Vintage Filigree Vanity Sets

This guide offers a detailed exploration of vanity accessories manufactured between the 1940s and 1960s by renowned companies such as Apollo, Matson, Stylebuilt, Guildcrest, Globe, and others. These items were typically sold in department stores, drugstores, and jewelry shops of the era.

The ormolu pieces featured in these collections are designed in the Rococo style, showcasing romantic motifs such as cherubs, birds, butterflies, scrolling patterns, intricate filigree, and stylized floral designs, particularly roses. During the 1940s through the 1960s, some dresser sets were adorned with large, faceted jewels, adding a touch of elegance and luxury. It is important to note that while these pieces may resemble certain antique styles, they should not be mistaken for true antiques or items of French or Italian origin. Commonly, some dealers mistakenly label these as "Victorian," "French," or "Italian," but these pieces are not from those periods or regions.

I understand that many individuals may not have the time or resources to conduct thorough research on their items, and some may prefer to remain uninformed when it comes to the true age of their possessions. However, for those who seek accurate information, this guide will ensure that your items are correctly identified, preventing misrepresentation in the marketplace.

Many of these items may have lost their original labels and tags over time due to years of use. However, based on my extensive experience, you can be confident that your piece originates from one of the listed manufacturers.

These vintage accessories bring a touch of glamour to any vanity, countertop, powder room, or even nightstand, adding charm and sophistication to any space.

Perfume Bottles

Many of the perfume bottles from this era are reminiscent of reliquaries, featuring beveled glass windows and a small glass vial inside to hold the fragrance. The perfume can be applied using a long glass dauber attached to an intricately designed filigreed stopper. These bottles were often sold as pairs, with the glass windows available in clear, pink, or amber hues.

In addition to the traditional bottles, atomizer bottles were also popular, containing plastic siphon tubes inside. Some bottles feature pressed glass bases with gilded metal mounts and daubers, adding an extra touch of elegance. To maintain the integrity of these items, it’s recommended to clean any old perfume residue with alcohol.

It is essential to clarify that these bottles are not Victorian nor true antiques. There are no perfume bottles from the Victorian era that resemble these large, often oversized bottles. Some of these pieces can stand as tall as 10 inches or more. Additionally, you might encounter a single faceted glass or Lucite jewel embedded in the center of the stopper. Some perfume bottles also feature plastic elements behind the filigree that imitate mother of pearl; however, it is important to note that this is plastic, not genuine mother of pearl.

Jewel Caskets

Jewel caskets from this era typically feature beveled glass sides, secured by tooth-like prongs that hold the glass in place, enhancing the elegant appearance of these pieces. The bottoms of the caskets are lined with plush velvet in a variety of colors, including tan, burgundy, purple, or blue. In some instances, the velvet is tufted and accented with small gold-tone brads, adding a refined touch to the interior. The glass of these caskets comes in several hues, including amber, pink, or clear, providing a range of options for collectors or decorators.

In some designs, you might find a single faceted glass or Lucite jewel set in the center of the lid, which further elevates the casket's charm. These caskets come in a variety of shapes, from oval, rectangular, triangular, round, and square, to even spherical ball-shaped designs, offering versatility and appeal for different tastes. However, it’s important to remember that these pieces are not antiques. For instance, I once encountered a seller attempting to pass off a 1950s signed Matson jewel casket as an "Antique Victorian Mourning Box," which was a misrepresentation of its true origin.

Hand Mirrors, Brushes and Combs

Hand mirrors from this period are typically crafted with beveled glass, which adds depth and a touch of sophistication to the piece. The handles of these mirrors are often adorned with intricate designs, making them not only functional but also ornamental. In some cases, you might find a single faceted glass or Lucite jewel set on the back of the mirror, enhancing its decorative appeal. These jewels, whether glass or Lucite, offer an additional layer of glamour to the already elegant design.

Combs from this era often feature teeth made of Lucite, a lightweight and durable material that was commonly used during the mid-20th century. Lucite provides a smooth finish and adds a subtle sheen to the combs, making them both practical and visually appealing. Similarly, brushes from this time typically have nylon bristles, which were favored for their sturdiness and ease of use. The backs of both the mirrors and brushes can sometimes feature decorative filigree, with plastic backing that mimics the appearance of mother of pearl. However, it's essential to note that while these pieces may resemble genuine mother of pearl, the backing is typically made from plastic, not the authentic material.

