French Enameled Bronze Ormolu Vanity Sets

In this guide, we will explore the exquisite world of French enameled bronze vanity sets with miniature portraits, treasured for their opulence and artistry. These luxurious pieces, originating in the late Victorian era and flourishing during the 1920s, embody the height of French craftsmanship and design. Vanity sets of this nature were not merely functional objects but expressions of refined taste, often adorning the dressing tables of aristocratic women and those who reveled in the beauty of the Belle Époque and Art Deco periods.

Crafted primarily from gilded bronze, these sets were meticulously adorned with vibrant enamel work, typically in shades of deep cobalt blue, emerald green, rich burgundy, or delicate pastel hues. The enamel, carefully applied in a technique known as champlevé or cloisonné, created intricate scrolling patterns, floral motifs, and delicate geometric designs that shimmered with a jewel-like brilliance. The durability of the enamel ensured these sets retained their beauty over time, making them prized collectibles today.

What truly distinguishes these vanity sets is their incorporation of miniature portraits, hand-painted onto porcelain or ivory and often set within finely beaded or rope-twist bronze frames. These portraits typically depicted elegant 18th-century ladies, inspired by the romanticized courtly figures of Marie Antoinette’s era, or pastoral beauties adorned in flowing gowns with powdered wigs and floral garlands. The artistry in these miniatures is remarkable—each brushstroke capturing the delicate features, expressive eyes, and opulent attire of these historical muses.

Coup de Chapeau by Gilbert Orcel c1948

In 1948, French milliner Gilbert Orcel made his foray into the world of fragrance with the launch of Coup de Chapeau. 

The phrase "Coup de Chapeau" originates from French and translates literally to "a tip of the hat." In a figurative sense, it is used to express admiration, respect, or recognition for someone’s achievement, effort, or contribution. Much like the gesture of tipping one’s hat in Western cultures, it symbolizes a polite acknowledgment or salute. Pronounced as "koo duh shah-poh," the choice of name reflects Orcel's background in millinery, where hats are essential elements of style and elegance. By invoking the classic gesture of tipping one’s hat, Orcel evoked a sense of timeless sophistication and courtesy, appealing to the sensibilities of those who appreciated refined, understated charm.

Coup de Chapeau was brought to the American market through the efforts of Gladys Weisglas, operating under the name Gladys Warner Distributor in New York. This partnership allowed the Gilbert Orcel fragrance to reach a broader audience, connecting with those who admired French luxury and the mystique of Parisian fashion. Orcel’s expertise in millinery lent the perfume an air of prestige, as his creations were synonymous with high fashion. The perfume’s introduction to the United States market helped cement Orcel’s legacy not only as a master of hats but as a name associated with sophisticated, well-crafted fragrances. Gilbert Orcel, milliner-hatter in activity from 1938 to 1972 at 5bis Rue du Cirque.

Charisma by Avon c1968

Launched in 1968, Charisma by Avon was aptly named to evoke feelings of allure and charm. The word "charisma," derived from the Greek "kharisma," refers to a compelling attractiveness or charm that can inspire devotion in others. Pronounced as "kuh-RIZ-muh," the term conjures images of confidence, magnetism, and personal appeal. In a time when women were increasingly asserting their independence and embracing their individuality, a fragrance named Charisma spoke directly to the aspirations of its audience. It represented not just a scent but an ideal—an embodiment of the confidence and allure that many women sought in their daily lives.

The emotional resonance of Charisma is profound; it evokes a sense of empowerment and sophistication, qualities that many women of the late 1960s aspired to project. As they navigated a rapidly changing cultural landscape, this perfume offered an olfactory signature that was both modern and timeless. Women of the time might have viewed Charisma as a means to express their personality and influence, serving as an accessory that complemented their fashion choices and social aspirations. The name suggested a fragrance that could enhance one's allure, making it a fitting companion for the confident and dynamic woman of the era.

The Origin of the Floriental

The Floriental fragrance family traces its origins to François Coty’s groundbreaking perfume, L’Origan, launched in 1905. This fragrance established the signature accord that would define the category, blending warm oriental elements with floralcy. L’Origan’s structure laid the foundation for some of the most celebrated Florientals that followed, each evolving the theme while maintaining a recognizable olfactory DNA.

In 1912, Guerlain’s L’Heure Bleue refined the Floriental concept with an emphasis on powdery sweetness. The fragrance combined spicy carnation and opulent orange blossom with an ambery, vanillic base, evoking a sense of nostalgic melancholy. The interplay of heliotropin and coumarin added depth, setting a precedent for future compositions.

Oscar de la Renta’s Oscar, introduced in 1977, revived the Floriental category with a more radiant floral bouquet. Rich with ylang-ylang and carnation, it was softened by orris and jasmine, while a deep resinous base of benzoin, sandalwood, and amber lent warmth and sophistication.

By 1982, Vanderbilt by Gloria Vanderbilt emerged as a softer, more powdery interpretation of the Floriental genre. It retained the key notes of carnation, orange blossom, and tuberose while incorporating a velvety orris presence, making it an elegant yet accessible choice.

A more dramatic expression came in 1985 with Dior’s Poison, which heightened the intensity of the Floriental structure. Though it notably omitted methyl ionone, it introduced a bold tuberose note alongside plum and myrrh, reinforcing its rich, opulent character. Poison's ambery, balsamic depth made it one of the most iconic fragrances of the 1980s.

Following this, Cacharel’s LouLou, launched in 1987, reinterpreted the Floriental with a velvety, powdery quality. Laden with heliotrope, ylang-ylang, and vanilla, it introduced a creamy, slightly gourmand facet that distinguished it from its predecessors. The presence of myrrh and incense further enriched its enigmatic allure.

By 1990, Christian Lacroix’s C’est La Vie represented a final, exuberant take on the classical Floriental structure. While maintaining the characteristic floral-spicy balance, it intensified the interplay of vanilla, tuberose, and benzoin, offering a rich and decadent fragrance experience.

Despite their individual nuances, all seven perfumes share a core olfactory framework. Their top notes provide an initial brightness, featuring bergamot, coriander, neroli, peach, and mandarin. The heart of each fragrance is a lush floral arrangement dominated by rose, orange blossom, jasmine, ylang-ylang, and tuberose, underscored by the spicy warmth of carnation and the resinous depth of myrrh. Finally, the base notes—including frankincense, sandalwood, musk, ambergris, cedar, vanilla, benzoin, vetiver, and tonka bean—anchor the compositions with a sensual, lingering warmth.

Together, these fragrances form a lineage of Floriental masterpieces, evolving over nearly a century while preserving the distinctive harmony of flowers and spices over an ambery, vanillic base.  This comprehensive guide will describe the similarities and differences.

L'ORIGAN: 

Launched in 1905, L'Origan by Coty is classified as an oriental fragrance for women. It is classified as an oriental fragrance for women. It begins with a fresh, spicy top, followed by a spicy floral heart, layered over a woody, powdery sweetened amber base. It was made up of 56 individual ingredients. Warm with a curious powdery note, violet, carnation and a hint of vanilla. 

