Welcome!

Welcome to my unique perfume blog! Here, you'll find detailed, encyclopedic entries about perfumes and companies, complete with facts and photos for easy research. This site is not affiliated with any perfume companies; it's a reference source for collectors and enthusiasts who cherish classic fragrances. My goal is to highlight beloved, discontinued classics and show current brand owners the demand for their revival. Your input is invaluable! Please share why you liked a fragrance, describe its scent, the time period you wore it, any memorable occasions, or what it reminded you of. Did a relative wear it, or did you like the bottle design? Your stories might catch the attention of brand representatives. I regularly update posts with new information and corrections. Your contributions help keep my entries accurate and comprehensive. Please comment and share any additional information you have. Together, we can keep the legacy of classic perfumes alive!
Showing posts with label soap. Show all posts
Showing posts with label soap. Show all posts

Monday, June 4, 2018

Colgate Perfumes

Colgate & Co. was located at 55 John Street New York. Established 1806. Richard M. Colgate, Gilbert Colgate, Sidney M. Colgate, Austen Colgate.

Key Dates:

  • 1806: Company is founded by William Colgate in New York to make starch, soap, and candles.
  • 1857: After founder's death, company becomes known as Colgate & Company.
  • 1873: Toothpaste is first marketed.
  • 1896: Collapsible tubes for toothpaste are introduced.
  • 1898: B.J. Johnson Soap Company (later renamed Palmolive Company) introduces Palmolive soap.
  • 1910: Colgate moves from original location to Jersey City, New Jersey.
  • 1926: Palmolive merges with Peet Brothers, creating Palmolive-Peet Company.
  • 1928: Colgate and Palmolive-Peet merge, forming Colgate-Palmolive-Peet Company.
  • 1947: Fab detergent and Ajax cleanser are introduced.
  • 1953: Company changes its name to Colgate-Palmolive Company.
  • 1956: Corporate headquarters shifts back to New York.
  • 1966: Palmolive dishwashing liquid is introduced.
  • 1967: Sales top $1 billion.
  • 1968: Colgate toothpaste is reformulated with fluoride; Ultra Brite is introduced.
  • 1976: Hill's Pet Products is purchased.
  • 1987: The Softsoap brand of liquid soap is acquired.
  • 1992: The Mennen Company is acquired; Total toothpaste is introduced overseas.
  • 1995: Latin American firm Kolynos Oral Care is acquired; Colgate-Palmolive undergoes major restructuring.
  • 1997: Total toothpaste is launched in the United States; Colgate takes lead in domestic toothpaste market.
  • 2004: Company acquires European oral care firm GABA Holding AG; major restructuring is launched.



Colgate Company of Jersey City, NJ from 1879 to 1959.

Colgate & Company had been a pioneer in establishing international operations, creating a Canadian subsidiary in 1913 and one in France in 1920. In the early 1920s the firm expanded into Australia, the United Kingdom, Germany, and Mexico. Colgate or its successor firm next created subsidiaries in the Philippines, Brazil, Argentina, and South Africa in the late 1920s. In 1937 the company moved into India and by the end of the 1940s had operations in most of South America. By 1939 Colgate-Palmolive-Peet's sales hit $100 million.





Monday, July 25, 2016

Platine by Dana c1938

Platine by Dana: launched in 1938 in France and in USA by 1939.

The name means "platinum" and the bottles had silvery platinum foil flakes floating inside to resemble platinum. The fragrance was also released in Spanish-speaking countries as Platino.

Tuesday, March 29, 2016

Embrujo de Sevilla by Myrurgia c1933

"Embrujo de Sevilla," launched in 1933 by Myrurgia, emerged during the Great Depression, a period marked by economic hardship and a yearning for escapism. The early 1930s were characterized by global financial instability, widespread unemployment, and social unrest. During these challenging times, luxuries like perfume offered a form of affordable indulgence and a way to momentarily transcend the daily struggles. The allure of Seville, a city steeped in rich history and romance, provided the perfect backdrop for such a product, promising a sensory escape to a more exotic and enchanting world.

Seville, the capital of Andalusia in southern Spain, is renowned for its vibrant cultural heritage, stunning architecture, and lush gardens. The city's history is a tapestry woven with influences from various civilizations, including the Romans, Moors, and Christians. Landmarks like the majestic Seville Cathedral, the Giralda tower, and the Alcázar palace with its beautiful Mudejar architecture, are emblematic of Seville's storied past. The city is also famous for its passionate flamenco music and dance, vibrant festivals like Feria de Abril, and the intoxicating aroma of orange blossoms from its many gardens.

Films of the era, such as "Blood and Sand" (1922) and its remake in 1941, showcased the romantic and exotic allure of Spain, with themes of passionate love, bullfighting, and the picturesque Spanish landscapes. These films played into the public's fascination with romanticized views of Spanish culture, making the setting of Seville an appealing and evocative choice for a perfume.

Myrurgia's choice of the name "Embrujo de Sevilla," which translates to "The Spell of Seville" in Spanish, cleverly captures the essence of this captivating city. The word "embrujo" conveys enchantment, magic, and allure, evoking a sense of mystery and seduction. This makes "Embrujo de Sevilla" an excellent name for a perfume, as it promises an enchanting and transformative experience for the wearer.


