Arlequinade by Rosine, launched in 1919 and introduced to the American market in 1923, was a fragrance born from the artistic and cultural renaissance that defined the early 20th century. The name Arlequinade is derived from the French word arlequinade (pronounced ar-luh-kee-NAHD), which refers to the antics or performances of Harlequin, a central figure in the Commedia dell'Arte. This theatrical tradition, with its masked characters and vibrant, exaggerated performances, originated in Italy and flourished in France, inspiring countless artists, writers, and designers—including Paul Poiret. The word Arlequinade evokes a world of playful deception, mischief, and romance, conjuring images of diamond-patterned costumes, masked balls, and the whimsical yet cunning personality of Harlequin himself. It suggests a fragrance that is both intriguing and unpredictable, much like the character it references.
The perfume's debut coincided with a dynamic cultural period—Les Années Folles (The Roaring Twenties), an era of artistic experimentation, modernism, and social liberation. World War I had ended, and society was undergoing a dramatic transformation, particularly for women. This was the age of the flapper, a woman who rejected Victorian constraints in favor of short dresses, bobbed hair, and an independent spirit. Art, music, and fashion were infused with influences from Cubism, Futurism, and Art Deco, reflecting a fascination with bold shapes, geometric designs, and a break from tradition. Against this backdrop, perfumery embraced more daring compositions, moving away from the delicate floral scents of the Belle Époque toward richer, spicier, and more complex blends.
For women of the time, a perfume named Arlequinade would have carried connotations of intrigue and sophistication. It suggested a scent for a woman who was confident, a little mysterious, and perhaps even playful—much like the modern woman of the 1920s who challenged conventions. The description of the fragrance in 1928 further reinforced this image: it was meant for the “piquant type,” a woman with dark hair and gray-green eyes, possessing an allure that was both sharp and sweet, much like the scent itself. Henri Alméras composed Arlequinade as a piquant, woody floral amber, with an unusual spicy-sweet character reminiscent of velvety petunias mingling with other garden flowers. Compared to the powdery aldehydic florals that would later dominate the decade, this composition stood out as bolder, richer, and perhaps more dramatic—fitting for a name evoking theatricality.
Paul Poiret’s choice of Harlequin and the Commedia dell’Arte as inspiration for a fragrance was deeply rooted in his artistic vision. Poiret was not just a couturier but a designer who saw fashion as part of a greater artistic movement. He was profoundly influenced by the avant-garde, particularly Cubism, which deconstructed traditional forms into geometric abstraction. One of the most striking representations of this aesthetic was Pablo Picasso’s Harlequin, a figure that captured the fragmented, modernist energy of the time. Just as Picasso reimagined Harlequin through Cubist angles and colors, Poiret translated the same spirit into fragrance—an olfactory Cubism, if you will, where floral, woody, and amber facets combined to create something unexpected and dynamic.
Arlequinade was not merely a perfume; it was a reflection of an era that embraced change, theatricality, and artistic rebellion. It embodied the essence of the 1920s woman—confident, modern, and unafraid to be noticed. Whether through its composition or its name, Arlequinade was a scent designed to intrigue and seduce, much like the masked trickster it was named for.
Fragrance Composition:
It was described in 1928 as "for the piquant type, with rather dark hair and gray green eyes, an intriguing blend which has the rare spicy sweet fragrance of old fashioned, velvety petunias mixed with other garden flowers."
- Top notes: C-12 MNA aldehyde, Zanzibar clove, Calabrian bergamot, petunia, Mexican hibiscus, Sicilian lemon, Guinea orange, benzaldehyde, narcissus
- Middle notes: iso-eugenol, French carnation, Grasse jasmine, Bulgarian rose, Maltese labdanum, Indian tuberose, benzyl alcohol, phenylacetaldehyde, methyl benzoate, Jordanian almond
- Base notes: Bourbon vanilla, vanillin, Bohemian oakmoss, Sudanese myrrh, Somali opoponax, spices, ambergris, Tibetan musk, Mysore sandalwood, Seychelles patchouli, Venezuelan tonka bean, Peruvian heliotrope, coumarin, "Opoponax LG" (Givaudan)
Scent Profile:
Bottles:
Among the fragrant treasures highlighted in the article is Arlequinade, a scent that undoubtedly left an indelible mark on the olfactory landscape of the time. Described as being housed in an exquisitely adorned gold flask, complete with a charming red tassel, Arlequinade is portrayed as the epitome of elegance and sophistication.