L'Origan made use of the ambreine accord (by Samuelson), which is formed between bergamot, vanillin (or ethyl vanillin), coumarin and civet, with woody (vetiver, patchouli 4% and sandalwood) and rose notes (Calkin and Jellinek 1994). This was also used in the following oriental ambery fragrances: Shalimar by Guerlain, Must de Cartier and Obsession by Calvin Klein.

Other aromachemicals also play their parts in the construction of L'Origan: eugenol, methyl ionone, vetiveryl acetate, musk ketones, heliotropin, cinnamic alcohol and nitromusks. Iso-eugenol formate was used in conjunction with methylionones, 

In addition to the ambreine accord, L'Origan features six other specially compounded bases: Dianthine (Chuit Naef/Firmenich), Iralia (Firmenich), Coralys (Samuelson/Naef/Firmenich), Foin Rigaud (De Laire), Flonol (De Laire), and Bouvardia (Schimmel/de Laire). The original formula also included Chiris natural floral absolutes of precious tuberose, jasmine, and orange blossom.

Dianthine lends a spicy, carnation bouquet, while Iralia forms sweet, floral woody notes on a methyl ionone base. The marriage of these two notes was also used successfully in another Coty perfume, L'Ambre Antique. The Foin Rigaud was a "new mown hay" synthetic, Flonol is an orange flower-neroli base, Eugenol intensifies the clove-like facet of carnation while Bouvardia provided a jasmine effect in the heart of the fragrance. Coralys helped to give the perfume it's powerful Oriental vibe.

• Top notes: French basil oil, anise, cascarilla oil, lemon, Portuguese sweet orange, Nossi-Be ylang ylang, Italian neroli, Flonol, peach, Malabar pepper, sweet goldenrod oil, Russian coriander, mandarin orange, Calabrian bergamot
• Middle notes: Iralia, Zanzibar clove buds, eugenol, Grasse violet absolute, methyl ionone, orchid, Grasse orange blossom absolute, Grasse rose absolute, Grasse jasmine absolute, Spanish jasmine absolute, Bouvardia, Jamaican nutmeg, Ceylon cinnamon, cinnamic alcohol, French carnation, Florentine orris butter, Grasse heliotrope absolute, heliotropin, Dianthine
• Base notes: Bourbon vetiver oil, vetiveryl acetate, Maltese labdanum, Somali opoponax, Atlas cedar, Mexican vanilla, vanillin, Mysore sandalwood, Venezuelan tonka bean, coumarin, Abyssinian civet, Tibetan musk, musk ketones, Indian musk ambrette, nitromusks, Omani frankincense, Virginian cedar, Siamese benzoin, ambergris, Ambreine accord, Coralys, Foin Rigaud

Scent Profile:

L’Origan by Coty unfolds like an opulent tapestry, woven with the finest ingredients sourced from around the world. From the first breath, the fragrance bursts with an effervescent interplay of citrus and spice. The brightness of Portuguese sweet orange—distinguished by its sun-drenched sweetness and balanced acidity—melds with the sharp, zesty clarity of Calabrian bergamot, a variety prized for its refined, floral edge. Italian neroli, distilled from the blossoms of bitter orange trees, lends a honeyed radiance, its delicate freshness providing contrast to the rich, spicy depth of Malabar pepper, whose bold, resinous warmth lingers with an almost narcotic intensity. 

A whisper of French basil oil adds a green, herbaceous brightness, while the unusual inclusion of cascarilla oil, distilled from the bark of a Caribbean shrub, imparts a dry, resinous warmth, subtly reminiscent of toasted wood. A floral sweetness emerges from the exotic Nossi-Be ylang-ylang, native to Madagascar, its creamy, narcotic aroma layered with facets of banana and spice. Underpinning these top notes is a sensual, powdery haze, the result of Flonol, a synthetic molecule used to enhance the floral heart with a soft, diffusive quality.

As the fragrance evolves, its floral core unfolds in a lavish, almost hypnotic bloom. Grasse violet absolute, with its green, dewy freshness, intertwines with the rich powderiness of methyl ionone, evoking the soft petals of Parma violets. French carnation bursts forth in fiery contrast, its clove-like spiciness heightened by Zanzibar clove buds and eugenol, the compound responsible for the flower’s characteristic warmth. 

The floral symphony deepens with Grasse rose absolute, a variety celebrated for its lush, honeyed depth, seamlessly blending with the opulent sensuality of Grasse jasmine absolute and the indolic richness of Spanish jasmine absolute, both harvested at dawn to capture their most intoxicating essence. Grasse orange blossom absolute, with its bittersweet, slightly waxy white floralcy, adds an ethereal glow, while the exotic, vanillic warmth of orchid lends an exotic, creamy nuance. 

A rare floral note, Bouvardia, infuses the composition with a green, almost tuberose-like lushness, complemented by the golden warmth of Jamaican nutmeg and the sweet-spiced allure of Ceylon cinnamon, their resinous richness deepened further by cinnamic alcohol. Anchoring this heart is Florentine orris butter, one of the most luxurious perfume ingredients, extracted from aged iris rhizomes to create a velvety, suede-like texture with an earthy, powdery coolness. The presence of Grasse heliotrope absolute and heliotropin introduces a delicate almond-like sweetness, softened by Dianthine, a component that enhances the spicy floral facets of carnation and clove.

The base is where L’Origan’s true magic resides, a velvety embrace of woods, resins, and animalic warmth. Mysore sandalwood, the rarest and most coveted variety, forms the foundation, its creamy, balsamic depth caressing the fragrance with an almost hypnotic sensuality. Atlas cedar, known for its dry, slightly smoky character, and the soft, pencil-shaving warmth of Virginian cedar, provide a grounding contrast. 

The sweetness of Mexican vanilla and synthetic vanillin creates a rich gourmand embrace, bolstered by the coumarin-like warmth of Venezuelan tonka bean. The inclusion of Bourbon vetiver oil, a variety grown in Réunion known for its deeply smoky, leathery facets, enhances the base’s complexity, blending with the earthy, slightly bitter edge of vetiveryl acetate. Resins such as Maltese labdanum, Somali opoponax, and Siamese benzoin contribute a honeyed, ambery richness, while the legendary Omani frankincense, revered for its balsamic purity, adds an element of mysticism.

The animalic whisper of L’Origan lingers in the form of rare and opulent musks. Abyssinian civet, known for its soft, warm leather-like sensuality, merges with the rich, sweet muskiness of Tibetan musk and the slightly fruity nuance of Indian musk ambrette, a botanical musk with a refined, powdery depth. Classic nitromusks, now a rarity in modern perfumery, weave a sensual, velvety backdrop. Ambergris, one of perfumery’s most prized natural fixatives, infuses the composition with a salty, oceanic warmth, further enriched by Ambreine accord, which amplifies the golden radiance of the resins. The fragrance settles into a final, delicate shimmer of Coralys and Foin Rigaud, both adding a hay-like, slightly tobacco-inflected warmth, leaving behind a scent that is at once powdery, spicy, floral, and deeply sensual.