Sunday, March 6, 2016

20 Carats by Dana c1933

20 Carats was first introduced in 1933 by Dana who launched Tabu just one year before. Originally only sold in their Parisian boutique, 20 Carats may have only been introduced to American women during this time by soldiers returning from duty in France, bringing home perfumes for their sweethearts, sisters and mothers.

Tuesday, November 17, 2015

Suspiro de Granada by Myrurgia c1922

In 1922, the year "Suspiro de Granada" was launched by Myrurgia, Spain was immersed in a fascinating period of cultural revival known as the "Silver Age," characterized by a resurgence of arts and literature. Granada, a city steeped in rich history, was at the heart of this romantic era. Known for its magnificent Alhambra palace, Granada symbolized the pinnacle of Moorish architecture in Spain. The city's gardens, such as those in the Generalife, were famous for their lush flora, including jasmine and roses, which infused the air with delicate fragrances.

During this time, the allure of Granada inspired numerous artists, writers, and filmmakers. Works like Washington Irving's "Tales of the Alhambra" (1832) had already established Granada as a mythical, romantic destination in the Western imagination. Films and literature of the early 20th century continued to portray Granada as a place of passion, beauty, and nostalgia, echoing the essence captured in the name "Suspiro de Granada."

"Suspiro de Granada" translates to "Sigh of Granada" in English. The name evokes a sense of longing and yearning, encapsulating the melancholic yet enchanting atmosphere of Granada's landscapes and historical legacy. Myrurgia, in choosing this name for their perfume, aimed to evoke the emotions and imagery associated with Granada - a place where the past whispers through the scent of flowers and the echoes of history.

Sunday, September 20, 2015

Flor de Blason by Myrurgia c1926

In 1926, Spain was a country rich with historical and cultural references to its chivalric past. The legacy of knights, noble families, and castles was still very much a part of the national consciousness. This era was characterized by a deep appreciation for Spain's medieval heritage, where the grandeur of castles, the intricate beauty of coat of arms, and the stories of valorous knights were celebrated. This period saw a romanticized view of the past, often depicted in literature, art, and emerging cinematic works.

Films and literature of the early 20th century often revisited these themes, glorifying the age of chivalry and the nobility. Movies that focused on medieval times, with their grandiose depictions of knights in shining armor and beautiful maidens, were popular. This historical nostalgia would have been a significant cultural backdrop against which Myrurgia launched "Flor de Blason."

The name "Flor de Blason" itself is deeply evocative and meaningful. In Spanish, "Flor de Blason" translates to "Flower of the Coat of Arms." The term "blason" refers to heraldic crests and coat of arms, symbols of noble lineage and heritage. The inclusion of "flower" evokes a sense of beauty, delicacy, and something treasured and admired. Therefore, the name combines notions of nobility and grace, suggesting a perfume that embodies these qualities.

"Flor de Blason" would make an excellent name for a perfume because it captures the essence of elegance and heritage. For women in 1926, a perfume named "Flor de Blason" would have conjured images of aristocratic splendor and timeless beauty. The name alone would evoke visions of lush castle gardens, the romanticism of noble lineages, and the refined, dignified life of the upper echelons of society.

Friday, July 24, 2015

Maja by Myrurgia c1921

Maja by Myrurgia was launched in 1921, a period marked by significant cultural and artistic developments in Europe, especially in the realms of fashion and beauty. The early 20th century saw the rise of new styles and a fascination with exoticism and romance, which were reflected in various forms of art and consumer products, including perfumes. During this time, Spain was recognized for its rich cultural heritage, vibrant arts scene, and captivating folklore, all of which influenced the creation of Maja.

Pronounced MA'-HA, the Spanish word "Maja" translates to "beautiful woman" in English. Myrurgia's choice of this name was a strategic one, aimed at evoking the allure and mystique of Spanish beauty. By naming the perfume Maja, Myrurgia tapped into the romantic and exotic image of Spanish women, renowned for their charm, grace, and passionate nature. The name itself conjures images of elegance, femininity, and a touch of the exotic, making it an appealing and marketable choice for a perfume.

The choice of "Maja" as a name for a perfume was likely influenced by the cultural connotations and emotional responses it would evoke among women of the time. A perfume named Maja would resonate with women seeking to embody or emulate the quintessential qualities of a beautiful Spanish woman. This desire for elegance, allure, and exotic appeal would have been particularly strong in the post-World War I era, a time when women were increasingly seeking new ways to express their identity and sophistication.

Women of the 1920s would have responded to a perfume called Maja with enthusiasm, as it represented not just a fragrance but an aspirational image. The name would evoke images of the quintessential Spanish beauty—graceful, passionate, and captivating. The cultural backdrop of the time, with its appreciation for exotic and romantic elements, would have made Maja a particularly enticing and desirable perfume.

The word "Maja" evokes strong images and emotions, such as elegance, sophistication, passion, and exotic beauty. It brings to mind the vibrant Spanish culture, with its rich traditions in dance, music, and art. The name also carries a sense of timeless allure, making it a unique and memorable choice for a perfume. Women interpreting the name Maja would likely associate it with these positive and aspirational qualities, enhancing the perfume's appeal.



The packaging of Maja by Myrurgia features an exotic eighteenth-century Spanish dancing girl, whose depiction is as evocative as the fragrance itself. This imagery pays homage to the legendary figure of the maja in Spanish culture—a woman known for her spirited and alluring persona. The maja is characterized by her full-skirted dress (basquina), adorned with lace (mantilla), and often seen with a handheld fan (ventilador de mano), embodying an irresistible femme fatale allure that captivated Spanish society.