Trays

Vanity trays from this period vary in size, with many large enough to accommodate an entire vanity set, while others are more compact, designed specifically to hold just a pair of perfumes. These trays often feature a mirror as the base, enhancing their functionality while adding a reflective surface that complements the items displayed upon them. In some instances, the base is crafted from beveled glass, which further elevates the visual appeal and adds a touch of sophistication to the design.

Each tray is typically framed with an intricate gilded border, often featuring ornate patterns and detailing that speak to the opulence of the era. Some trays may be adorned with large, faceted glass or Lucite jewels at each end, which serve as eye-catching accents and elevate the tray's decorative value. Additionally, certain trays come with handles, making them easy to carry or move around, while others are footed, providing a stable base for the items displayed. In more contemporary examples, you might also encounter newer style plateaus, which offer a modern twist on the traditional vanity tray design, combining elegance with practicality.

Pieces you may find:

• Hand mirrors
• Adjustable Mirrors on stands
• Perfume bottles
• Perfume Atomizers
• Hair Brushes
• Combs
• Large dresser trays
• Jewel caskets
• Kleenex covers
• Hairspray can covers
• Lipstick holders/caddies
• Pin trays
• Clocks
• Picture frames
• Powder jars
• Soap dishes
• Toothbrush holders
• Candy dishes
• Cup holders and cups
• Vanity trash baskets
• Compacts
• Ashtrays
• Lighters
• Cigarette boxes
• Vanity lamps

Major Companies:

Please be advised that any photos included and items with attributions have been thoroughly verified through markings, labels, or tags. These identifiers are essential in confirming the authenticity and origin of the pieces. Markings often provide key information about the manufacturer, the year of production, or the specific model, while labels and tags can further solidify the provenance of the items. Each attribution has been carefully cross-checked against reliable sources to ensure that the items are accurately identified. This process guarantees that the items shown are properly represented, providing confidence in their authenticity.

Stylebuilt: 

Stylebuilt, a New York-based company established in 1940, became renowned for its production of vanity and bath accessories, particularly during the 1960s and into the 2000s. The brand is most recognized for its intricate filigree designs, which were predominantly produced during the 1960s and 1970s. These accessories often feature elaborate detailing that evokes an air of elegance and refinement, characteristic of the era.

The majority of Stylebuilt items were crafted using gold-tone or silver-tone alloy metals, offering a sleek and polished appearance. Some pieces were also finished with antique white enamel, giving them a soft, vintage look that complemented their ornate design. A notable feature of many Stylebuilt accessories is the 24kt gold plating, which was often applied to the pieces. This gold plating not only enhanced their visual appeal but was also marketed as tarnish-proof, ensuring the longevity of the pieces and maintaining their shiny, polished surface for years. Stylebuilt’s combination of luxurious materials and attention to detail made their products highly sought after during their peak in the mid-20th century.

The jewelry caskets produced by Stylebuilt are elegantly lined with rose-colored velvet, adding a soft and luxurious touch to the interior. The velvet lining not only enhances the caskets' aesthetic appeal but also helps protect the contents, such as precious jewelry, from scratches and damage. Many of Stylebuilt's soap dishes and tumblers are thoughtfully crafted with either glass or china inserts, providing both durability and style. These items often feature detailed decorative themes, such as delicate roses, intricate tassels, graceful rococo scrolling, and lush ivy, all of which evoke a timeless, romantic charm.

Stylebuilt, still in operation today under the name Stylebuilt Accessories Inc. in New York, continues to be recognized for its refined vanity accessories. Vintage Stylebuilt items may still bear their original labels or tags, which typically read: “Stylebuilt Accessories, New York, 24K Gold Plated, Guaranteed Not To Tarnish.” This guarantee reflects the high-quality craftsmanship and tarnish-resistant properties of the brand’s gold-plated pieces. Some items may also carry a label that reads "Stylebuilt Frame Co.," indicating the company’s earlier focus on decorative frames. These labels serve as key identifiers for collectors and enthusiasts of vintage vanity and bath accessories.

