Barbara Gould’s choice of the name "Skylark" for her 1940 perfume is both poetic and evocative, drawing on rich natural imagery and symbolism. The word "skylark" comes from Old Norse origins, "lÇ«kr" meaning "lark," combined with "sky," reflecting the bird's tendency to ascend and sing while airborne. A skylark is a small bird known for its melodious and uplifting song, often associated with freedom, joy, and the vastness of open skies. This delicate creature, with its soaring flight and musical voice, naturally conjures images of lightness, beauty, and nature’s grace.
In the context of scent, the word "Skylark" suggests a perfume that is airy, bright, and fresh. One might imagine a fragrance that opens with vibrant top notes, perhaps citrus or soft green accords, leading into a bouquet of delicate florals like apple blossom, rose, or lily of the valley. The perfume would likely evoke feelings of freedom, happiness, and a connection to the outdoors, much like the skylark's flight evokes a sense of liberation and peace.
For women in the 1940s, "Skylark" would have held significant appeal, especially as the world was on the brink of war. The United States was still recovering from the Great Depression, and the perfume’s launch in 1940 came just before the country entered World War II. During this tumultuous time, the name "Skylark" would have symbolized an emotional escape from the challenges of daily life, offering an image of serenity and beauty. For American women, who were increasingly stepping into new roles due to the war, a perfume called "Skylark" might have represented a sense of hope, optimism, and resilience. The bird’s association with freedom and its uplifting song could symbolize the desire for peace and the return to simpler, more carefree days.
