Collecting White Glass Commercial Perfume Bottles

During the golden age of perfumery in the 1920s and 1930s, some of the most elusive and captivating perfume bottles were crafted from white opaque glass. This period, known for its artistic experimentation and luxurious design, saw a flourish of innovation in the packaging of perfumes. The white opaque glass bottles of this era are particularly sought after, not only for their rarity but also for their exquisite design.

These flacons were often adorned with Art Deco motifs or elegant geometric patterns, reflecting the opulence and modernity of the time. The opaque white glass, with its smooth, milky surface, offered a subtle sophistication that was both understated and striking. It provided an air of mystery, as the contents of the bottle were veiled in a soft, diffuse glow. The tactile experience of handling these bottles was as luxurious as the fragrances they contained, with many featuring intricate metalwork or decorative caps that complemented their refined aesthetic.

French perfumers of the era, renowned for their craftsmanship, created these bottles with meticulous attention to detail. The white opaque glass was often chosen for its ability to protect the delicate perfume from light, thereby preserving the integrity of the fragrance. The design of these bottles was not merely functional but also a reflection of the artistry and elegance of the time. Each bottle was a testament to the high standards of craftsmanship and the emphasis on visual beauty that characterized the golden age of perfumery.

Collecting these vintage white opaque glass bottles today is a challenging pursuit. Their rarity is attributed to the limited production runs and the passage of time, which has seen many of these exquisite pieces lost or damaged. For enthusiasts and collectors, these bottles represent a golden moment in the history of perfumery, a period when artistry and luxury were seamlessly intertwined in every aspect of fragrance creation.

A La Page by Marshall Field:

In 1925, Marshall Field introduced a perfume called A La Page, encased in a distinctive square-shaped opaque white crystal flacon that exemplified the elegance and sophistication of the era. The bottle itself was a striking piece of craftsmanship, featuring a clean, geometric form that conveyed a sense of modernity and refinement. The opaque white crystal lent the flacon a pristine, almost ethereal quality, allowing it to stand out as a symbol of luxury.

The base of this exquisite flacon rested on a slab of red glass, which was meticulously molded to resemble coral. This vibrant red coral base provided a dramatic contrast to the white crystal of the bottle, highlighting the intricate detailing of the coral design. The base's rich color and organic texture complemented the clean lines of the square flacon, creating a visually arresting piece that captured the essence of the 1920s aesthetic.

The flacon was adorned with a brass collar, which added a touch of opulence and functionality. This brass element was not only a practical feature, securely holding the stopper in place, but also an elegant addition that enhanced the overall design. The stopper itself was crafted from red glass, molded in the shape of branch coral, echoing the coral motif of the base and adding a final touch of artistry to the presentation.

This combination of opaque white crystal, red coral-inspired glass, and brass fittings created a harmonious and sophisticated design. The bottle was more than just a vessel for perfume; it was a statement of luxury and design excellence, embodying the spirit of the Roaring Twenties and the innovative flair of the period.

The French phrase "À la page" translates to "in fashion" or "on trend" in English. In the context of Marshall Field's perfume, the name "A La Page" suggests that the fragrance was intended to be stylish and contemporary, reflecting the latest trends and tastes of the time. It conveys a sense of modernity and sophistication, aligning the perfume with the fashionable and elegant sensibilities of the 1920s.

Cyclamen by Elizabeth Arden:

In 1938, Elizabeth Arden introduced Cyclamen, a perfume presented in a distinctive fan-shaped flacon crafted from opaque white crystal by the esteemed French crystal manufacturer Baccarat. Standing at 6.25 inches tall and measuring 5.5 inches across, the bottle's elegant fan shape and substantial presence immediately capture attention. The opaque white crystal lends the flacon a refined and sophisticated appearance, while the dynamic shape adds a touch of graceful movement to the design.

The bottle holds 1.25 ounces of parfum and features a crystal clear spike stopper that enhances its elegance. The stopper's sleek, pointed form contrasts beautifully with the opaque white body of the bottle, creating a visually striking interplay between light and material. This clear crystal spike not only serves a practical function but also adds a sophisticated finish to the bottle’s design.