Priced at $25, this fragrance is not merely a perfume but a luxurious indulgence, encapsulating the essence of Parisian chic and refinement. It is a testament to the artistry of Rosine and the enduring appeal of French perfumery, offering a sensory experience that transcends time and place.
With its alluring scent and exquisite presentation, Arlequinade undoubtedly captured the imagination of readers, inviting them to partake in the intoxicating world of haute couture fragrance. It's a reminder of the enduring allure of Parisian glamour and the timeless appeal of a beautifully crafted scent.
Arlequinade's exquisite presentation was inspired directly by the whimsical character of Harlequin, the bottle itself was a work of art, designed by the visionary Julien Viard. Adorned with gilded triangles reminiscent of Harlequin's colorful costume, the bottle exuded a sense of playful elegance.
The crowning glory of the bottle was its Bakelite cap, fashioned in the shape of a tricorne hat, a nod to the iconic headwear associated with the commedia dell'arte character. This attention to detail extended to the silky tassel delicately tied around the neck, adding a touch of opulence to the overall presentation
In 1923, the presentation of Arlequinade underwent a transformation, elevating its already luxurious packaging to new heights. The prismatic bottle was now housed in a lavish gold-lined casket, further embellished with Venetian motifs printed in striking shades of gold and coral red. This addition not only enhanced the allure of the perfume but also underscored its association with the vibrant world of Venetian masquerade balls.
Arlequinade’s perfume bottle was as captivating as the fragrance it held, a striking embodiment of theatrical artistry and French craftsmanship. Directly inspired by the bold, geometric patterns of the harlequin costume designed by the Russian-born artist Marie Vasilyeff, the flask was an opulent display of gold decoration, its design echoing the diamond-shaped motifs traditionally associated with the commedia dell’arte. Vasilyeff, known for her avant-garde aesthetic and vibrant use of color, infused the harlequin costume with an air of modernity, and this influence translated seamlessly into the perfume’s bottle, transforming it into a miniature work of wearable art.
Beyond its visual allure, Arlequinade’s presentation was unmistakably luxurious, as highlighted in contemporary advertisements. A 1924 feature in The Gazette Times praised its artistic flask and charming packaging, emphasizing that such exquisite perfumes could only come from the ingenuity of the French. The bottle, adorned with intricate gold embellishments, was complemented by a striking red tassel—an elegant flourish that suggested movement and theatricality, much like the gestures of the harlequin himself. This sense of dynamic flair was further enhanced by the way light reflected off the gilded surface, giving the bottle a jewel-like presence on a dressing table.
Adding to the allure was its presentation box, a satin-lined case described as “novel” in advertisements of the time. The packaging was more than a mere container; it was a statement of exclusivity, a treasure chest enclosing a fragrance of mystery and intrigue. To own Arlequinade was to possess something extraordinary—a perfume not just for scent, but for spectacle. The price reflected this rarity, with its $25 cost in 1924 translating to an astonishing $459.06 in today’s currency. This places Arlequinade among the most indulgent luxuries of its time, a fragrance intended for those who appreciated both the artistry of perfume and the prestige of its presentation.
Rosine, ever the innovator, understood that perfume was more than an invisible adornment; it was an experience, an object of desire. Arlequinade’s golden flask, with its harlequin-inspired design and refined packaging, captured the essence of the fragrance within—piquant, playful, yet undeniably sophisticated. It was a true reflection of the era’s fascination with performance, elegance, and the enchanting world of Parisian haute parfumerie.
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