In Spanish culture, the maja was celebrated for her vivaciousness and independence, contrasting with the more restrained norms of aristocratic society. Aristocratic ladies (petimetra) of the Spanish court were known to admire and emulate the maja's style, occasionally slipping away from formal gatherings to masquerade as majas themselves. This blend of admiration and emulation underscored the maja's cultural impact as a symbol of freedom and allure.

Francisco Goya, the renowned Spanish painter, famously depicted the Duchess of Alba as a naked maja in one of his paintings, causing both scandal and acclaim. This portrayal highlighted the maja's status as a subject of fascination and controversy, reflecting her enduring appeal in Spanish art and culture.

Maja, the perfume by Myrurgia, captures the essence of this spirited and vibrant persona. It is designed for those who embody the desire to dance until daylight, echoing the maja's energetic and passionate spirit. The fragrance evokes a sense of allure and excitement, mirroring the maja's legendary presence in Spanish society.

The distinctive label of Maja’s perfumes and soap boxes, inspired by the dancer Tórtola Valencia, added to its allure. Valencia, known for her captivating performances and stunning figure, embodied the essence of the Maja ideal. Her image on the packaging would have reinforced the perfume's connection to Spanish passion and seduction, making it even more appealing to women of the time.

In conclusion, the name Maja for Myrurgia's perfume was a masterful choice, evoking the beauty, passion, and elegance of Spanish culture. It resonated with the desires of women in the 1920s, offering them a way to connect with an exotic and romantic image. The perfume's launch during this vibrant cultural period, coupled with its evocative name and imagery, made Maja a significant and enduring fragrance in the world of perfumery. The packaging of Maja with its depiction of the eighteenth-century Spanish dancing girl not only enhances the visual appeal of the perfume but also enriches its cultural significance. It celebrates the maja as a timeless symbol of elegance and independence, inviting users to embrace their own inner maja and indulge in the fragrance's spirited allure. 


Goyesca?


When the renowned Spanish perfume house Myrurgia sought to introduce their popular fragrance Maja to an international market, they encountered a legal challenge. It was discovered that a Swiss fragrance already bore the name Maja, presenting a potential copyright issue. To navigate this complication and avoid infringement, Myrurgia opted to use the name "Goyesca" for their fragrance outside of Spain. This alternative name allowed Myrurgia to expand Maja's reach globally while respecting existing trademarks. Goyesca carried the same allure and essence as Maja, ensuring that the fragrance's distinctive charm was preserved for international audiences.

The Spanish word "Goyesca" translates to "pertaining to Goya" in English, referring to Francisco Goya, the celebrated Spanish painter known for his depictions of Spanish life, nobility, and majas wearing traditional costumes. The name Goyesca evokes the elegance, drama, and romance characteristic of Goya's art, making it a fitting choice for a perfume that aims to embody these qualities. Myrurgia's choice to use the name Goyesca alongside Maja underscores the cultural and artistic influences that shaped the fragrance.

Choosing "Goyesca" as an alternative name for the perfume Maja was a strategic decision by Myrurgia. It highlighted the historical and artistic connections that the fragrance represented. The name Goyesca would evoke the sophistication and timeless beauty of Goya's era, making it an appealing choice for a perfume intended to convey elegance and cultural depth.

Women of the 1920s, a period of cultural refinement and appreciation for the arts, would have been drawn to a perfume called Goyesca. The name would resonate with those who admired the romanticism and historical richness of Goya's works. Wearing a perfume named Goyesca allowed them to connect with this heritage and embody the grace and allure of the figures depicted in Goya's paintings.

The response to a perfume named Goyesca would likely have been one of admiration and desire. Women would appreciate the cultural connotations and the sophistication the name implied. The imagery associated with Goyesca would evoke a sense of nobility, romance, and historical elegance, making the perfume not just a fragrance but a means to connect with an idealized vision of Spanish beauty and culture.

The word "Goyesca" evokes images and emotions of classical beauty, artistic elegance, and historical romance. It brings to mind the richly adorned figures in Goya's paintings, dressed in traditional Spanish attire, exuding an aura of sophistication and grace. This name is unique for a perfume, standing out for its cultural and artistic references, appealing to women seeking a sense of timeless elegance.

Interpreting the word "Goyesca," one would think of the grandeur and beauty of Spain’s artistic heritage. It suggests a connection to the past, to the romantic and dramatic elements of Goya's art, and to the timeless qualities of beauty and elegance. The name would likely be seen as both sophisticated and evocative, offering a sense of cultural richness and refinement.

In conclusion, Goyesca, as an alternative name for the perfume Maja by Myrurgia, captured the essence of Spanish cultural and artistic heritage. The name, evoking Goya's timeless and elegant works, resonated with women of the 1920s who appreciated the romantic and sophisticated qualities of the past. Goyesca stood out as a unique and culturally rich name, making it a memorable and desirable perfume for those seeking to connect with Spain’s artistic legacy.