The base of the bottle is marked with two acid-etched inscriptions: "BOTTLE MADE IN FRANCE" and "BACCARAT FRANCE," underscoring both its country of origin and the prestigious craftsmanship of Baccarat. These marks affirm the bottle’s authenticity and highlight its association with high-quality crystal artistry.

Overall, the Cyclamen flacon is a testament to Elizabeth Arden's commitment to luxury and design excellence. Its combination of a fan-shaped form, opaque white crystal, and clear crystal spike stopper creates a harmonious and elegant presentation, reflecting the opulent sensibilities of the late 1930s.

It's You by Elizabeth Arden:

Launched in 1939, Elizabeth Arden’s perfume It’s You is renowned for its elegant presentation, reflecting the sophisticated design trends of the time. The parfum was offered in a variety of bottles, with twelve known versions, several of which are crafted from all-white opaline glass. Each bottle design is a tribute to the artistry and craftsmanship of Baccarat, specifically modeled as design #781.

The It’s You bottle draws its inspiration from the opulent Victorian era, emulating the classic form of a well-known Victorian bud vase. The design is particularly notable for its unique and intricate detail: the body of the bottle is supported by an applied molded hand. This distinctive feature adds a touch of artistry and whimsy to the flacon, creating a visual metaphor of delicacy and grace.

The design was influenced by the cinematic masterpiece Gone With The Wind, which captured the imagination of audiences worldwide and inspired many luxury goods of the period. The opaline glass chosen for the bottle contributes to its ethereal quality, giving it a soft, lustrous appearance that enhances the sense of luxury associated with the fragrance.

The Baccarat model #781 flacon is a remarkable example of perfume bottle artistry from the late 1930s. Its careful replication of antique Victorian forms, combined with a nod to contemporary popular culture, makes it a striking and memorable piece. The all-white opaline glass adds an additional layer of refinement, encapsulating the timeless elegance that Elizabeth Arden aimed to convey with It’s You.

Alpona by Caron:

In 1939, Caron introduced the fragrance Alpona, which was housed in a distinctive and elegant fan-shaped bottle crafted from white opaline glass. This exquisite flacon, designed by Félicie Bergaud and Paul Ternat, was manufactured by Cristalleries de Romesnil, showcasing a remarkable blend of artistry and craftsmanship.

The fan-shaped bottle, with its smooth white opaline surface, exuded a soft, luminous quality. This ethereal translucence was accentuated by rich gilding, which highlighted the bottle's contours and added a touch of opulence. The gilded details were meticulously applied, creating a sophisticated interplay of light and shadow that enhanced the bottle’s overall visual appeal.

The design of Alpona reflects the innovative spirit of the late 1930s, combining classical elegance with modern aesthetics. Félicie Bergaud and Paul Ternat’s collaboration resulted in a bottle that not only served as a vessel for Caron's perfume but also as a decorative object in its own right. The fan shape of the bottle, with its graceful lines and delicate color, made it a standout piece among the period's luxury fragrances.

The name Alpona carries an evocative charm. Derived from the Sanskrit word "alpona," it refers to traditional patterns or designs, often seen in decorative art and textile design. This name was likely chosen to reflect the intricate and decorative nature of the perfume bottle, as well as to evoke a sense of artistry and cultural depth, aligning with the sophisticated and luxurious qualities of Caron’s fragrance.

Katherine the Great by Prince Matchabelli:

Launched in 1935, Katherine the Great by Prince Matchabelli is a classic example of opulent fragrance packaging from the early 20th century. The perfume was presented in a striking bottle that exemplified both elegance and grandeur, featuring a crown-shaped design crafted from white opaque glass. This distinctive form not only captured attention but also underscored the luxurious nature of the fragrance within.

The crown-shaped bottle, with its smooth white opaque glass, exudes a sense of regal sophistication. The design’s clean lines and rounded contours evoke the majestic form of a royal crown, making it a fitting tribute to the historical figure it was named after. The white glass provides a refined and timeless quality, allowing the bottle to stand as a symbol of classic beauty.

Accentuating the bottle's elegant form is a rich layer of gold enamel. This gilded detailing highlights the crown's intricate design elements, adding a touch of opulence and refinement. The gold accents not only enhance the visual appeal of the bottle but also complement its royal motif, creating a harmonious balance between simplicity and grandeur.

