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Welcome to my unique perfume blog! Here, you'll find detailed, encyclopedic entries about perfumes and companies, complete with facts and photos for easy research. This site is not affiliated with any perfume companies; it's a reference source for collectors and enthusiasts who cherish classic fragrances. My goal is to highlight beloved, discontinued classics and show current brand owners the demand for their revival. Your input is invaluable! Please share why you liked a fragrance, describe its scent, the time period you wore it, any memorable occasions, or what it reminded you of. Did a relative wear it, or did you like the bottle design? Your stories might catch the attention of brand representatives. I regularly update posts with new information and corrections. Your contributions help keep my entries accurate and comprehensive. Please comment and share any additional information you have. Together, we can keep the legacy of classic perfumes alive!
Showing posts with label Cinnabar by Estee Lauder c1978. Show all posts
Showing posts with label Cinnabar by Estee Lauder c1978. Show all posts

Saturday, April 27, 2013

Cinnabar by Estee Lauder c1978

 In 1978, the world was captivated by a fascination with the exotic and the mysterious, particularly as it related to Eastern cultures. This period saw a burgeoning interest in themes that evoked luxury, mystique, and the allure of distant lands, often referred to as "Oriental" in the context of art, fashion, and fragrance. The launch of Estee Lauder's Cinnabar came at a time when cultural depictions of the Orient were popular in various forms of media, including film. Movies like "The Man Who Would Be King" (1975) and "The Thief of Baghdad" (1978) indulged in romanticized portrayals of Eastern locales, contributing to a broader cultural trend that embraced the mystique and opulence of these settings.

Estee Lauder's choice of the name "Cinnabar" for her new fragrance was deeply symbolic and aligned with this cultural fascination. Cinnabar is a bright red mineral that has been historically used to produce the pigment vermilion, a color often associated with wealth, power, and the exotic in many Eastern cultures. The mineral itself, a form of mercury sulfide, has been used in traditional Chinese and Japanese art and decoration, symbolizing both beauty and danger due to its toxic properties. The name "Cinnabar" thus evoked a rich tapestry of associations: the luxurious allure of the Orient, the vibrant and potent nature of the pigment, and the sense of something rare and precious.

The choice of this name also connected to the perfume's sensory profile. Created by the talented perfumers Bernard Chant and Josephine Catapano, Cinnabar was designed to capture the exoticism and intensity of Oriental fragrances. It featured a rich blend of spices, florals, and amber, creating a warm, inviting, and somewhat mysterious scent. The perfume's composition was meant to evoke the opulent and complex aromas associated with Eastern markets and spices, much like the imagery of cinnabar as a rare and luxurious substance.

In the context of the late 1970s, Cinnabar fit seamlessly into a cultural moment that celebrated the exotic and the luxurious. The perfume capitalized on the public's fascination with Oriental aesthetics, offering a sensory escape to distant lands filled with spice, warmth, and intrigue. The decision to pivot from the planned Soft Youth Dew to Cinnabar demonstrated Estee Lauder's keen awareness of market trends and her ability to adapt quickly to changing consumer desires. By choosing the name "Cinnabar," Estee Lauder not only aligned her fragrance with the era's fascination with the Orient but also imbued it with a sense of mystery and allure that resonated deeply with the zeitgeist of the time.



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