L’Origan is a fragrance of contrasts—fresh yet warm, powdery yet rich, delicate yet bold. It is a masterpiece that revolutionized perfumery, its intricate composition setting the stage for the entire Floriental genre that followed. Each ingredient tells a story of its origin, its rarity, and its purpose, coming together in a scent that is both timeless and unforgettable.

L'HEURE BLEUE: L'Heure Bleue by Guerlain was introduced in 1912, it is a classic floral-oriental (spicy-amber) perfume for women.

• Top notes: spikenard, anise, orange, bergamot, lemon, neroli, tarragon, coriander, sage, thyme
• Middle notes: orange blossom, Bulgarian rose, heliotrope, jasmine, carnation, tuberose, violet, orris, ylang ylang, neroli, rose otto
• Base notes: myrrh, opoponax, ambergris, vanilla, tonka bean, iris, musk, sandalwood, St. John's wort, benzoin

Scent Profile:

L’Heure Bleue by Guerlain is an olfactory poem, a fragrance suspended between daylight and dusk, where the last golden rays fade into twilight’s melancholy embrace. It begins with an ethereal freshness, yet even from the first breath, there is a nostalgic depth foreshadowing its velvety heart. The citrusy brightness of Italian bergamot and Sicilian lemon shimmers on the skin, their effervescent sparkle softened by the luminous sweetness of neroli, distilled from the blossoms of bitter orange trees grown in the sun-drenched groves of Calabria. 

The slightly herbal, almost liquorice-like whisper of anise entwines with the earthy, camphoraceous glow of spikenard, a rare Himalayan root known for its shadowy, antique warmth. The inclusion of tarragon, with its green, anisic bite, and the crisp, slightly peppery edge of coriander, lend a delicate aromatic complexity. A trace of thyme and sage—both Mediterranean herbs prized for their resinous clarity—adds an almost mystical touch, grounding the opening in a sensation of dry, sun-warmed earth.

As the fragrance deepens, a lavish bouquet unfurls like a moonlit garden, each bloom swaying in the languid air of twilight. The golden, honeyed warmth of orange blossom radiates at its heart, its bittersweet richness seamlessly entwining with the luminous sensuality of Bulgarian rose, a variety famed for its deep, velvety facets and subtle fruitiness. Rose otto, distilled from the petals of Damask roses picked at dawn, lends an even richer, dewier dimension, its weightless transparency creating the illusion of petals freshly plucked. 

The narcotic embrace of tuberose, with its creamy, almost mentholated lushness, intertwines with the powdery elegance of orris, extracted from aged Florentine iris rhizomes, its cool suede-like texture adding a wistful, violet-tinged softness. Heliotrope, with its almond-vanilla facets, drapes the florals in a tender, almost confectionery-like haze, its sweetness counterbalanced by the fiery carnation spice of eugenol, which sharpens and refines the fragrance’s floral-spiced heart. The deep, sultry aroma of ylang-ylang, sourced from Madagascar, infuses the composition with its signature balance of fruity, banana-like richness and an almost leathery depth, echoing the golden hour before nightfall. Meanwhile, jasmine, its heady sensuality softened here to a mere whisper, lends a translucent glow to the floral mélange.

The base of L’Heure Bleue is where its true magic resides, an embrace of warmth, melancholy, and nostalgia that lingers like the last light on the horizon. The balsamic depth of myrrh and Somali opoponax saturates the scent with a dark, resinous glow, their honeyed, smoky undertones weaving seamlessly with the ambered sweetness of benzoin and the saline, almost animalic whisper of ambergris. 

The creamy smoothness of Indian sandalwood, with its warm, milky character, enhances the fragrance’s softness, while iris, now deeper and more velvety than in the heart, lingers with a faint, wistful powderiness. Madagascan vanilla, known for its lush, almost boozy depth, and the caramelized warmth of tonka bean, rich in coumarin, merge in an embrace that feels both gourmand and ethereal. Musk, soft yet tenacious, adds an intimate skin-like warmth, while the unusual presence of St. John’s Wort lends a dry, herbal touch that whispers of dried hay and sun-warmed fields at dusk.

L’Heure Bleue is a fragrance of quiet longing, evoking a time that is neither day nor night, where memories and dreams drift together in the cool evening air. It is the scent of a world hushed in twilight, of petals that have yet to close and stars waiting to appear. Melancholy yet luminous, rich yet weightless, it lingers on the skin like a sigh—a whisper of beauty caught between past and present.

OSCAR DE LA RENTA:

Oscar de la Renta by Oscar de la Renta was launched in 1977. Created by Jean-Louis Sieuzac of Roure. It is classified as a rich floral-oriental fragrance for women. It begins with an aldehydic floral top, followed by a sweet floral heart, resting on a sensual, powdery base.

• Top notes: cascarilla, aldehydes, bergamot, neroli, tangerine, Italian mandarin, orange blossom absolute, basil, coriander, orange leaves absolute, galbanum, peach, narcissus absolute, and gardenia
• Middle notes: orris, lily of the valley, honey, broom (genet), nutmeg, ylang-ylang, jasmine absolute, cabbage rose absolute, tuberose, rose de mai absolute, Bulgarian rose oil absolute, rosemary, cyclamen, lavender and orchid
• Base notes: clove buds,Venezuela tonka bean, cedar, musk, oakmoss, vanilla, Siam benzoin, castor, myrrh, Abyssinian opoponax, carnation, castoreum, patchouli, Mysore sandalwood, Java vetiver, Haitian vetiver, lavender and ambergris

Scent Profile:

Oscar de la Renta’s signature fragrance, launched in 1977, is a symphony of opulence, a grand floral-oriental that unfolds in waves of elegance and warmth. From the very first breath, the air is charged with the effervescence of aldehydes, their fizzy, champagne-like brilliance illuminating the composition like sunlight glinting on silk. This luminous opening is further enhanced by a medley of citrus, where the sparkling sweetness of Italian mandarin melds with the zesty vibrance of tangerine and the refined bitterness of Calabrian bergamot. 

The floral nectar of orange blossom absolute, distilled from the finest Tunisian groves, lends a honeyed, slightly green freshness, deepened by the citrusy floralcy of neroli. The unexpected inclusion of cascarilla, a rare aromatic bark with a dry, woody-spicy profile, whispers beneath the citrus, its sharpness softened by the verdant sharpness of galbanum and the earthy green crispness of orange leaves absolute. Coriander and basil, with their warm, spicy undertones, add a Mediterranean herbaceousness, their volatile oils mingling with the narcotic sweetness of peach, the creamy languor of gardenia, and the wild, narcotic intensity of narcissus absolute—a floral note that bridges green, animalic, and honeyed facets in a single breath.