CLICK HERE TO FIND STYLEBUILT VANITY ACCESSORIES

Matson: 

The Matson Manufacturing Company, located at 347 Fifth Avenue, New York, NY 10016, was a prominent producer of vanity and powder room accessories during the 1950s and 1960s. Their items were commonly marked with the trademark © Matson or Matson Import, indicating their authenticity. Renowned for their elegant designs, Matson pieces were often crafted with 24kt gold plating, which was a signature feature of their high-quality products. Many of their items came with a small label or tag confirming the gold plating, which served as a guarantee of their luxurious finish.

Matson’s designs were often finished with a special "antique white" or "antique gold" wash over brass, giving their pieces a distinctive vintage look. This antique finish added depth and character to the metal, making the accessories look elegantly aged while still maintaining a high degree of polish and craftsmanship. Matson’s collection included several signature patterns, such as Dogwood, Poppy, Rose, and Zinnia, each characterized by intricate detailing and floral motifs that added a touch of nature’s beauty to the vanity. Many of their pieces also featured paper labels stating "antique gold finish" and "guaranteed not to tarnish," reflecting the brand’s commitment to quality and durability. These labels are important identifiers for collectors and are essential in verifying the authenticity of vintage Matson accessories.

Information regarding Matson Manufacturing Company is quite scarce, and there seems to be some confusion surrounding its history. A particularly persistent rumor that has surfaced suggests that Matson items were given away to passengers on Matson Line Cruises. However, this claim is entirely unfounded and has no basis in fact. The two companies—Matson Manufacturing, which produced vanity and powder room accessories, and the Matson Line, a shipping company known for its cruise services—are completely unrelated. The rumor appears to have been fabricated, likely as a marketing tactic to increase the perceived value of certain items, and unfortunately, it continues to circulate despite being inaccurate.

It’s important to clarify that there is no connection between Matson Manufacturing and the Matson Line Cruises, and any assertion to the contrary is misleading. The production of vanity accessories by Matson Manufacturing was solely focused on creating high-quality home goods, such as gold-plated vanity items, and had nothing to do with the shipping or cruise industry. This distinction is essential for collectors and enthusiasts to understand, as it ensures accurate knowledge about the company and its products.

CLICK HERE TO FIND MATSON VANITY ACCESSORIES

Guildcrest: 

Guildcrest was an American company that specialized in the production of elegant dresser sets and boudoir accessories during the 1940s and into the 1950s. Known for their high-quality craftsmanship, Guildcrest pieces were typically plated with 24kt gold, which contributed to their luxurious appearance and durability. The 24kt gold plating added a refined finish to the items, making them desirable for those looking to adorn their vanity with sophisticated accessories.

Many of Guildcrest's items were imported from Germany, where skilled artisans produced the components that were then assembled and finished in the United States. This combination of German craftsmanship and American design expertise allowed Guildcrest to create items that were both finely crafted and aesthetically pleasing. The company’s offerings were often used to elevate the decor of powder rooms and dressing areas, adding a touch of glamour and refinement to any space. Guildcrest’s reputation for quality made their accessories highly sought after during their peak, and their pieces remain collectible for vintage enthusiasts today.

One of the most recognizable motifs in Guildcrest’s designs is the depiction of birds on branches. This theme was commonly featured in their vanity and boudoir accessories, adding a touch of nature’s elegance to their pieces. The delicate portrayal of birds perched on branches often conveyed a sense of whimsy and sophistication, making these items particularly charming. The birds and branches were often intricately detailed, showcasing the company’s commitment to fine craftsmanship and aesthetic appeal.

Guildcrest also made extensive use of amber glass in many of their perfume bottles and caskets, contributing to the warm, luxurious feel of their accessories. The amber glass added a rich, golden hue to the pieces, enhancing their visual appeal while evoking a sense of timeless elegance. This use of amber glass was especially common in perfume bottles, where the color not only complemented the gold plating and delicate designs but also gave the pieces a vintage, classic look. Guildcrest’s combination of bird motifs and amber glass remains a defining characteristic of their work, making these pieces highly collectible for those who appreciate vintage vanity accessories.

CLICK HERE TO FIND GUILDCREST VANITY ACCESSORIES

Globe Silver Co: 

In the 1940s and 1970s, the Globe Silver Company produced vanity accessories that closely resembled the designs of Matson and Stylebuilt, sharing similar craftsmanship and aesthetic qualities. Their dies, in fact, were often so similar that it’s difficult to distinguish between pieces from the three manufacturers. Globe Silver’s items were plated with 24kt gold, contributing to their luxurious, polished appearance. As with other high-end brands of the time, some of their pieces were enhanced with large, faceted glass jewels, adding an extra layer of opulence and sophistication to their designs. These jewels were carefully selected to complement the gold plating, often serving as a focal point of the piece.

