The perfume "Amou Daria" was launched in 1935, a time when the world was grappling with the Great Depression. This era, marked by severe economic hardship, paradoxically saw the continued allure of luxury items among the affluent. Luxurious furs remained a symbol of wealth and sophistication, often featured in high-society gatherings and glamorous events. Despite widespread economic struggles, there was a desire for escapism and indulgence in opulence, which was reflected in the fashion and entertainment of the time.
Films during the Great Depression often showcased themes of glamour and elegance as a form of escapism. Hollywood productions frequently depicted leading ladies draped in sumptuous furs, living lives of unattainable luxury that provided a contrast to the harsh realities many faced. The silver screen offered a fantastical world where the economic downturn seemed a distant worry, and this fantasy was epitomized by the lavish costumes and settings that included fur as a staple of high fashion.
Revillon Frères, a renowned French fur and luxury goods company, chose the name "Amou Daria" for their perfume, likely drawing inspiration from the Amu Darya river in Central Asia. The name carries connotations of exoticism and adventure, evoking the remote and mysterious regions where the company sourced their high-quality furs. "Amou Daria" means "River of Love," which enhances its allure by suggesting a romantic and enchanting essence. This name would resonate with the sophisticated, adventurous woman of the time, who might dream of far-off lands and untold stories, even if she never leaves her urban environment.
"Amou Daria" as a name for a perfume conjures images of flowing, untamed rivers and the rugged beauty of Central Asia, blending the natural world's raw allure with the sophistication of French luxury. Women in the 1930s, particularly those in high society, would likely find the name both exotic and enticing, suggesting a blend of the natural and the luxurious. Wearing "Amou Daria" could make them feel as if they were part of an adventurous narrative, adding an air of mystery and sophistication to their presence.
The emotions evoked by "Amou Daria" include a sense of wanderlust, romance, and elegance. The name suggests a journey through untamed lands, offering a sensory escape from the mundane. It would be a unique name for a perfume, standing out among the more traditional and straightforward names of the era. The word "Amou Daria" would be interpreted as a blend of the exotic and the luxurious, appealing to women who desired to express their individuality and sophisticated taste.
In summary, "Amou Daria" launched in 1935 by Revillon Frères, would have captivated the imagination of women during the Great Depression. Despite the economic challenges, there remained a market for luxury and escapism, with fur and perfume playing significant roles. The name "Amou Daria," evoking a remote and romantic river in Central Asia, would resonate deeply, offering a blend of exotic allure and sophisticated elegance.
Is It Amou Daria or Tornade?:
Perfumeintelligence notes that Amou Daria was rebranded as Tornade, but this may not be correct. My thorough research on the history of these fragrances, including 1930s-1950s period newspaper ads, shows that both perfumes were sold alongside one another. This information is valuable for understanding the context and marketing of Amou Daria and Tornade by Revillon.
While it's challenging to confirm the origins or rebranding of perfumes from decades ago, the coexistence of both fragrances in advertisements suggests that Tornade was more likely a separate fragrance or a new addition to Revillon's line, rather than a rebranding of Amou Daria. Perfume history is often convoluted, with discontinuations, rebrandings, and reformulations. Without access to detailed historical records, it's difficult to ascertain the precise relationship between these fragrances. However, the evidence of their simultaneous marketing indicates they were distinct products.
Fragrance Composition:
So what does it smell like? Amou Daria by Revillon is classified as a cool floral fragrance for women with a dominant note of lilac. Was said to be a "youthful 'blonde' perfume" and a "cool odeur with the charm of an English countryside". It was suggested to be worn with furs.
- Top notes: Alpine lavender, Italian bergamot, Dutch hyacinth, aldehydes, Persian galbanum, Lebanese cassie
- Middle notes: Peruvian heliotrope, French lilac, Grasse jasmine absolute, Bulgarian rose absolute, Tuscan violet, Florentine orris, Alpine lily of the valley, Nossi-Be ylang ylang, Mexican tuberose, Tunisian orange blossom
- Base notes: Tibetan musk, Abyssinian civet, Central Massif oakmoss, Mysore sandalwood, Andean vetiver, Venezuelan tonka bean
Marie-Claire, 1937:
"Amou-Daria de Revillon: Alpine flowers and plants. Created especially to be applied to the skin. Parfum for brunettes.""
According to L'Amour de l'art in 1950, "Amou-Daria: This perfume, like the river whose name it bears, has its source in the Hindu-Kush in Central Asia. One evening, after a day of hunting, the emir, who lived several hundred years ago, stopped at the edge of a stream to rest; penetrating scents rose from the valley where, says the legend, all the flowers of paradise had met. In the shelter of a light copse, a Yurt was erected sheltering the most graceful of young girls, lying on a bed of fragrant grass; a vial of lapis lazuli was at her side. The emir took it, breathed it. 'Praise be to Allah,' exclaimed the beautiful sleeper when she woke up, 'it is for you that I have prepared this philtre: be happy.' The secret of this perfume, transmitted for generations by buyers of precious furs, has been reconstructed by a French chemist. It is an oriental breeze purified by a long journey."