As the fragrance evolves, the heart blooms into a tapestry of lush florals, each petal thick with dew and depth. The regal embrace of Bulgarian rose oil absolute, distilled from the famed Rosa Damascena of the Valley of Roses, offers a heady, velvety richness with an undercurrent of spice. This contrasts beautifully with the greener, more delicate sweetness of Rose de Mai absolute, a rarity harvested in Grasse during the fleeting month of May. Jasmine absolute, its carnal, sun-warmed sensuality, intertwines with the tropical, banana-tinged opulence of ylang-ylang, while the intoxicating allure of tuberose unfurls with waxy, creamy decadence. 

The golden warmth of honey, thick and dripping with its syrupy depth, coats the florals in a sweet, languid haze, harmonizing with the slightly almond-like, powdery elegance of orris root. Broom (genet), a lesser-seen floral note, imparts a slightly hay-like, almost leathery floral nuance, evoking sun-drenched fields at the peak of summer. A whisper of nutmeg flickers through the bouquet, its soft spice accentuating the deep floralcy, while unexpected notes of cyclamen and orchid lend a crisp, dewy counterbalance. Lavender, woven subtly into the composition, provides an herbal, aromatic lift—its crispness a contrast to the richness surrounding it.

As the fragrance lingers into its final act, the base unfolds with sensuous warmth, exuding a vintage grandeur rarely seen in modern perfumery. The dark, resinous embrace of Abyssinian opoponax and Somali myrrh lends a balsamic, smoky depth, their richness heightened by the golden warmth of Siam benzoin. The animalic growl of castoreum and castor, with their leathery, slightly smoky facets, evoke a bygone era of indulgence, while the earthiness of oakmoss and the dry, rooty intensity of Java and Haitian vetiver ground the fragrance with an enigmatic depth. 

Mysore sandalwood, revered for its creamy, milky smoothness, wraps the base in a velvet embrace, blending seamlessly with the spicy sweetness of clove buds and the caramelized warmth of Venezuelan tonka bean. A touch of patchouli, dark and damp, weaves through the composition, lending a mysterious, almost shadowy presence. Finally, the whisper of ambergris, that rare and elusive note, adds an oceanic smoothness, enhancing the depth of the musks—both natural and synthetic—that lend Oscar de la Renta its unforgettable trail.

This fragrance is a statement, a portrait of classic femininity woven with exoticism and timeless grace. It is the scent of silk evening gowns, candlelit salons, and a world where elegance lingers in the air long after the last note has faded.

VANDERBILT: 

Vanderbilt by Gloria Vanderbilt is a heady oriental floral blend of blooming flowers with touches of exotic fruits and spices. Sophia Grojsman created the perfume in 1982. Vanderbilt smells very much like L'Heure Bleue by Guerlain, C'est la Vie by Christian Lacroix and L'Origan by Coty. Though the Vanderbilt perfume was said to be directly inspired by Oscar de la Renta.

• Top notes: mandarin, coriander, basil, apricot, Californian lemon, aldehydes, bergamot, green notes, pineapple, orange blossom, lavender
• Middle notes: jonquil, mimosa absolute, honey, French marigold, pimento, jasmine, rose, tuberose, ylang-ylang, carnation, orris
• Base notes: amber, frankincense, tolu balsam, oakmoss, cinnamon, civet, musk, opoponax, vetiver, sandalwood and vanilla

Scent Profile:

Vanderbilt by Gloria Vanderbilt is a perfume steeped in elegance, a rich oriental floral that unfolds like a tapestry of warmth, spice, and powdery sweetness. Its opening is a shimmering veil of aldehydes, their effervescent brightness casting a soft, champagne-like glow over the composition. The citrus elements weave in with sparkling intensity—Californian lemon, crisp and tart, lends a zesty vibrance, while the golden sweetness of mandarin drapes the opening in a honeyed warmth. The addition of bergamot, with its slightly bitter yet floral facets, enhances the radiance, its refined citrus quality balancing the fragrance’s initial rush of freshness. 

Yet, Vanderbilt is never merely bright; an unexpected touch of green notes whispers beneath, a dewy, crushed-leaf sharpness that tempers the richness. The fruitiness of pineapple is more restrained than tropical, adding a mellow juiciness rather than a sugared candied feel, while apricot, soft and velvety, introduces a subtle, suede-like ripeness. The aromatic intrigue of coriander and basil, fresh yet slightly spicy, lingers just below the citrus, mingling with the sweet, slightly soapy floral glow of orange blossom and the herbal sharpness of lavender—a note that lends Vanderbilt its unexpectedly serene, almost meditative opening.

As the fragrance evolves, it blooms into a sumptuous floral heart, where petals unfurl like layers of a lavish silk gown. The golden sweetness of mimosa absolute, with its honeyed, powdery delicacy, is accentuated by the bright, sunlit tones of jonquil, a more radiant, green-tinged narcotic floral. French marigold, often overlooked in perfumery, introduces a slightly spicy, almost tangy depth, balancing the lush, creamy decadence of tuberose and the indolic sensuality of jasmine. 

Rose, both powdery and jammy, sits at the heart like a timeless beauty, kissed by the exotic opulence of ylang-ylang, whose banana-like sweetness and slightly smoky facets add a touch of tropical heat. The spicy warmth of carnation, its clove-like intensity, lends Vanderbilt an old-world sophistication, pairing beautifully with the earthy, violet-tinged elegance of orris, a note that reinforces the perfume’s powdery heart. A thread of honey glazes the florals, amplifying their nectarous richness, while pimento, with its fiery warmth, flickers through the bouquet, adding an unexpected contrast to the otherwise velvety smoothness.

The base of Vanderbilt is a masterful descent into warmth, depth, and an almost vintage sensuality. The golden glow of amber envelops the composition in a soft, resinous warmth, enriched by the sacred, smoky tendrils of frankincense. Tolu balsam, with its cinnamon-tinged, caramelized depth, melds seamlessly with the powdery sweetness of vanilla, creating a velvety, almost confectionary richness. Oakmoss, ever-present in classic perfumery, anchors the fragrance with its dark, earthy depth, its slightly damp, forest-like nuances balancing the otherwise warm and sweet elements. 

The bold sensuality of civet, with its unmistakable animalic presence, lends a whisper of old-school allure, its muskiness intertwined with the deeper, more velvety warmth of musk itself. Cinnamon, fiery yet sweet, curls through the composition, its spice complementing the lingering traces of pimento from the heart. Opoponax, a cousin of myrrh, adds a balsamic, slightly honeyed resinous glow, blending with the deep, grounding woods of vetiver and sandalwood—the latter lending its signature creamy, milky smoothness to the drydown.

Vanderbilt is a fragrance of contrasts—bright yet deep, powdery yet rich, sweet yet spicy. It is evocative of satin gloves, gilded mirrors, and the kind of old-world femininity that feels both effortless and commanding. It lingers on the skin like a whispered memory, warm and powdery, a scent both timeless and undeniably intimate.