Globe Silver’s perfume bottles are commonly marked "Made in Germany" or "Made in Western Germany" on the base, identifying the origin of the glass components, which were often crafted in the renowned glass-making regions of Germany. However, most of the time, the company’s products only had a gold paper label that indicated the brand and its signature gold-plated finish. Unfortunately, these paper labels were easily lost or faded over time, making it difficult for collectors to verify the authenticity of Globe Silver pieces without close examination. Despite this, the company's fine workmanship and distinctive designs have made Globe Silver vanity accessories and perfume bottles valuable to collectors and enthusiasts of vintage home decor.

CLICK HERE TO FIND GLOBE VANITY ACCESSORIES

Confirmed Globe Vanity Accessories & Perfume Bottles:

Florenza: 

Florenza, originally founded as Dan Kasoff Inc. around 1937, became widely recognized under the Florenza name starting in 1950. Known for their high-quality costume jewelry, Florenza also ventured into manufacturing a range of vanity accessories, including a series of gold-tone lipstick caddies in the 1950s. Some of these caddies featured an antique white finish, adding a delicate and vintage charm to their designs. In addition to lipstick caddies, Florenza produced other accessories, such as pincushions, often adorned with rich red velvet, showcasing their versatility in both decorative and functional items.

Florenza items were primarily made from cast brass, which gave them a sturdy yet elegant appearance. Many pieces were accented with rhinestones or faux pearls, adding a touch of glamour and luxury. However, unlike fine jewelry, the rhinestones and faux pearls were typically glued in place rather than being prong set, which is a hallmark of mass-produced costume jewelry from the period. The pieces, while not as durable as their prong-set counterparts, offered an accessible way to incorporate a luxurious look into everyday life.

Although Florenza was most well-known for its jewelry, including bracelets, necklaces, earrings, pendants, brooches, and pins, their vanity accessories and pillboxes also garnered attention. Florenza remained in business until 1981, and its vanity pieces, though less common, are still valued by collectors today. The company’s unique combination of costume jewelry and vanity accessories, characterized by cast brass construction and rhinestone or faux pearl embellishments, remains a testament to the company’s distinctive place in mid-century design.

CLICK HERE TO FIND FLORENZA PRODUCTS

Yule Mfg Co., Inc: 

The Yule Mfg Co., Inc., based in Brooklyn, New York, was a prominent manufacturer of vanity sets during the 1960s and 1970s, producing items comparable in style and quality to those by Stylebuilt and Matson. The company specialized in creating elegant vanity accessories that embodied the glamour of the era. Many of their pieces were marked with labels stating "Guaranteed not to Tarnish," indicating their commitment to quality and durability, as well as their use of tarnish-resistant finishes, which ensured that the gold-plated metal maintained its shine over time.

A signature feature of Yule's vanity accessories was the use of aurora borealis rhinestones, which added a captivating, multi-colored sparkle to their designs. These rhinestones, often paired with faux pearls, enhanced the overall beauty and opulence of their pieces. The combination of rhinestones and faux pearls was carefully arranged to complement the ornate filigree and gilded metalwork, creating a refined and luxurious appearance that was popular during the mid-20th century.

The vanity sets produced by Yule Mfg Co., Inc. often featured intricate designs, similar to those seen in other high-end vanity accessory manufacturers of the time. While their pieces were highly decorative, they were also functional, with many items including perfume bottles, combs, and hand mirrors. Though not as widely recognized as some of their competitors, Yule's products remain a notable part of the vintage vanity accessory market and are cherished by collectors for their elegant designs and attention to detail.

CLICK HERE TO FIND YULE PRODUCTS

Astorloid: 

The Astorloid company began making vanity accessories with gold tone filigree in the 1950s and continued production into the 1970s. One of their best lines was called "Lady Fair" and was made up of intricate metal filigree. I often find the dresser tray with the mirror base and filigree sides. The “Astorloid” plastic backings of mirrors, powder jar lids was often combined with silk brocade or embroidered backings. The nylon bristles snapped out of the backs for easy cleaning and the mirrors were protected by copper backings.