The combination of the white opaque glass and gold enamel in the Katherine the Great bottle reflects the high standards of craftsmanship and luxury associated with Prince Matchabelli's fragrances. The bottle itself serves as a statement piece, embodying the sophistication and elegance of the era while celebrating the regal theme of the perfume.

Infatuation by Duchess of Paris:

In the 1930s, the American company Jolind launched a perfume called Infatuation under their division, Duchess of Paris. The fragrance was presented in a distinctive and charming flacon that encapsulated the elegance and sophistication of the era. The bottle, crafted from opaque white glass, was shaped like a miniature urn, lending it a sense of classic refinement and timeless beauty.

Standing at just 1.75 inches tall, this petite flacon is notable for its intricate design and compact size. Despite its small stature, the urn-shaped bottle exudes a sense of grandeur and delicacy, reflecting the meticulous craftsmanship of the time. The opaque white glass gives the bottle a soft, luminous quality, enhancing its visual appeal and giving it an air of understated luxury.

The bottle is fitted with a screw cap made of black Bakelite, a material popular in the early 20th century for its durability and sleek appearance. The contrast between the opaque white glass and the dark Bakelite cap creates a striking visual effect, adding a touch of sophistication and modernity to the design. The cap’s smooth, glossy finish complements the bottle’s elegant form, ensuring that every aspect of the Infatuation flacon is in harmony.

Overall, the Infatuation bottle by Jolind represents a perfect blend of classic design and innovative materials. Its miniature urn shape, combined with the elegant white glass and contrasting black Bakelite cap, makes it a memorable piece of perfume history, reflecting the luxurious and artistic sensibilities of the 1930s.

Belle de Jour by D'Orsay:

In 1938, D'Orsay's perfume Belle de Jour was introduced in a strikingly surrealistic bottle, produced by Verreries Brosse. The bottle, crafted from opaque white satin glass, is a prime example of innovative design and artistic flair from the era. Its unique form and meticulous detailing make it a standout piece in the history of perfume packaging.

The flacon is shaped like a vase, with a smooth, flowing silhouette that exudes elegance and sophistication. The opaque white satin glass lends the bottle a soft, luminous quality, enhancing its refined appearance while maintaining an air of mystery. The vase shape is both classic and modern, reflecting the dual nature of the design.

The stopper of the bottle is particularly noteworthy, molded in the shape of a woman's hand holding a large, beribboned bow. This intricate detail adds a whimsical and surreal touch to the overall design, transforming the bottle into a work of art. The hand and bow motif captures the imagination, combining elements of grace and extravagance in a visually captivating manner.

The craftsmanship of Verreries Brosse is evident in the seamless integration of the stopper with the vase-shaped body of the bottle. The white satin glass, with its subtle sheen and delicate texture, perfectly complements the elaborate stopper, creating a harmonious and elegant presentation.

Overall, the Belle deu Jour bottle by D'Orsay is a testament to the creativity and artistry of the late 1930s. Its surrealistic design, combining the classic form of a vase with the imaginative detail of a hand and bow, makes it a memorable and visually stunning piece, reflecting the luxurious and innovative spirit of the time.

Coup de Chapeau by Gilbert Orcel:

In 1948, milliner Gilbert Orcel launched his perfume Coup de Chapeau, encapsulated in a distinctive and elegant bottle that exemplifies the intersection of fashion and fragrance design. The bottle is crafted from opaque white crystal, molded in the shape of a woman’s bust, with her head serving as the stopper. This striking design is a testament to Orcel’s background in millinery and his appreciation for refined aesthetics.

The bottle’s white crystal body features a smooth, lustrous surface that adds a touch of sophistication to its overall appearance. The molded bust captures the essence of classical beauty and elegance, with intricate detailing that highlights the graceful curves and features of the woman's form. The head, serving as the stopper, is adorned with gilding, which enhances the luxurious feel of the bottle and adds a touch of opulence to its design.

The name Coup de Chapeau translates to "tip of the hat," a nod to Orcel’s millinery profession and a playful reference to the hat’s role in fashion. This name reflects both the bottle’s design and the perfume’s sophisticated charm, bridging the worlds of fashion and fragrance.