POISON:

Poison by Christian Dior was launched in 1985. Created by Edouard Flechier of Roure Bertrand DuPont. Poison is classified as a soft oriental fragrance for women. It has a top note or Russian coriander, Malaysian pepper and Ceylonese cinnamon, fruity notes of wild berries and orange blossom, honey and amber notes of labdanum. 

In Poison, the following synthetic ingredients were used: aldehyde C18, gamma-decalactone, methyl salicylate, eugenol (carnation), damascenones alpha and beta (fruity-flowery and honey-like character), heliotropin (heliotrope), coumarin (tonka bean), and vanillin (vanilla), with great emphasis on methyl anthranilate (orange blossom and tuberose). 

• Top notes: aldehyde C18, gamma-decalactone, methyl salicylate, West Indian pimento, bay, Sicilian mandarin, Zanzibar clove, eugenol, plum, Calabrian bergamot, Malaysian pepper and Russian coriander
• Middle notes: heliotropin, alpha and beta, Ceylonese cinnamon, French carnation, wild berries, Tunisian orange blossom, methyl anthranilate, Provencal honey, lily of the valley, Grasse rose, French orris, myrrh, peach and Egyptian jasmine
• Base notes: tonka bean, coumarin, Abyssinian civet, ambergris, incense, Tibetan musk, benzoin, labdanum, myrrh, opoponax, Canadian castoreum, Atlas cedar, vanilla, vanillin, and Mysore sandalwood

Scent Profile:

Poison by Christian Dior is a fragrance of deep, hypnotic intensity, commanding attention with its rich, enigmatic character. The first breath is an intoxicating clash of dark fruit and spice, each note saturated with richness. Plum is the most striking—its syrupy, almost liqueur-like ripeness floods the senses, dripping with an almost inky sweetness. The citrusy brightness of Sicilian mandarin cuts through the darkness, its sun-warmed peel releasing an effervescent zest, while the delicate bitterness of Calabrian bergamot flickers at the edges, adding a refined crispness. 

A sharp bite of Malaysian pepper ignites the air, its fiery, almost metallic quality contrasting against the sultry fruit. Russian coriander, with its slightly nutty, herbal freshness, intertwines with the spiced woodiness of West Indian pimento and Zanzibar clove, which exude a smoldering warmth, reminiscent of a spice bazaar at dusk. Aldehyde C18, with its smooth, creamy facet reminiscent of coconut, mingles with the cool medicinal sharpness of methyl salicylate, giving the opening a peculiar contrast—like silk against steel.

As the scent deepens, its heart is a decadent swirl of florals and honeyed resins. The narcotic sweetness of Egyptian jasmine, drenched in sun, pulses with an almost waxy, white floral intensity, while the Grasse rose, deep and velvety, adds a crimson richness, its petals thick with a heady, vintage romance. The Tunisian orange blossom glows with a golden nectar-like quality, its sweetness intensified by Provencal honey, which drapes the florals in an opulent, syrupy warmth. Wild berries, still tart, break through the floral haze, their juiciness rippling beneath the surface. 

The powdery elegance of French orris, with its buttery, suede-like softness, lingers in the background, reinforcing the luxurious depth. A trail of Ceylonese cinnamon slithers through the bouquet, warm and almost smoky, its presence blending seamlessly with the clove, deepening the fragrance’s fiery, resinous intensity. French carnation, spiked with its peppery edge, adds a sharp floral crispness, preventing the composition from becoming overly sweet. Methyl anthranilate, known for its deep, fruity, slightly medicinal grape-like aroma, heightens the perfume’s sensual richness.

The base of Poison is where its power lingers, a fusion of animalic depth, balsamic warmth, and sweet woodiness. Abyssinian civet, with its raw, musky sensuality, curls into the air, blending with the slightly salty, marine richness of ambergris, giving the dry-down an almost primal allure. Tibetan musk hums beneath, dark and velvety, its presence enhancing the rich resins of myrrh and opoponax, which release a smoky, incense-like warmth. 

Labdanum, with its thick, leathery, amber-like glow, adds a molten, sunbaked richness, sinking into the slightly caramelized smoothness of benzoin. Canadian castoreum lends a faintly leathery, animalic undertone, reinforcing the perfume’s untamed depth. The woods—Atlas cedar and Mysore sandalwood—create a structured foundation, the cedar dry and slightly sharp, the sandalwood creamy and milky smooth, both melting into the final whisper of vanilla and tonka bean, whose velvety sweetness lingers on the skin long after the other notes have softened.

Poison is not merely a fragrance—it is a statement, unapologetically bold and deeply sensual. It does not invite; it enthralls. It lingers like a phantom, its dark fruit, searing spice, and enveloping warmth drawing the wearer into its addictive embrace.

LOULOU: 

LouLou was launched by Cacharel in 1987. It was created by perfumer Jean Guichard of Givaudan-Roure. It  is classified as a soft floral oriental fragrance for women. It begins with a fruity green top, followed by an exotic floral heart, resting on a sweet, powdery base. A soft oriental floral with musk and heliotrope at its heart, plus essences of tonka bean and vanilla, incense and sandalwood. The top note is composed of jasmine, orange blossom, cassia and ylang ylang.

• Top notes: orange, bergamot, violet, plum, mace, tagetes, anise, mimosa, cassia
• Middle notes: orange blossom, lily of the valley, jasmine, tuberose, lily, orris, ylang ylang, coriander, rose
• Base notes: heliotrope, benzoin, cedar, vetiver, tonka bean, incense, balsam, musk, vanilla, frankincense, sandalwood

Scent Profile:

LouLou by Cacharel is a fragrance of deep sensuality, its lush floral heart cloaked in mystery and warmth. The first breath is a bold contrast of light and shadow—a radiant burst of orange and bergamot, their golden brightness cutting through the air like liquid sunlight, kissed with a faint bitterness that lends sophistication. Plum, dark and velvety, adds a languid sweetness, its syrupy ripeness tempered by the cool, green violet leaf, which whispers of dewy petals and fresh-cut stems. 

A delicate thread of anise, tinged with a soft licorice-like spice, weaves into the opening, blending with the exotic warmth of mace, whose dry, peppery aroma tingles at the edges. The unusual presence of tagetes, or marigold, adds an unexpected twist—a slightly pungent, herbal sweetness, with hints of green apple and honeyed earth, grounding the ethereal florals in something richer. Mimosa, powdery and golden, hums in the background, its feathery softness already hinting at the fragrance’s coming warmth.

At its heart, LouLou is an opulent floral embrace, thick with sensuality. Tuberose, creamy and carnal, pulses at the core, its waxy petals exuding an almost narcotic depth. Jasmine, warm and luminous, enhances the heady richness, while the lush, solar brightness of ylang-ylang spills over the bouquet, its slightly banana-like creaminess softening the sharper white florals. Orange blossom glows like liquid gold, its honeyed sweetness warmed by the spice of coriander, which lends a faintly earthy, citrusy undertone. 

