world of fashion. While their early personal backgrounds remain less documented, Sylvie and Jeanne were celebrated for their ability to merge artistry with business acumen, a combination that fueled the success of their maison for over five decades. From their initial atelier in Paris, the sisters expanded their influence globally, opening ateliers in prominent cities such as New York, Palm Beach, San Francisco, London, and Bucharest, operating from 1899 to 1953.

The hallmark of Boué Soeurs’ creations lay in their unparalleled craftsmanship and romantic aesthetic. Their couture pieces were entirely handmade, showcasing an exquisite blend of transparent lace, shimmering silver and gold lamé, and intricate passementerie. Signature elements, such as dainty ribbonwork rosettes and gathered silk ribbons, lent an ethereal quality to their garments. The sisters’ ability to incorporate light-reflecting materials and delicate embellishments epitomized the feminine elegance and sophistication of the Belle Époque and Art Deco eras. Each piece was a testament to their meticulous attention to detail and their commitment to creating wearable works of art.