Scent Profile:
Amou Daria by Revillon, classified as a cool floral fragrance, opens with a delicate and intriguing top that immediately sets the stage for the fragrance’s ethereal character. The first impression is the crisp, invigorating scent of Alpine lavender, sourced from the high-altitude fields in the Alps, offering a clean and slightly herbal fragrance that evokes the fresh air of the mountains. Italian bergamot follows, its zesty, citrusy note cutting through the lavender’s calm with a bright, sparkling touch that feels like sunshine breaking through clouds.
The addition of Dutch hyacinth contributes a sweet, green floral aroma that feels both fresh and slightly peppery, reminiscent of spring blooms in a garden, while the aldehydes lend a soapy, metallic quality to the composition, amplifying the freshness and giving it an almost powdery, airy feel. Persian galbanum offers a green, slightly balsamic touch that adds depth to the cool, floral opening, while Lebanese cassie imparts a subtle, powdery sweetness, giving the fragrance a touch of warmth beneath its otherwise fresh profile.
As the fragrance unfurls, the heart of Amou Daria blooms with the unmistakable richness of French lilac. Lilac, often associated with early spring, carries an unmistakably cool, floral character that is both nostalgic and youthful. This is beautifully balanced by Peruvian heliotrope, which adds a soft, almond-like sweetness, deepening the floral effect with its light, almost creamy texture. Grasse jasmine absolute, from the sun-drenched fields of southern France, contributes a delicate, slightly sweet, and heady floral depth that balances the lilac with its warm, intoxicating scent.
Bulgarian rose absolute brings a velvety richness to the composition, with its characteristic notes of honeyed sweetness and deep, green undertones, offering a slightly sensual edge to the otherwise cool, fresh floral heart. Tuscan violet, with its soft, powdery, and delicate aroma, enhances the floral complexity, giving the fragrance a soft and slightly woody undertone. The inclusion of Florentine orris, sourced from the Tuscan region of Italy, lends a sophisticated, almost earthy powderiness, while Alpine lily of the valley injects a fresh, dewy note that conjures the image of misty mountain mornings.
Nossi-Be ylang-ylang from Madagascar, known for its rich, tropical sweetness, adds a hint of creamy floral opulence, while Mexican tuberose introduces a white floral note that is at once lush and subtly green, evoking the scent of flowers blooming in the warm evenings of summer. Finally, Tunisian orange blossom brings a soft, citrusy-floral note that’s fresh, sweet, and uplifting, completing the bouquet of heady florals in the heart.
As the fragrance settles, Amou Daria reveals its base, where deeper, warmer notes emerge, grounding the airy florals with a subtle richness. Tibetan musk imparts a soft, animalic warmth, its smooth, comforting presence providing a gentle sensuality that lingers delicately. Abyssinian civet, a rare and exotic ingredient, offers a unique, musky warmth that’s softer and less intrusive than traditional civet, contributing to the fragrance’s sophisticated depth.
Central Massif oakmoss, from the forests of France, introduces a classic, earthy, and slightly woody green note that evokes the undergrowth of a misty forest floor, adding a grounding contrast to the floral heart. Mysore sandalwood, known for its creamy, soft, and balsamic richness, weaves a calming, luxurious finish that lingers, while Andean vetiver from the highlands of South America provides a smoky, slightly earthy note, adding a touch of ruggedness. Finally, Venezuelan tonka bean, with its warm, sweet, and slightly spicy aroma, envelops the fragrance with a comforting, almost vanilla-like sweetness, tying together the layers of this cool floral with an enveloping softness.
Amou Daria transports the wearer to a cool, floral world of elegance, with its interplay of bright, uplifting notes and deep, rich undertones. The ingredients, sourced from the most renowned growing regions of the world, come together in a symphony that speaks to a sophisticated, youthful spirit with a timeless, almost ethereal charm.
Bottles:
"Revillon: Carnet de Bal, new, luxurious, feminine. Amou Daria in vast, square crystal bottles ; it’s a blended, concentrated toilet water, mostly lilac, apparently; $8.50. The bath oil, brisk and verbena-ish, can also be used as a friction rub; $19.50 (Revillon and Bonwit Teller)."
Twin Set:
"Like the other Parfums Revillon, Égoïste is invincible when it is applied directly to the person in your city, we will supply ... New York. PRICES BY THE OUNCE, TORNADE, $12.50, AMOU DARIA, $12.50, LATITUDE 50, $14.00; EGOISTE.."
Stepped Bottles:
The exquisite packaging of Amou Daria by Revillon reflects the elegance and sophistication of the perfume. Crafted in the typical Art Deco style of the 1930s, the French crystal bottles exude luxury and refinement. Available in various sizes, these bottles were used to hold several different Revillon parfums.
The large version, a heavy, chunky glass bottle with a squared base, is molded with three rounded edge "steps." Standing 4.25" tall and holding 6 ounces, this bottle contained the "Amou Daria Fluide Parfum Total." This chunky shape was also used for other sizes, standing 5" and 5.5" tall. The large size, with its substantial glass and distinctive design, would have been a striking centerpiece for any dressing table, allowing fragrance enthusiasts to indulge in their favorite scent for an extended period.