Lily of the valley, fresh and dewy, flickers in and out, a fleeting whisper of innocence amid the sultry intensity. Lily, deeper and more languid, adds a velvety, almost waxen texture, while orris root, with its soft, suede-like elegance, infuses the heart with a powdery refinement. Rose, deep and full-bodied, rounds out the floral composition, its classic richness tempered by the perfume’s underlying exoticism.

The base of LouLou is where its true magic lingers—a warm, musky cloud of sweet resins, woods, and vanilla-wrapped softness. Heliotrope, with its almond-like, marzipan sweetness, dominates the dry-down, a dreamy, powdery haze tinged with soft cherry and vanilla nuances. Benzoin, rich and slightly caramelized, melts into the smoky warmth of incense and frankincense, their resinous depth adding a sacred, almost mystical sensuality. The sweetness of tonka bean, with its soft hay-like, nutty warmth, blends seamlessly with the creamy, slightly spicy smoothness of sandalwood. Cedar, dry and slightly sharp, contrasts with the earthy, deep green tones of vetiver, while musk hums beneath it all, its velvety presence wrapping the scent in an intimate warmth.

LouLou is both luminous and shadowy, innocent and provocative, its florals rich and intoxicating, its base a whispered caress of sweet powder and smoldering warmth. It lingers like an unforgettable dream, its presence felt long after the scent has faded from the skin.

C'EST LA VIE:

C'est la Vie by Christian Lacroix was launched in 1990. It was created by Edouard Flechier. It is classified as a spicy floral oriental fragrance for women. In my opinion, C'est la Vie smells the most like L'Heure Bleue.

• Top notes: aldehydes, seringa, pineapple, cassia, raspberry, osmanthus, peach, bergamot
• Middle notes: jasmine, heliotrope, ylang-ylang, carnation, tuberose, orris, sandalwood, orange blossom, rose, violet
• Base notes: ambergris, patchouli, musk, benzoin, vanilla, cedar, sandalwood, tonka bean

Scent Profile:

C’est la Vie by Christian Lacroix is a fragrance of warmth and nostalgia, a heady blend of delicate florals, creamy woods, and golden spices. The first impression is bright and effervescent, shimmering with the sharp, aldehydic brilliance that lends a powdery, slightly metallic crispness to the air. The sweetness of pineapple follows—a lush, golden ripeness tinged with a faint acidity, like sun-warmed fruit at the peak of its juiciness. Raspberry, velvety and tart, adds a deep red vibrancy, its jammy richness softened by the honeyed apricot facets of osmanthus, a flower that carries the scent of ripe stone fruits. 

Peach enhances this luscious softness, its flesh delicate and slightly fuzzy, melting into the citrusy sparkle of bergamot, which adds a green brightness that cuts through the richness. A touch of cassia, with its warm, cinnamon-like spiciness, hints at the exotic sensuality to come. The inclusion of seringa, often called the wild jasmine, brings a creamy, slightly orange-blossom-like sweetness, its narcotic fullness already mingling with the florals waiting beneath the surface.

As the scent deepens, a luxurious bouquet unfolds. Jasmine, opulent and luminous, fills the air with its narcotic sensuality, heady yet fresh. Tuberose, creamy and extravagant, adds a waxy depth, its bold floralcy balancing the sharper sweetness of ylang-ylang, which hums with a tropical, almost custard-like richness. Carnation injects a spicy, clove-like heat, lending a vintage elegance to the heart, while the soft, suede-like texture of orris gives the florals a powdery sophistication. 

Orange blossom, honeyed and radiant, is a golden glow in the composition, enhancing the floral sweetness with its warm, slightly citrus-kissed perfume. Violet, tender and ethereal, drapes the bouquet in a cool, softly candied haze, its whisper of nostalgia reminiscent of delicate pastilles melting on the tongue. The interplay between these flowers is striking—some luminous, others creamy, some powdery, others fresh, blending in an intoxicating and luxurious swirl. The presence of sandalwood, nestled within the floral heart rather than the base, adds a soft, milky woodiness, smoothing the edges of the composition with its gentle warmth.

The dry-down is a rich and velvety caress, deep with resins and sensual woods. Ambergris, with its salty-skin warmth, gives the fragrance a radiant, almost glowing quality, melding seamlessly with the smoky sweetness of benzoin, which has a touch of vanilla and caramel in its golden depths. Vanilla itself is plush and creamy, dark and sweet, wrapping the florals in a balsamic embrace. 

Tonka bean, with its warm, almond-like richness, deepens this sweetness, carrying faint whispers of tobacco and sun-warmed hay. The earthy, camphoraceous darkness of patchouli lends a sensual contrast, its deep, woody facets grounding the fragrance, while cedar, dry and slightly sharp, brings a structured elegance. Musk, plush and slightly animalic, clings to the skin like the warmth of an embrace, ensuring the scent lingers long after the wearer has departed.

C’est la Vie is a fragrance of contrasts—airy aldehydes against syrupy fruits, tender florals against smoldering warmth, sweetness wrapped in spice. It speaks of elegance and nostalgia, of a time when perfumes were statements, their presence felt in the air like the memory of something precious and elusive.

Summary:

These seven fragrances—L’Origan, L’Heure Bleue, Oscar de la Renta, Vanderbilt, Poison, LouLou, and C’est la Vie—belong to the same family of opulent floral-orientals, yet each expresses this theme in a distinct way, shaped by its balance of spices, florals, fruits, and resins. Some feel ethereal and melancholic, others sensual and extravagant, and some refined and luminous, but all share an air of timeless romanticism and richness.

The most historic of these, L’Origan by Coty (1905) and L’Heure Bleue by Guerlain (1912), set the stage for the fragrances that followed. L’Origan, often called the first true floriental, is a powdery, spiced floral with creamy carnation and vanilla, softened by orange blossom and sandalwood. It carries a nostalgic, comforting sweetness, but also a certain wistfulness, like old lace tinged with the remnants of a once-bright perfume. L’Heure Bleue, however, takes a more melancholic, poetic approach, evoking the fading light of twilight. Its anise-tinged heliotrope, rich iris, and deep balsamic warmth give it a soft yet haunting presence, like the scent of flowers carried by a cool evening breeze. These two fragrances introduced the powdery, resinous warmth that would define the genre, inspiring later creations like C’est la Vie, Vanderbilt, and Oscar de la Renta.

Oscar de la Renta (1977) took this foundation and gave it a baroque, extravagant twist, embracing the opulence of white florals. Unlike L’Origan or L’Heure Bleue, which feel dreamy and nostalgic, Oscar is bold and radiant, a floral explosion of ylang-ylang, tuberose, and jasmine. It is grand, sophisticated, and statuesque, with a touch of spicy carnation and mossy warmth that anchor its lush florals. It stands apart by being bright and regal, less powdery than its predecessors, and more about pure floral grandeur.