CLICK HERE TO FIND ASTORLOID PRODUCTS

Sam Fink Company: 

S.F. Co. ~ 5th Ave, which stands for Sam Fink Company, who was very popular during the 1940's-1960's with their rhinestone jewelry and filigree vanity sets and boudoir accessories much like Stylebuilt, Florenza and Matson.

CLICK HERE TO FIND SAM FINK PRODUCTS

Regent of London: 

Regent of London manufactured matching vanity sets with petit point inserts, with intricate brass filigree handles and frames. The backings often have an Oriental theme. The embroidered backings are generally covered with a thin clear plastic or vinyl material. The nylon bristles should also snap out for easy cleaning. These are generally found in the United Kingdom and date to the 1940s-1960s.

CLICK HERE TO FIND REGENT OF LONDON PRODUCTS

Apollo Studios: 

Apollo Studios of New York, a division of Bernard Rice's & Sons, was an influential manufacturer of high-quality vanity and boudoir accessories from 1909 to 1922. Items from this period are typically marked with the "Apollo" stamp, and some pieces may also be inscribed with "Apollo Studios NY" or "Apollo Ovington," followed by style or mold numbers. These markings signify a connection to the renowned brand, which was a key player in the production of luxury items during the early 20th century. The company itself traces its origins to the 1872 merger of the Apollo Silver Co. and the bankrupt Redfield & Rice Co., which led to the formation of Bernard Rice's Sons. This company operated until 1958, at which point Apollo was acquired by another entity.

Apollo Studios was a contemporary of Tiffany Studios and was known for producing elegant and finely crafted pieces, including desk sets, humidors, and other accessories made of brass, copper, and gilded brass. These items often had a distinctive, luxurious quality, akin to the celebrated works of Tiffany. Apollo Studios was recognized for its hollowware, boudoir accessories, and gift items, often in silver plate, gold plate, and other fine metals. Their products were sold through high-end retailers, including the prestigious Ovington's store on Fifth Avenue, a renowned shop that catered to the bridal market with its fine china, crystal, and silver items.

In addition to the luxurious metalwork and hollowware pieces, Apollo Studios also produced items with intricate designs, including jewels and hand-painted portraits on ivory, adding to the exclusivity of their collections. As tastes evolved in the mid-20th century, Apollo adapted its designs to align with the French Provincial style, which was popular in the 1950s and 1960s. Later pieces from Apollo Studios were often coated in an "antique white" painted finish, sometimes even in pastel pink, to complement these bedroom sets. Brushes from this period typically had nylon bristles with Lucite fittings, reflecting the changing trends of the time. Apollo continued to manufacture stylish bathroom items as late as 1989, moving into chrome finishes to meet modern design preferences. Despite the shift in materials and styles, the legacy of Apollo Studios as a maker of luxurious and finely crafted accessories remains evident in their vintage pieces, which are still sought after by collectors today.

CLICK HERE TO FIND APOLLO FILIGREE PRODUCTS

Some pieces bearing the Apollo name continued to be produced into the 1930s and 1960s, though these later items were generally less ornate compared to the earlier, more intricate designs of the early 20th century. The 1930s and 1960s pieces typically featured simpler aesthetics, with the use of enamel and heavy cast white metal or brass handles becoming common. These items, while less decorative than their predecessors, retained a certain elegance through their use of materials and design.

A popular feature on these later Apollo pieces is the addition of a single large, faceted glass jewel, often found on the backs of items such as perfume bottles or on their stoppers. These jewels added a touch of glamour and sparkle to otherwise understated designs. Additionally, some items from this period featured hand-painted ivory miniatures under glass, which were set into filigree frames, a signature touch that added a unique and personal detail to each piece. This combination of fine craftsmanship and artistic detailing made the later Apollo items highly collectible, despite their simpler appearance compared to earlier works.

Pieces from the 1930s, especially, were often characterized by extra-long handles, a design detail typical of that era. As tastes shifted in the mid-20th century, some of the later dresser sets and accessories were given a wash of white paint over the brass, reflecting the trend toward lighter, more modern finishes that aligned with popular decor styles of the time. These pieces were still identifiable by their connection to the Apollo name, but they showcased a more streamlined, minimalist design approach that marked the evolution of the brand through the decades.