Fragrance Composition:



So what does it smell like? It is classified as a classic spicy oriental fragrance for women. A deep mossy chypre fragrance accented with rose, jasmine, and orange blossom overtones with a sophisticated blend of spices. 
  • Top notes: citrus notes, bergamot, geranium, carnation, orange
  • Middle notes: orange blossom, nutmeg, jasmine, wild lavender, cloves, rose d’Orient
  • Base notes: cypress, patchouli, vetiver, tonka bean, ambergris, sandalwood, oakmoss, labdanum

The Sketch, 1927:
"Maja, a perfume blended with artistry by MYRURGIA of Barcelona, most exquisite and delightful of Myrurgia perfumes; the chosen fragrance of those lovely ladies, wives, daughters, sisters of the proud grandees of Spain. A strange thing - fragrance. So unfailing its enchantment so subtle its allure. And women - sensitive women - know this; know how the merest breath of the just right perfume can conjure up colourful pictures inspire admiration, heighten charm or express the very soul of tremulous, unspoken thoughts. And in MAJA - lovely women find the true perfume of their dreams. The liquid essence of Youth and Love and Laughter, it breathes a message that no words can utter. For, fragrantly delicate and marvellously appealing; different, yet always in good taste, MAJA toiletries - Perfume, Eau de Cologne, Toilet and Bath Soap, Complexion Powder and Cream, are indispensable to the women who would be truly smart. Obtainable from all High class Hairdressers, Perfumers, Stores and Beauty Salons."


Scent Profile:


In the heart of Old Madrid, where the cobbled streets wind through centuries-old buildings adorned with wrought-iron balconies and sun-washed facades, the essence of Myrurgia's Maja perfume unfolds like a vibrant tapestry of scents and scenes from another era. As you wander through the bustling Plaza Mayor, a hub of activity and social exchange, you are surrounded by the lively chatter of locals and the rhythmic clatter of hooves from passing carriages.

Amidst the lively square, majas and majos, dressed in traditional attire, flirt playfully under the dappled shade of lacy mantillas. The women's dresses, richly hued and embroidered, catch the sunlight in intricate patterns that echo the spice-laden allure of Maja. Petimetras, the aristocratic ladies seeking respite from formalities, mingle with the crowd, their laughter mingling with the strains of guitars and tambourines played by street musicians nearby.

Stalls overflowing with ripe citrus fruits and fragrant herbs line the edges of the plaza, their vibrant colors and earthy aromas mingling with the perfume of Maja in the warm air. Nearby, artisans deftly craft leather goods and intricate lace, their workshops filled with the scent of tanned hides and freshly spun thread. The nearby gardens offer a respite from the bustling marketplace, their pathways lined with orange blossoms and lavender, their sweet, floral scents blending harmoniously with the spicy overtones of the perfume.

Passing by notable landmarks like the Royal Palace, its imposing facade a testament to centuries of royal patronage and artistic achievement, you catch glimpses of ornate gardens where roses bloom alongside ancient cypress trees. Here, the scent of jasmine and wild lavender hangs in the air, punctuated by the warm, earthy notes of patchouli and vetiver that evoke the timeless allure of Maja.

In this sensory journey through Old Madrid, you taste the sweetness of freshly squeezed oranges from a nearby vendor, their tangy juice awakening your palate. You feel the soft touch of silk mantillas displayed in market stalls, their intricate lacework a testament to the artisanal craftsmanship that defines Spanish elegance. And as you breathe in deeply, the complex layers of Maja unfold—citrusy bergamot and geranium mingle with the warm spice of cloves and nutmeg, while the floral bouquet of jasmine, rose d'Orient, and orange blossom dances on your skin.

As the day fades into evening, you find yourself enchanted by the lingering traces of sandalwood and oakmoss that whisper of ancient traditions and timeless allure. Myrurgia's Maja perfume, with its classic spicy oriental composition, embodies the spirit of Old Madrid—a blend of history, passion, and the vibrant soul of Spanish culture captured in every drop.



Tortola Valencia:


Tórtola Valencia, born in 1882 in Seville, Spain, and passing away in 1955, was a celebrated Spanish dancer and actress. She was renowned for her captivating performances and distinctive style that blended various dance traditions, including Spanish, Oriental, and classical ballet. Her real name was Carmen Tórtola Valencia, but she was widely known by her stage name, Tórtola Valencia.

Valencia's career spanned the early to mid-20th century, a time when she gained international fame for her artistic versatility and expressive dance. She was a prominent figure in the cultural and artistic scenes of Europe and Latin America, performing in major cities and captivating audiences with her innovative choreography and dramatic presence. Her performances were characterized by elaborate costumes and a unique ability to convey deep emotion through movement, which made her a standout figure in the world of dance.

Tórtola Valencia's influence extended beyond the stage; she was a muse for many artists, writers, and intellectuals of her time. Her image and persona embodied the romantic and exotic ideals that were highly prized in the early 20th century. She was often depicted in art and literature, and her style had a significant impact on the aesthetics of the period.

The distinctive label of Maja’s perfumes and soap boxes, inspired by Tórtola Valencia, featured her likeness and was a tribute to her allure and artistic legacy. Her image on the packaging of Maja products reinforced the perfume's connection to Spanish passion and seduction, making it even more appealing to women seeking to embody these qualities. Valencia’s association with Maja enhanced the fragrance's romantic and exotic appeal, cementing its place in the cultural and artistic fabric of the time.






Bottles:


Maja by Myrurgia has been presented in various exquisite perfume bottles over the years, each contributing to the fragrance's allure and connection to Spanish culture. The packaging is an essential aspect of Maja's charm, with boxes covered in paper printed with the image of a Spanish shawl in red, gold, and black. These colors are traditionally associated with Spain and evoke the vibrant, passionate spirit of Spanish culture.