Vanderbilt (1982) shares Oscar’s refined elegance but takes a softer, more luminous approach, weaving in honeyed mimosa, green notes, and aldehydes for a scent that feels powdery yet airy, shimmering like gold-flecked silk. It maintains the classic powdery floral-oriental structure, but with a gentler touch, making it feel cozy and intimate rather than dramatic. If Oscar is ornate jewelry and embroidered gowns, Vanderbilt is a delicate pearl necklace and soft, vintage lace.

Then comes Poison (1985), which takes the floriental genre to its most intoxicating extreme. Where L’Heure Bleue is melancholic, Oscar is grand, and Vanderbilt is softly refined, Poison is seductive, dark, and hypnotic. The spicy heat of Russian coriander, Malaysian pepper, and Ceylonese cinnamon makes its opening fiery and intoxicating, followed by thick wild berries and syrupy resins that cling to the skin like velvet in candlelight. It is the most dangerous and untamed of the group, where smoky myrrh, animalic musk, and balsams create a forbidden allure. Poison is not soft nostalgia or aristocratic elegance—it is an uncompromising statement, commanding attention with its intensity

LouLou (1987), though equally bold, feels otherworldly and dreamy rather than overtly provocative. Its velvety heliotrope, creamy tonka bean, and soft incense create a floating, powdery haze, where violets and ylang-ylang add a slightly surreal sweetness. Unlike the fiery opulence of Poison, LouLou has a softer, almost whimsical nature, like a cloud of blue silk floating through a dimly lit room. It shares Poison’s depth and richness, but where Poison is a femme fatale, LouLou is a mysterious beauty lost in a dreamscape.

Finally, C’est la Vie (1990) feels like the modern heiress of L’Heure Bleue and L’Origan, retaining their powdery warmth and balsamic sweetness but adding fruity brightness. The tart pineapple, cassia, and raspberry in the opening make it feel livelier and more playful, before settling into a soft floral heart of jasmine, heliotrope, and carnation. It is neither as grand as Oscar nor as innocent as Vanderbilt, but it carries the melancholic romance of L’Heure Bleue with a touch of contemporary charm. Its ambergris, benzoin, and vanilla give it an embracing warmth, making it feel like a softly powdered kiss left on a silk scarf.

The Differences and Similarities:

All seven fragrances belong to the same lineage of floral-orientals, where powder, spices, balsams, and rich florals create compositions that are warm, sensual, and timeless. However, their personalities differ vastly:

• L’Origan and L’Heure Bleue are the originators, steeped in nostalgia, with L’Origan being creamy and comforting, while L’Heure Bleue is melancholic and poetic.

• Oscar de la Renta and Vanderbilt refine this theme into elegance and classic femininity, with Oscar being boldly floral and aristocratic, while Vanderbilt is soft, luminous, and intimate.

• Poison and LouLou push the style into drama and sensuality, with Poison being fiery, carnal, and forbidden, while LouLou is powdery, surreal, and dreamlike.

• C’est la Vie ties them all together, capturing L’Heure Bleue’s wistfulness, L’Origan’s warmth, and Vanderbilt’s softness, yet modernizing them with a touch of fruity brightness.

Together, these fragrances represent the full spectrum of the floriental genre—from the elegant to the extravagant, the delicate to the dangerous, the nostalgic to the modern. Each one is a variation on the theme of floral warmth, powdery resins, and deep sensuality, yet they each tell a completely different story, depending on who wears them and how they unfold on the skin.

Profumo Di Montecatini by Princess Marcella Borghese c1987

Profumo Di Montecatini Natural Spa by Princess Marcella Borghese, launched in 1987, was inspired by the Princess's luxurious "Terme di Montecatini" treatment line, named after the world-renowned, 2,400-year-old Italian spa in Tuscany. This fragrance, capturing the essence of the rejuvenating spa experience, speaks to both the elegance and the deeply relaxing qualities associated with the spa's therapeutic water and natural treatments. The name, Profumo Di Montecatini Natural Spa, directly translates from Italian as "Perfume of Montecatini Natural Spa." It can be pronounced as "Pro-foo-mo Dee Mon-te-ca-tee-nee" The name evokes images of Italy’s rolling hills, lush greenery, and the tranquil, mineral-rich waters of Montecatini’s famous hot springs. It conjures up emotions of relaxation, purity, and rejuvenation—like stepping into a serene spa where time slows down, and the natural world invigorates the body and soul.

Princess Marcella Borghese, a prominent figure in the luxury beauty industry, was well known for her commitment to both high-end skincare and fragrance. By choosing to name this product after Montecatini, she captured the essence of both luxury and well-being, suggesting that the fragrance not only embodied beauty but also carried with it the holistic, therapeutic qualities that the spa is renowned for. This connection between fragrance and the beneficial effects of aromatherapy is central to the perfume’s concept. The 1980s, when Profumo Di Montecatini Natural Spa was launched, were characterized by a growing interest in wellness and self-care, paired with a more natural aesthetic in beauty products. Fashion and trends were moving toward minimalist, clean looks and fragrances that were lighter, more transparent, and often linked to natural ingredients and environmental consciousness. This scent appealed to women of the time who sought both luxury and relaxation in their beauty routines—those who valued not just outward beauty but also the calming and invigorating effects of nature.

Bijan for Women by Bijan c1986

Bijan by Bijan, the eponymous fragrance from the Iranian-American designer Bijan Pakzad, was launched in 1986 and introduced to the U.S. market in the spring of 1987. Developed in collaboration with Peter Bohm, this luxurious perfume reflected Bijan's signature style—opulence, exclusivity, and an uncompromising dedication to quality. The name "Bijan by Bijan" reinforces the designer's personal brand, emphasizing that the fragrance is a direct extension of his aesthetic and vision. The name "Bijan" (بیژن) is of Persian origin, traditionally used as a male given name. It is pronounced bee-ZHAHN and carries connotations of nobility, heroism, and romanticism, rooted in Persian literature and mythology. In this context, the fragrance name evokes an air of exoticism, refinement, and unmistakable identity, making a bold statement in the competitive world of luxury perfumery.

The mid-1980s were defined by excess, affluence, and a sense of grandeur. This period, often referred to as the Gilded Age of the Eighties, was a time of power dressing, high glamour, and a booming luxury market. Fashion was bold—women embraced strong silhouettes with padded shoulders, cinched waists, and lavish embellishments, mirroring their increasing presence in corporate and social spheres. The fragrance industry was dominated by powerhouse scents—intense, statement-making compositions designed to leave a lasting impression. Women of this era sought fragrances that exuded confidence, femininity, and extravagance. A perfume called "Bijan by Bijan" would have been perceived as an ultra-luxurious, exclusive signature scent—perfect for the woman who wanted to be remembered.

Village Bath by Minnetonka, Inc

 

1964: Village Bath Strawberry (The Pure Essence of Natural Strawberry)

Launched in 1964, Village Bath Strawberry captures the essence of fresh, sun-ripened strawberries. This fragrance opens with the sweet and juicy scent of strawberries at their peak, evoking the sensation of biting into a plump, ripe berry. The natural, slightly tangy aroma brings to mind the lush fields where strawberries grow, underpinned by a light, green freshness that adds authenticity to the scent. It’s a pure and straightforward fragrance, celebrating the simple pleasure of a natural strawberry.