Smaller sizes holding both 1 oz and 1/2 ounces of parfum were contained inside narrow glass bottles with rectangular bases. These smaller bottles mimic the shape of the larger bottle, just in a narrower profile. Despite their reduced size, they maintain the elegance and charm of the larger version. Both bottle sizes feature a ground glass stopper that follows the lines of the bottle, adding a finishing touch of sophistication and ensuring a seamless and visually appealing presentation.
Overall, the attention to detail in the design of these bottles reflects the care and craftsmanship that went into creating Amou Daria by Revillon. This makes it not only a delightful fragrance but also a coveted collector's item for enthusiasts of vintage perfumes and Art Deco design.
Esquire - Volume 7, 1937:
"For almost a century, women loved by the men of Revillon awaited breathlessly for the annual shipment of raw sables from Tibet. It was not only for the gossamer-soft brown fur of queens they waited. It was for a small, hide-bound flask of perfume that was always found hidden away in the heart of each bale of sable skins. The annual gift of a Tibetan tribe to the house of Revillon, this flask contained a rare and enchanted perfume that went to the heads of men like wine; a scent so subtle, so alluring, that women of royal blood coaxed for even a few drops of the of the precious fragrance.
Time and again, the Revillons tried to acquire the formula, but each offer was met with polite refusal. The scent of princesses was not for sale. And so, this strange and fascinating redolence remained one of the mysteries of the east until several years ago, a young Revillon entered the firm of his fathers.
Like every Revillon who goes into this business, he was forced to serve his two-year apprenticeship in the far-flung outposts of the company. How, during his visit to Tibet, he saved the life of a chieftain's son is another story, glamorous as any tale of the cinema. But it is your good fortune that his reward for this service was the gift of the formula for making the Tibetan perfume which his family had sought for a century.
Hormones from the glands of sable lend subtle charm to these perfumes for the skin.
Now imprisoned in lovely flacons of flashing crystal are four perfumes that bear the stamp of Revillon. Tornade, Latitude 50, Egoiste, Amou Daria. Unlike ordinary perfumes, these Parfums Revillon are not applied to the outer garments but are placed directly on the person. When they are correctly used, as they are now in Paris, they are interpreted differently by every woman who wears them.
Then they become not merely a scent to be put on and off with every gown, but an enchantment of the very being of the individual, until the body itself gives off its own glorious perfume like an exotic flower.
Today, these perfumes may be yours if you can afford them. Frankly their cost is high because their ingredients are extremely rare and costly. Since our supply is limited we in turn are forced to limit their sale to fifty stores in the entire united States.
If you are unable to purchase Parfums Revillon for the skin we will undertake to supply you by air mail, postpaid. We cannot guarantee prices after January 1, 1937, since our costs are dependent upon the world catch of sables. Parfums Revillon 684 Fifth Avenue, new York, NY.
If you want to be thought extremely generous by some very attractive lady, we suggest you send her the 5 ounce bottle of Tornade for $60.
Prices by the ounce: Amou Daria, $12.50; Tornade, $12.50; Latitude 50, $14.50; Egoiste (in 3 ounce bottles only), $30."
The New Yorker, 1947:
"Made, bottled, sealed entirely in France. Revillon perfumes are again being imported into the United Slates in limited quantities. PARFUMS REVILLON PARIS - CARNET DE BAL, LATITUDE 50, TORNADE, AMOU DARIA - LUXURY IMPORTS."
Cue, 1949:
"Back with us in quantity is Carnet de Bal, along with those other wonderful Revillon fragrances — Tornade, Latitude 50, Amou Daria and Eau Marveilleuse. Revillon perfumes are made, bottled and sealed in France, which should make the perfectionists even happier."
Wing Bottles:
The "wing bottles" from Revillon are exceptionally unique and visually striking, embodying the elegance and innovation characteristic of Revillon's packaging during the Art Deco period. These bottles, with their distinct "winged" appearance and luxurious stoppers, present a beautiful and sophisticated display for any perfume.
The design of the "wing bottles" features a distinctive shape that resembles wings, adding an element of grace and movement. The heavily silvered or gilded glass stoppers enhance their luxurious appeal, while versions with clear glass stoppers maintain a more understated elegance. Each bottle is acid-etched with the mark "Revillon Paris Made in France," signifying its authenticity and origin, adding to its collectible value.
These bottles were available in various sizes, including 2.25", 2.5", 3.25", 3", and 4.25" tall, as well as a 1.75 oz option. This range caters to different consumer needs, from small, portable options to larger, more substantial bottles for display on a vanity.
The "wing bottles" would have held some of Revillon's finest parfums, with the smaller bottles likely intended for personal, on-the-go use, and larger bottles designed to be luxurious fixtures in a personal collection. Their unique design, luxurious materials, and historical context make them highly desirable for collectors, serving as a testament to Revillon's dedication to combining artistry and functionality in their product packaging.
In summary, the "wing bottles" represent a perfect blend of artistic design and practicality, embodying the sophistication and elegance of the Art Deco era while serving as a beautiful vessel for Revillon's esteemed fragrances.
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