The earliest flacons of Maja were designed by the renowned glass designer Julien Viard. His designs were intricate and elegant, reflecting the sophistication of the perfume itself. Some of these early bottles featured tall figural stoppers shaped like a fountain, adding a distinctive and artistic element to the presentation. These stoppers not only enhanced the visual appeal of the bottles but also symbolized the flowing and sensual nature of the fragrance.

Viard's bottles came in different forms, with some made of clear crystal and others crafted from rare black crystal. The clear crystal flacons allowed the golden hue of the perfume to shine through, creating a sense of purity and luxury. In contrast, the black crystal bottles were luxuriously accented with black gilding, offering a dramatic and opulent presentation that stood out on any vanity. The use of black crystal was particularly rare and added an element of exclusivity to the perfume.

The packaging of Maja was as carefully considered as the bottles themselves. The boxes were adorned with the image of a Spanish shawl, a symbol of traditional Spanish attire and culture. The red, gold, and black colors of the shawl design were not only visually striking but also deeply symbolic. Red often represents passion and love, gold signifies wealth and opulence, and black adds a touch of mystery and elegance. Together, these colors encapsulated the essence of Maja—passionate, luxurious, and enigmatic.

Overall, the design of Maja's perfume bottles and packaging played a crucial role in its identity and appeal. The collaboration with Julien Viard and the use of traditional Spanish motifs in the packaging created a harmonious blend of art and culture. These elements not only enhanced the aesthetic value of the perfume but also reinforced its cultural and emotional connections, making Maja a timeless symbol of Spanish beauty and passion.








Product Line:


The Maja by Myrurgia fragrance line expanded significantly over the years, offering a variety of products that allowed fans to enjoy the signature scent in multiple forms. This diversification not only catered to different preferences and needs but also helped solidify Maja's place as a versatile and enduring brand in the world of perfumery.

The Parfum (Extracto) was the most concentrated and luxurious form of Maja's scent. It offered an intense and long-lasting fragrance experience, capturing the essence of Maja in its most refined state. This version was typically housed in the most elaborate bottles, often featuring intricate designs and high-quality materials, emphasizing the exclusivity of the product.

Eau de Toilette (Aqua de Tocador) and Parfum de Toilette provided lighter, more versatile versions of the fragrance. These variations were suitable for everyday wear, offering a balance between the intensity of the pure parfum and the subtlety of a cologne. Eau de Toilette was particularly popular for its refreshing and uplifting qualities, making it ideal for daytime use.

Cologne (Colonia) was a more diluted version of the scent, offering a lighter and more invigorating fragrance. It was perfect for those who preferred a subtler scent or wanted a refreshing splash after a shower. The cologne often came in larger bottles, emphasizing its role as a generous and everyday fragrance option.

Lotion (Locion), similar to an Eau de Toilette, offered a fragrant yet light experience. It was a practical and versatile product, allowing users to enjoy the signature Maja scent in a format that was ideal for daily use. The locion provided a refreshing touch and was suitable for those who wanted a lighter, more easily wearable version of the fragrance.

Maja also offered face powder (polvos) and talcum powder (talco), which were infused with the signature scent. These products provided a subtle way to enjoy the fragrance while offering practical benefits. The face powder added a hint of scent while helping to mattify and set makeup, and the talcum powder provided a light, fragrant touch to the skin, ideal for after bathing.

Shower gel and body lotion expanded the line into personal care, allowing users to incorporate the fragrance into their daily routines. The shower gel provided a fragrant cleansing experience, while the body lotion offered hydration with the added benefit of the beloved Maja scent. These products made it easy to enjoy the fragrance in a more intimate and immersive way.

Liquid hand soap and scented soap (jabon) rounded out the product line, ensuring that the delightful aroma of Maja could be experienced throughout the day. The liquid hand soap was a convenient and luxurious addition to any bathroom or kitchen, providing a fragrant cleansing experience. The scented soap, often beautifully packaged, offered a traditional and elegant way to incorporate the scent into daily hygiene routines.

Overall, the extensive product line of Maja by Myrurgia allowed users to immerse themselves in the fragrance in various ways. From the concentrated luxury of Pure Parfum to the everyday practicality of cologne and personal care products, Maja offered a comprehensive and versatile fragrance experience that catered to a wide range of preferences and needs. This diverse product line played a significant role in maintaining Maja's popularity and cultural significance over the years.




Eau de Cologne (Colonia):


The early Eau de Cologne (Colonia) bottles of Maja by Myrurgia were distinctive in their design and underwent several changes over time, reflecting the evolution of both style and functionality in perfume packaging. Initially, these bottles were tall and almost oval-shaped, presenting a sleek and elegant silhouette that complemented the fragrance inside. The bottles were crafted to showcase the clarity of the liquid and often featured glass stoppers, adding a touch of luxury and refinement to the presentation.

As trends and manufacturing techniques evolved, the stoppers of the Eau de Cologne bottles underwent transformations. Initially adorned with glass stoppers, which enhanced the aesthetic appeal and provided a secure seal for the fragrance, the design later shifted to black Bakelite stoppers. Bakelite, a durable and heat-resistant synthetic material popular in the early 20th century, offered a practical alternative while maintaining a sleek appearance.