In the 1950s, Apollo Studios introduced two elegant patterns: "Rose Garland" and "Florentine Floral," each showcasing meticulous craftsmanship and luxury finishes. The Rose Garland pattern featured pieces made from brass that was antiqued and silver-plated, lending a vintage charm to the items. The collection included various vanity accessories such as brushes, mirrors, powder boxes, and jewel boxes, all adorned with ornamental sunburst cloisonné tops. These tops were crafted in a range of delicate colors, including Ivory, Rust, Light Blue, and Rose, adding a soft, romantic touch to each piece. The picture frame and boudoir clock in this pattern were designed with intricate, all-metal Florentine filigree silver-plated frames, elevating their elegance. The clock was powered by a Sessions Electric Movement with a silver-plated dial, and its radium-tipped hands gave it a touch of sophistication and practicality. The brushes were fitted with nylon bristles, while the tortoiseshell-colored combs were made of "Proxolin" (pyroxylin, a cellulose nitrate plastic), offering a luxurious yet durable touch. The powder box featured a fine glass liner, and the jewel box was lined with soft velvet, further enhancing the items' opulence. The tray, with its non-tarnish mirror, was a practical yet glamorous addition to any vanity set.

The Florentine Floral pattern, on the other hand, was crafted from brass beautifully finished in antiqued 24k gold plate, lending the pieces a warm, radiant glow. Like the "Rose Garland" set, the brush, mirror, and jewel box were adorned with ornamental sunburst cloisonné tops in the same soft color palette of Ivory, Rust, Light Blue, or Rose. The picture frame and boudoir clock were accented with satin mat borders beneath gold-trimmed rims, available in Ivory, Powder Blue, Rose, or Chartreuse, adding a refined contrast. The clock again featured the Sessions Electric Movement with a silver-plated dial and radium-tipped hands, ensuring both function and elegance. The brushes, made with nylon bristles, and the tortoiseshell-colored "Proxolin" combs, complemented the overall aesthetic. The jewel box in this pattern was velvet-lined, while the powder box also featured a fine glass liner, ensuring both luxury and durability. The perfume bottles in this set were designed with removable air-tight, leakproof glass vials, underscoring the functional beauty of these pieces. Like the "Rose Garland" set, the tray in the "Florentine Floral" pattern included a non-tarnish mirror, making it not only visually appealing but also practical for everyday use.

Both patterns reflected the high standards of Apollo Studios, blending functionality with intricate decorative elements that were a hallmark of mid-century luxury vanity sets. These pieces continue to captivate collectors due to their timeless appeal, craftsmanship, and the use of quality materials that were designed to stand the test of time.

Owning items made from cellulose nitrate (also known as celluloid) or clocks with radium-tipped hands presents certain hazards that require attention, particularly regarding their potential health risks over time.

Cellulose nitrate is a type of plastic that was widely used in the early 20th century for various decorative items, including combs, jewelry, and vanity accessories. While it was prized for its versatility and ability to mimic more expensive materials like ivory or tortoiseshell, it is highly flammable and can degrade over time. As cellulose nitrate breaks down, it can become brittle, discolored, or even emit harmful gases. The chemical instability of cellulose nitrate is a significant risk, especially if these items are stored in warm, dry environments, as this accelerates its degradation. Over time, the material can even become self-combustible under the right conditions, though this is rare. Additionally, as cellulose nitrate ages, it can release toxic gases like nitrogen dioxide, which can pose health risks if inhaled over prolonged periods.

Radium was commonly used in the early 20th century for clock hands, watch dials, and other timepieces due to its ability to glow in the dark. The radioactive element emits alpha particles, which can cause serious health problems, including radiation poisoning and an increased risk of cancer. The use of radium in clocks and watches was a popular innovation for the convenience of having luminous hands at night. However, the hazardous nature of radium wasn't fully understood at the time. Many watchmakers, especially the "Radium Girls" (female workers who painted clock faces), were exposed to high levels of radium and suffered from severe health problems, including bone cancer, anemia, and radiation burns, from ingesting or inhaling radium dust.

Radium's use in consumer products has long since been discontinued due to the known health risks. By the mid-20th century, it became clear that radium was dangerous and should not be used in items intended for public consumption. In the United States, the use of radium in clocks, watches, and other consumer goods was largely banned in the 1960s. Since then, regulations have been implemented to protect people from exposure to radioactive materials. Modern safety standards prevent the use of radium or any other radioactive substances in everyday items.