Manufactured in France by Verreries Brosse, the Coup de Chapeau bottle exemplifies high-quality craftsmanship and attention to detail. The combination of opaque white crystal and gilded accents creates a harmonious and elegant presentation, making the bottle not only a vessel for perfume but also a work of art that celebrates Orcel’s legacy in fashion.

Le Debut by Richard Hudnut:

In 1927, Richard Hudnut launched Le Début, a perfume line that became notable for its distinctive octagonal bottles crafted from opaque glass. These bottles were available in a range of colors, including green, black, turquoise blue, and white. Each color choice was designed to convey a unique character, with the octagonal shape adding a modern and sophisticated edge to the bottles' appearance.

The bottles varied in size, with options ranging from a substantial 5 1/8 inches tall to a more petite 1 1/4 inches tall. This variety allowed for a range of uses, from display pieces to travel-sized options, each maintaining the same elegant design aesthetic.

Among the different color variants, the white bottle is the rarest and most coveted. It stands out not only for its scarcity but also for its unique design features. The white opaque glass gives the bottle a clean, pristine appearance, while the clear glass stopper, shaped like concentric bubbles, adds a touch of whimsy and sophistication. The stopper's bubble-like design enhances the bottle's overall elegance, creating a striking visual contrast with the opaque white body.

The Le Début bottles by Richard Hudnut represent a blend of modern design and classic elegance, with their octagonal forms and varied colors reflecting the luxury and innovation of the 1920s. The rare white version, with its distinctive bubble-shaped stopper, remains a particularly prized collectible, admired for both its rarity and its exquisite design.

Mon Talisman by Gabilla:

Launched in 1926, Mon Talisman by Gabilla is a fragrance housed in a strikingly elegant bottle that epitomizes the sophistication of its era. The bottle features an octagonal barrel shape, a design that combines geometric precision with luxurious artistry. This form is both visually intriguing and functional, offering a unique take on traditional perfume bottle silhouettes.

Crafted from opaque white crystal by Baccarat, the bottle exudes an air of refined opulence. The white crystal provides a timeless, luminous quality, while the gilded accents enhance its luxurious appeal. These gilded details are meticulously applied, highlighting the bottle's geometric facets and adding a touch of glamour.

The stopper of the Mon Talisman bottle is particularly noteworthy. Molded in the shape of an open flower, it reflects the intricate craftsmanship of the period. At the center of the flower-shaped stopper is a gilded ball, which adds a contrasting element of shine and sophistication. This design choice not only enhances the bottle’s visual impact but also underscores the attention to detail that defines the luxury of Gabilla’s fragrance presentation.

Overall, the Mon Talisman bottle combines its octagonal barrel shape with artistic floral motifs and gilded accents to create a piece that is both elegant and memorable. The use of white crystal and gilding by Baccarat ensures that the bottle stands as a testament to the high standards of craftsmanship and design excellence of the 1920s.

Origan by Schwartzlose:

In the 1920s, Schwartzlose introduced their perfume Origan in a distinctly elegant and minimalist bottle design. The fragrance was housed in a white opaque glass bottle shaped like a perfect sphere, reflecting the clean, modern aesthetic of the era. This ball-shaped bottle exudes a sense of simplicity and sophistication, capturing the spirit of the time with its understated elegance.

The bottle’s design is characterized by its smooth, spherical form, which gives it a classic, timeless quality. The opaque white glass contributes to the bottle’s refined appearance, providing a soft, lustrous finish that enhances its overall visual appeal. The sphere shape, with its seamless curvature, embodies a sense of purity and elegance, perfectly suited to the luxury of the fragrance contained within.

Crowning the bottle is a matching white opaque glass stopper, also shaped like a ball. This design choice creates a harmonious and unified look, with the stopper mirroring the bottle’s spherical form. The short neck of the bottle ensures a snug fit for the stopper, maintaining the bottle's sleek and seamless silhouette.

Overall, the Origan bottle by Schwartzlose exemplifies the art of simplicity in design. Its spherical shape and white opaque glass convey a sense of purity and sophistication, while the matching ball-shaped stopper completes the bottle's elegant and cohesive appearance. This design reflects the aesthetic values of the 1920s, combining minimalism with luxury to create a memorable and visually striking piece.

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