In subsequent iterations, the stoppers were further updated to a different type of plastic, adapting to modern materials and manufacturing methods. These changes in stopper materials not only influenced the aesthetic appeal of the bottles but also enhanced their functionality and ease of use for consumers.

The Eau de Cologne (Colonia) was available in several sizes, catering to different preferences and usage needs. This range of sizes allowed consumers to choose between smaller bottles for travel or sampling purposes and larger ones for everyday use or as a luxurious addition to their vanity.

Overall, the early Eau de Cologne bottles of Maja by Myrurgia exemplify the brand's commitment to both aesthetic elegance and practical functionality. Through their evolving design and choice of materials for stoppers, these bottles not only preserved the integrity of the fragrance but also reflected the changing tastes and technological advancements of their time, ensuring that Maja's allure remained timeless and appealing to perfume enthusiasts.

Glass stoppers:
  • 1/32 litre
  • 1/16 litre -
  • 1/8 litre - 
  • 1/4 litre - 
  • 1/2 litre - stands 9.75" tall (glass stopper)
  • 1 litre

Bakelite Caps:
  • 1/32 litre
  • 1/16 litre - stands 4" tall (bakelite cap)
  • 1/8 litre - stands 5.25" tall (bakelite cap)
  • 1/4 litre - stands 7" tall (bakelite cap)
  • 1/2 litre - 
  • 1 litre





Locion in the Maja product line, originally designed as a friction lotion to be applied to the skin, provided a luxurious and aromatic experience reminiscent of Old Madrid's vibrant charm. Unlike modern-day lotions, Locion served as an Eau de Toilette (toilet water), offering a lighter and refreshing fragrance. Housed in elegant glass bottles, these were tall, rectangular, and almost oval-shaped, echoing the design of Maja's Eau de Cologne (Colonia) counterparts. Adorned with black Bakelite screw caps or, alternatively, tall, narrow rectangular bottles with brass screw caps, Locion's packaging exuded a vintage allure that complemented its sophisticated blend of spices and floral notes.

  • 1/2 oz - stands 3.5" tall




Talcum Powder (Talco):


The talcum powder in the Maja product line was elegantly presented in a shaker top tin adorned with colorful graphics that harmonized with the overall packaging aesthetic of the brand. The tin itself was designed not only for practicality but also to enhance the visual appeal of the product. Covered in vibrant and intricate graphics, the tin captured the essence of Maja's allure, reflecting its Spanish heritage and the rich cultural motifs associated with the fragrance. The shaker top allowed for easy application, dispersing the fragrant powder lightly and evenly, imparting a subtle yet lasting scent that complemented the entire Maja experience. This attention to detail in packaging underscored Maja's commitment to blending functionality with artistic elegance, making the talcum powder a cherished part of the fragrance line for discerning enthusiasts.





Face Powder & Compacts:


The face powder (polvo) in the Maja product line was available in two distinct types of packaging, each designed to enhance the application and aesthetic appeal of the product. One option was a round cardboard box, while the other was presented in compacts, catering to different preferences and practical needs.

The round cardboard box housing the face powder exemplified Maja's attention to traditional elegance and craftsmanship. Adorned with colorful and intricate designs that echoed the brand's Spanish heritage, these boxes added a touch of vintage charm to any dressing table or vanity. The round shape not only facilitated easy storage but also ensured that the powder inside remained protected and pristine.

Alternatively, Maja also offered the face powder in compacts, which provided a more portable and convenient option for users on the go. These compacts featured durable and stylish casings, and embellished with motifs that complemented the overall packaging theme of the Maja line. The compact design allowed for effortless application, with a built-in mirror for quick touch-ups throughout the day.

Both the round cardboard boxes and compacts maintained the high standards of quality and aesthetic refinement that characterized the Maja brand. Whether housed in the nostalgic charm of a round cardboard box or the practical elegance of a compact, the face powder enriched the Maja experience with its luxurious texture and subtle fragrance, reflecting a blend of tradition and modernity that appealed to discerning users.


Rouge Maja:


Lipstick.




Cream Maja:


A face cream in glass boxes. "This is a cream of superlative degree of purity in the creation of which Myrurgia has drawn largely upon ancient cosmetic formulas of Arab tradition elaborated according to the most up-to-date methods of chemistry. Its scent is exquisite; its effect on the skin constitutes a marvel of dermatology, the receptacle that contains it is an ornament for the boudoir."

 



Brilliantine:


Solid brilliantine, a hair grooming pomade, was housed in black glass pots with screw on lids. Liquid brilliantine was contained in glass bottles with screw caps.





Shampoo Powder:




Soaps (Jabon):



Today, I use the scented Maja soaps, rich in lather and olive oil, they have a very soft, subtle scent that lingers on the skin hours after bathing.





Fate of the Fragrance:


In 1960, a new version of Maja emerged onto the market, appropriately named Nueva Maja (New Maja). This updated fragrance offered a fresh take on the classic Maja scent, introducing subtle variations while maintaining the essence that had captivated generations. Over the years, however, Nueva Maja was discontinued, becoming a rare find cherished by collectors and aficionados of vintage perfumes.

Despite the discontinuation of Nueva Maja, the original Maja fragrance continues to be available in various forms, ensuring that its timeless allure can still be experienced. However, finding the original fragrance in its authentic vintage form can be a rewarding pursuit, as it has undergone several reformulations throughout its history. Each formulation retains elements of the signature Maja scent, but vintage versions often carry nuances and complexities that perfume enthusiasts appreciate for their historical and olfactory richness.

