Savonnerie Parfumerie Maubert

Isnard - Maubert Parfumeur:  A perfumery, cosmetic and toiletry shop established at 17 rue Lamartine, Lille, France in 1819; also see ' Parfumerie du La Val Creux', associated with Chrome et Cie; associated with Savonnerie Parfumerie Maubert. Maubert Jeune.

Nelson, Baker & Co.

Nelson Baker & Co. of 61 Brooklyn Avenue, Detroit, Michigan. Subsidiary of Penslar Stores.

Laughter by Germaine Monteil c1940

Laughter by Germaine Monteil: launched in 1940. The creation of the perfume took eight year to complete.

It was reformulated in 1950 and was rechristened Rigolade (pronounced REE-GO-LAHD), you may find some labels marked with both names: Laughter (Rigolade).

Grain de Sable by Nicky Verfaillie c1977

Grain de Sable by Parfums Nicky Verfaillie was launched in 1977, a time when the fragrance industry was experiencing a wave of creativity and innovation. The late 1970s were marked by a cultural shift towards more relaxed and natural lifestyles, influenced by the lingering effects of the counterculture movement of the 1960s and early 1970s. This era celebrated individuality and self-expression, which translated into the world of perfumes through the creation of unique and unconventional scents. Grain de Sable, created by renowned perfumer Henri Sorsana, fit perfectly within this context, offering a fragrance that captured the essence of natural beauty and free-spirited elegance.

The name "Grain de Sable" translates to "Grain of Sand" in English. This name was likely chosen by Nicky Verfaillie to evoke the simplicity, timelessness, and natural beauty associated with sand. Just as a single grain of sand is small yet significant, the perfume was designed to be a subtle but impactful accessory for the wearer. The name "Grain de Sable" is appropriate for a perfume because it conjures images of serene beaches, the gentle touch of sand, and the timeless allure of coastal landscapes. It suggests a fragrance that is both delicate and enduring, a perfect complement to the natural elegance of the wearer.

Women who would have been drawn to a fragrance called "Grain de Sable" are likely those who appreciate understated sophistication and a connection to nature. These women might have sought out a scent that was not overpowering but rather enhanced their natural aura. They would have responded to Grain de Sable with a sense of delight, finding it a perfect match for their personal style—elegant, refined, and effortlessly chic. The fragrance would have appealed to those who value quality and uniqueness in their personal care products.

BTCIC

The BTCIC Glassworks, also known as BETCIC, the tradename for the Bureau Technique de Collaboration Industrielle et Commerciale, was located at 9, Avenue Perrichont, Paris, France. They created stunning perfume bottles and presentations for luxury perfumers after the first world war, into the 1920s and 1930s. BTCIC made bottles, labels and total presentations for companies such as Caray, Parfums Paul, Eroy and others.

Their most famous creation was the bottle portraying Gaby Deslys. This bottle was first used in 1925 for various perfumers, then for Adoree by Eroy in the 1930s. Then in 1939 it was again used for a different perfumes, Sequoia by Rene Pierre (also known as Pierre Dune), Je'nose by Caray, J'Ose by de Mareze, Jolie Marquise by Molines in 1935, Mademoiselle Pigalle by HF Sorel. These early bottles have the female figure as the stopper, sitting on a cushion. The inspiration for this perfume bottle was the actress Gaby Deslys, a famous flamboyantly costumed dancer and courtesan of the early 20th century of Marseilles, France. In the 1926 advertisement below, you can see the original bottle by BTCIC.

The bottle for Nuit de Mariage by Parfums de Paul was presented in a bottle, box and label by B.T.C.I.C.. Also in a bottle made by Verrières Viard. This bottle was also used by other perfume companies such as the American firm Lander and M. Ballespi of Barcelona.

In her book, Masterpieces of the Perfume Industry, Christie Mayer Lefkowith shows us an Egyptomania bottle for Ramses for their 1919 perfume, Hycsos.

 

c1920

c1920

c1920

c1921

c1921

c1921

c1921

"You sell your packaged products because it is a guarantee for the clientele...and for you. You want this packaging to be appealing because it's a selling point. You find this presentation, which facilitates the sale, at the BTCIC, whose bottles, cases, simple line labels, elegant in shape, constitute harmonious sets which attract the attention of the buyer and guide his choice. Ask for our free catalog, you will see how our prices are moderate."

c1922

Florel Parfumeur

Parfums Florel, located at 23 rue Washington in Paris, was a distinguished establishment renowned for its diverse fragrance offerings. Under the aegis of Madame Jeanne Forstrem, in collaboration with J. Baudoin, Florel carved out a niche in the perfume industry with a specialization in a wide array of scented products. The company’s expertise encompassed the manufacture of spices, eau de cologne, perfumes, toilet waters, and extracts, reflecting a comprehensive approach to fragrance creation.

Florel's commitment to quality and innovation positioned it as a notable player in the Parisian fragrance scene, where its products were celebrated for their refinement and aromatic sophistication. The brand's diverse range allowed it to cater to various preferences, from the everyday appeal of eau de cologne to the more luxurious allure of intricate perfumes and extracts.

Sahara Co.

Parfumery Chiyotsubaki was a trade name for Sahara Co, of Japan.

Jean Stuart Cosmetics, Inc.

Jean Stuart Cosmetics Inc. of 535 Fifth Ave, New York, established in 1928. Launched a range of cosmetics, toiletries, and fragrances starting in 1929.

Parfums d'Ouchy

Parfums d'Ouchy (pronounced "doo-shay") was established  in 1928 by Radolphe Agranatt at 45 rue Laborde, Paris in 1928.

They had an office, Parfums D'Ouchy, Inc. at 655 Fifth Avenue, New York and also one in Naples, Italy.

Kéora by Parfums Jean Couturier c1983

Kéora by Parfums Jean Couturier, launched in 1983, is a fragrance that draws its name and inspiration from "Kewra," a term associated with the fragrant oil derived from the flowers of the Pandanus tree, also known as Pandang, found in India. The word "Kéora" itself is a French adaptation, reflecting an exotic allure and the mystique of far-off lands. The choice of this name evokes images of lush, tropical landscapes, warm breezes carrying the scent of blooming flowers, and a deep connection to nature's most intoxicating aromas.

The name "Kéora" is imbued with a sense of elegance and intrigue, promising a scent that is both luxurious and mysterious. In the context of the early 1980s, a time marked by bold fashion choices and a growing interest in global influences, the name would have resonated with women seeking a fragrance that was not just a perfume, but an experience. The exoticism of the name "Kéora" would have appealed to the sophisticated, modern woman of the time, offering her a way to express her individuality and desire for something unique.