For those who own vintage clocks or other items with radium-tipped hands or dials, it is recommended to handle them with care. It’s important to avoid prolonged contact, especially if the items are in poor condition, as the radium can become unstable and release harmful radiation. Storing these items in a sealed, protective display case can help minimize any potential exposure.

In conclusion, while cellulose nitrate and radium-based items are beautiful relics of their time, they pose potential hazards due to their chemical instability and radioactive properties. It’s essential for collectors to be aware of these risks and handle such items with caution. If you own vintage pieces with these materials, it's best to research proper care and storage methods, and consider consulting a professional for advice on safely displaying or preserving them.

Finding marks on Apollo pieces can be essential for identifying the authenticity and origin of these items, as Apollo Studios was known for producing high-quality boudoir accessories and vanity items. Understanding where to look for these marks can help collectors distinguish Apollo's craftsmanship from other manufacturers.

For hand mirrors and brushes, the markings are typically found on the side of the handle. This is often a discreet yet clear spot where the Apollo stamp or name would be engraved or stamped, signifying the item's authenticity. Given the nature of the handle's shape, the mark is generally placed in a way that does not interfere with the aesthetics of the design while still being recognizable upon close inspection.

When it comes to boxes, such as jewelry or powder boxes, the mark is most often found on the base. The base of these items provides a larger, flatter surface, making it an ideal spot for the manufacturer's mark. The markings are typically engraved, stamped, or even embossed, depending on the specific item and era of production. It’s important to carefully inspect the bottom of these boxes for any signs of Apollo’s logo, which might be faint due to wear over time.

For trays, the markings can often be found on the sides or bases of the frames. Trays, especially those with ornate designs, might have a mark etched into the frame’s side or bottom, often in an inconspicuous area. The positioning of the mark on the tray ensures that it does not detract from the item’s decorative features, while still offering a clear identifier for collectors.

Interestingly, combs manufactured by Apollo are not typically marked, at least none that are readily identifiable. While the other vanity accessories in the Apollo line have clear marking locations, the combs remain an exception. This lack of a manufacturer’s mark can make identifying Apollo combs more challenging for collectors, but the style and material quality can often help in distinguishing them as part of the Apollo Studios collection.

In conclusion, identifying Apollo pieces involves paying attention to specific locations for marks: hand mirrors and brushes on the sides of their handles, boxes on the bases, and trays on the sides or bases of their frames. While combs are rarely marked, these guidelines provide helpful tips for discerning the authenticity of Apollo products.

Mele:

This jewelry casket is a piece I’ve come across many times over the years, but it wasn't until now that I’ve seen one with its original label. My friend Kathy Godley kindly shared images of her casket, which still features the "Styled by Mele" paper label affixed to the black velvet base. The box is designed with an intricate filigree pattern, an oval glass lid, and four figural cherub feet, giving it a delicate and elegant appearance. The label confirms that the box was imported from Japan, which is a fascinating detail, as many similar vanity items from the era were sourced from Japan.

It is likely that other well-known brands, like Matson, Stylebuilt, and Globe, also imported their products from Japan during the mid-20th century. Mele, a brand that has been crafting jewelry boxes for decades and remains in business today, is known for producing high-quality pieces like this one. I was fortunate enough to track down an original 1973 newspaper ad featuring this exact jewelry casket, adding another layer of historical context to the piece. The combination of the label, the design, and the advertisement makes this casket a valuable find, offering a glimpse into the past of imported vanity accessories.

Care and Cleaning Tips:

To maintain your beautiful vanity items and ensure they stay in good condition, it's essential to keep them away from moisture. Moisture can cause several issues, such as loosening the gilding, darkening foil-backed stones, and leaving spots on mirrors. To keep your items clean, a light dusting with a stiff brush can be effective. I personally use a small makeup brush, which is ideal for gently cleaning between the stones and into the intricate filigree designs.

You can also clean the brush itself periodically to remove any accumulated dust particles. For some of my dresser items—like the powder box, brush, perfume bottle, comb, and hand mirror—I used them regularly without any problems. Most of the other pieces in my collection, however, I choose to display rather than handle too much to avoid wear and tear. Taking these simple steps will help preserve the integrity and beauty of your vanity accessories for years to come.

CLICK HERE TO FIND MISCELLANEOUS FILIGREE VANITY ACCESSORIES