Maja's enduring presence in the perfume market speaks to its lasting appeal and cultural significance. While Nueva Maja may no longer grace perfume counters, the legacy of Maja persists through its various formulations and products, offering a touch of Spanish elegance and allure to those who seek its distinctive fragrance.


Thursday, February 5, 2015

Savonnerie Parfumerie Maubert

Isnard - Maubert Parfumeur:  A perfumery, cosmetic and toiletry shop established at 17 rue Lamartine, Lille, France in 1819; also see ' Parfumerie du La Val Creux', associated with Chrome et Cie; associated with Savonnerie Parfumerie Maubert. Maubert Jeune.




Tuesday, December 16, 2014

Ann Haviland Perfumes

Ann Haviland of Haviland Laboratories. Established by Ann Haviland in 1909 at West 57th Street in. Ann Haviland reportedly learned the art of perfumery in far off Smyrna, Turkey, where she lived as a girl.

Sunday, September 28, 2014

Ming Toy by Parfumerie Forest c1923

Ming Toy by Parfumerie Forest, launched in 1923, encapsulates the fascination with exoticism and orientalism that characterized much of the Western artistic and cultural output in the early 20th century. The name Ming Toy is an anglicized version of a Chinese name, deriving from the titular character Ming Toy, a Chinese girl in the 1918 musical comedy East Is West. This Broadway hit, later adapted into films, featured themes of cross-cultural romance and societal norms. Parfumerie Forest likely chose the name to evoke a sense of allure, fantasy, and cultural mystique that appealed to Western audiences of the time.

The phrase Ming Toy is often thought to derive from Cantonese or Mandarin, though it does not have a direct, universal translation. Pronounced roughly as “Ming Toh-ee” (with "Ming" as it sounds in English and "Toy" softened with a slight emphasis on the "ee"), it conjures imagery of brightness (ming can mean "bright" or "shining" in Mandarin) and daintiness (toy is often associated with diminutiveness or playfulness). Together, the name evokes delicacy, lightness, and a whimsical charm. For Western women of the 1920s, the name Ming Toy likely carried exotic and romantic connotations, presenting a fantastical vision of the East rather than an authentic cultural representation. It symbolized sophistication and adventure, appealing to those captivated by global influences and escapism.


Fay Bainter and Hassard Short in Ming Toy.

Sunday, April 6, 2014

Blondeau et Cie & Vinolia

Blondeau et Cie and the Legacy of "Vinolia": A History of Luxury Toiletries and Perfumes


Blondeau et Cie was a notable Anglo-French company established around 1885 by Dr. Eggleston Burrows and James Hill Hartridge. Headquartered at Lever House on Victoria Embankment in London, their origins lay primarily in soap manufacturing. However, the firm expanded its offerings to include exquisite perfume presentations and a celebrated line of toiletries under the "Vinolia" brand, which remained active until 1930.

The "Vinolia" brand was launched in 1888, initially focusing on high-quality soaps crafted for sensitive skin. Its products quickly gained a reputation for superior quality and became synonymous with luxury and refinement. By 1892, the brand diversified its portfolio to include perfumes, toiletries, and skincare products, all marketed under the Blondeau et Cie name.

In 1898, the company restructured for family and financial reasons, transitioning into a private company with a nominal capital of £100,000. It was renamed the Vinolia Company Limited. By 1899, the business underwent another transformation, becoming a public company to further its growth and capitalize on its burgeoning reputation in both domestic and international markets.

Sunday, March 23, 2014

Garden Court Toiletries & Perfume

Garden Court Toiletries were manufactured by Nelson of 61 Brooklyn Avenue, Detroit, Michigan. Subsidiary of Penslar Stores.




Tuesday, January 21, 2014

Solon Palmer Perfumes

Solon Palmer, an influential figure in the world of perfumery and toiletries, established his company in 1847 in Cincinnati, Ohio. As a perfumer and chemist, Palmer's venture quickly became known for its high-quality products. His early offerings included Palmer's Invisible, a ladies’ face powder, and a selection of handkerchief extracts and toilet soaps. These initial products set the stage for Palmer’s subsequent success, helping to build a strong foundation for his business.

In 1870, Palmer expanded his operations by opening a branch in New York City at 12 Platt Street. This move was a strategic step to tap into the vibrant and growing market of New York. Shortly after, he relocated the branch to 372, 374, and 376 Pearl Street, reflecting the company's growth and increasing prominence. Palmer's presence in New York enabled him to reach a broader audience and enhance the brand's reputation on a larger scale.

By 1892, the company was under the leadership of Solon Palmer's son, Eddy Palmer. Eddy’s management marked a new phase for the business, continuing its growth and innovation. Eventually, the company came under the stewardship of Solon M. Palmer, ensuring that the family's legacy in the perfumery and toiletry industry continued. The Palmer family maintained the business until 1947, a testament to their enduring influence and the company’s resilience through changing times.

Throughout its history, Solon Palmer’s company expanded its product range significantly. From its early focus on face powders, handkerchief extracts, and soaps, the line broadened to include powders, sachet powders, rouges, lotions, cold creams, tissue creams, perfumes, brilliantine, and lipsticks. This diversification reflected the company’s adaptability and its ability to cater to evolving consumer needs and preferences.

The design of Palmer's perfume bottles also evolved over time. Early cologne bottles were distinguished by their beautiful deep emerald green or rich teal hues and typically featured a lay-down style. These bottles were not only functional but also aesthetically pleasing, enhancing the product’s appeal. As the years progressed, the design shifted to clear or light aqua glass bottles with cylindrical or hourglass shapes. These later bottles represented a more modern approach while maintaining the elegance associated with the Palmer brand.

Monday, December 30, 2013

Flora Danica by Royal Copenhagen c1980

Flora Danica by Royal Copenhagen, a division of Swank, is a discontinued perfume still popular with its original users. This elusive fragrance is very hard to find today and commands high prices when offered for sale. The perfume was introduced in 1980 and discontinued around 1986.





Monday, November 18, 2013

Cleopatra Soap

During the early 1960's, Colgate-Palmolive was looking to create a special luxury soap for a targeted demographic, women aged from 18-49 to compete with Dove, which had always been the most expensive brand of soap available for many years. After plenty of research, Colgate-Palmolive introduced their Cleopatra brand soap inspired by the queen of the Nile’s own beauty regimen.



Thursday, October 31, 2013

Jungla by Myrurgia c1933

The year 1933, when Myrurgia launched the perfume "Jungla," was marked by the global impact of the Great Depression. This era saw widespread economic hardship, with high unemployment rates and significant financial instability. Amid these challenging times, people often sought means of escapism to distract themselves from their daily struggles. One popular form of escapism was cinema, where movies with exotic and adventurous themes provided a temporary respite from reality.

The early 1930s saw the release of several films that transported audiences to far-off, mysterious locales. For example, "King Kong" (1933) depicted a thrilling adventure on a tropical island, blending elements of the exotic with danger and excitement. Such films fueled the public's imagination about jungles, tropics, and the allure of the unknown. Against this backdrop, Myrurgia's choice to name their perfume "Jungla" resonated deeply with contemporary themes and cultural fascinations.

The word "Jungla" means "jungle" in Spanish, evoking images of dense, lush forests teeming with vibrant flora and fauna. This imagery aligns perfectly with the themes of exoticism and tropical escapism that were popular at the time. By naming the perfume "Jungla," Myrurgia tapped into the collective longing for adventure and the allure of the unknown. It suggested a fragrant journey to a distant, unspoiled paradise, offering an olfactory escape from the harsh realities of the Great Depression.

"Jungla" made an excellent name for a perfume because it conjured notions of mystery, adventure, and natural beauty. For women of the time, a perfume named "Jungla" would symbolize a sense of liberation and exploration. The exotic connotations of the jungle might have provided an empowering contrast to the mundane or challenging aspects of their daily lives. This name would likely evoke feelings of curiosity, excitement, and a desire for adventure.

Women of the 1930s, seeking relief from the stresses of the Great Depression, might have responded positively to a perfume called "Jungla." It would have represented an opportunity to indulge in a sensory escape, to imagine oneself in an exotic, far-off land. The rich, evocative scent of the perfume could transport them, if only momentarily, to a place of beauty and wonder.


The word "Jungla" evokes vivid imagery of untamed nature, vibrant colors, and the sounds of wildlife. It suggests an environment that is both alluring and slightly dangerous, promising excitement and new experiences. This name is unique for a perfume, as it stands out from more traditional names that might focus on floral or romantic themes. "Jungla" implies a bold, adventurous spirit, appealing to women who desired a fragrance that was as daring and unique as they aspired to be.

In summary, "Jungla" by Myrurgia was a product of its time, reflecting the era's fascination with exoticism and escapism. The name "Jungla" captured the imagination of women seeking adventure and beauty beyond their everyday experiences, making it a compelling and memorable choice for a perfume.

Tuesday, July 16, 2013

Elizabeth Arden Treasures of the Pharaohs Vanity Collectibles


For Christmas 1982, Elizabeth Arden offered her Blue Grass bath line in beautiful porcelain vanity
accessories. These accessories had an exotic theme, Ancient Egypt. The line was dubbed "Treasures of the Pharaohs" and was based on some actual ancient artifacts found in tombs of the pharaohs and nobles.

I have compiled a list of items included in the line:
  • Double headed ibex boat held three shell shaped soaps.
  • Horus the falcon powder jar
  • Frog pomander
  • Cat shaped bath salts trinket box
  • Camel shaped bath salts trinket box
  • Hippo shaped candle holder with lid
  • Dresser tray decorated with lotus motifs
  • Cat shaped pomander
  • Bird pomander
  • Duck shaped soap dish
  • Egyptian sarcophagus shaped dresser jar with bath salts
  • Lotus shaped candle holder with lid.
  • Ibis bird box
  • Lotus decorated jar/lid (four petal top, jagged edges, half circle knob)
  • Lotus decorated small jar/lid candle holder, (four petal top, smooth edges, flower knob)
  • Lotus decorated tall jar for bath crystals, with round stopper, rounded bottom, on 3 leg brass stand
  • Tall vase shaped jar with blue triangle design, with double lotus stopper
  • Small round dish with lotus
  • Queen Nefertari decorative bust on stand
If you have something that is not listed, let me know and I will update the list. Thanks to Pam for helping me update the list.


photo by ruby lane seller GreatVintageStff

Photo from Perfume Bottles Auction



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