1968: Village Bath Peach (The Pure Essence of Natural Peach)

Introduced in 1968, Village Bath Peach is a tribute to the soft, velvety sweetness of a perfectly ripened peach. The fragrance opens with a burst of juicy peach nectar, dripping with honeyed sweetness and a hint of tartness that mimics the flesh of the fruit. There’s a gentle warmth to the scent, as if the peach has just been picked from a sun-drenched orchard. The natural aroma of the peach is accompanied by subtle floral undertones, enhancing its delicate, yet luscious character.

1976: Village Bath Musk (A Natural, Sensuous Musk Fragrance)

In 1976, Village Bath Musk was introduced as a celebration of the timeless allure of musk. This fragrance is deeply sensual, with a soft, warm base that envelops the senses. The musk is rich and earthy, exuding a natural warmth that is both comforting and intimate. It has an animalic depth, but remains smooth and refined, capturing the essence of natural musk with its slightly sweet and powdery undertones. The scent lingers on the skin, creating a long-lasting, velvety presence that is both alluring and mysterious.

1976: Andromeda (Sophisticated Blend of Amber and Light Citrus, with Spicy, Woodsy, and Herbaceous Tones)

Also released in 1976, Andromeda offers a sophisticated and multi-layered fragrance experience. It opens with a fresh burst of light citrus, immediately uplifting the senses with its bright, zesty character. This citrusy opening is soon complemented by warm, resinous amber, which adds depth and richness to the fragrance. As the scent evolves, a blend of spicy, woodsy, and herbaceous notes emerge, creating a complex, yet harmonious composition. The spiciness adds an intriguing warmth, while the woodsy and herbaceous tones provide a grounding, earthy quality, making Andromeda both sophisticated and enigmatic.

1977: Chicago (Fresh Green Notes Blended with a Unique Wood-Spice Complex)

In 1977, Village Bath introduced Chicago, a fragrance that captures the vibrant and dynamic spirit of the city it’s named after. The scent begins with fresh green notes, evoking the crispness of a cool breeze through a lush urban park. These green notes are bright and invigorating, creating a sense of vitality. As the fragrance develops, a unique wood-spice complex comes into play, adding a layer of warmth and complexity. The woodsy notes are rich and slightly smoky, while the spices bring a subtle heat, making Chicago a fragrance that is both fresh and intriguing, with a touch of urban sophistication.

1977: Village Bath Tea Rose (A Light Floral Blend with a Hint of Powder)

Village Bath Tea Rose, also launched in 1977, is a delicate and graceful floral fragrance. The scent is centered around the classic aroma of tea roses, capturing their soft, romantic essence. The floral notes are light and airy, with a gentle sweetness that feels fresh and natural. There is a subtle powdery aspect to the fragrance, which adds a touch of softness and refinement. Tea Rose is a timeless and elegant scent, perfect for those who appreciate the understated beauty of rose petals.

1978: Village Bath Aspen Glow (A Blend of Citrus and Green Notes with Warm, Oriental Undertones)

Aspen Glow, introduced in 1978, combines the freshness of citrus and green notes with the warmth of oriental undertones. The fragrance opens with a bright and lively burst of citrus, evoking the feeling of sunlight filtering through the leaves of an aspen grove. The green notes add a crisp, natural freshness, reminiscent of the forest air. As the scent develops, warm oriental undertones emerge, adding depth and richness. These oriental notes are slightly spicy and resinous, creating a comforting warmth that contrasts beautifully with the fresh top notes, making Aspen Glow a balanced and inviting fragrance.

1979: Village Bath Amber Lace (Sophisticated, Rich, Floral/Jasmine Complemented with Amber, Tuberose, and Honeysuckle)

Amber Lace, released in 1979, is a sophisticated and opulent fragrance that combines rich florals with warm amber. The scent opens with the intoxicating aroma of jasmine, its white floral richness immediately captivating the senses. This is complemented by the creamy, exotic notes of tuberose and the sweet, nectar-like scent of honeysuckle, creating a lush and layered floral bouquet. The amber adds a warm, resinous depth, grounding the florals with its golden, slightly powdery sweetness. Amber Lace is a luxurious and enveloping fragrance, perfect for those who appreciate a richly textured scent.

1980: Village Bath Heather (A Green Fragrance)

The final fragrance in this collection, Village Bath Heather, was introduced in 1980. This fragrance is a celebration of green, leafy freshness. It captures the essence of a heather-covered hillside, with its cool, crisp air and the scent of wild greenery. The fragrance is light and natural, with a fresh, herbal quality that feels clean and invigorating. There’s a subtle sweetness to the scent, reminiscent of the delicate flowers that bloom among the heather, but the dominant impression is one of pure, green freshness. Heather is a simple, yet beautifully natural fragrance that evokes the tranquility of the outdoors.

Spirit Of Sage Cologne For Gentlemen

Lavender

Carnation

Sandalwood

Jasmine

CLICK HERE TO FIND VILLAGE BATH PRODUCTS ON EBAY

Parfums Joncaire

A. Joncaire, Inc. was a short-lived American perfumery company that made a modest name for itself in the early 20th century, with its founding in 1918 at 72 Broad Street in Boston, Massachusetts. The company was initially established as a manufacturing and retail entity for perfumes, and it soon became a notable player in the burgeoning fragrance industry. By 1922, the company had been incorporated under the name A. Joncaire, Inc., with a capital of $25,000, divided into 250 shares. The company was headed by E.S. Rowell as president, Thomas F. Brown as treasurer, and J.M. Stone Jr. as a director. This incorporation helped solidify the company’s position in the perfume market during the 1920s, a period of innovation and growth for the industry.

The company marketed its products under the name Parfums Joncaire, presenting itself as a prestigious French brand. However, it was later revealed that Joncaire had unscrupulously advertised its perfumes as being imported from France, even though they were not. 

In 1932, A. Joncaire, Inc. relocated to new headquarters at 145 South Street, Boston, signaling a new chapter in the company's growth. During this time, Joncaire launched a variety of fragrances, contributing to the development of the American perfume market, especially in the 1920s and 1930s, when the demand for luxury goods such as perfumes surged. The company’s perfumes were marketed to a wide audience, with many aimed at evoking sophistication, elegance, and modernity, in line with the Art Deco movement and the prevailing tastes of the time.

Anthracite by Jacomo c1990

In 1990, Parfums Jacomo made a bold statement in the fragrance industry with the release of two distinct fragrances under the shared name Anthracite: one for men, labeled Pour L'Homme, and one for women, Pour Elle. The choice of the name "Anthracite" is particularly evocative, derived from the French word for a high-grade form of coal. Pronounced “ahn-trah-seet,” anthracite suggests both sophistication and strength, conjuring images of shimmering black surfaces and the deep allure of night. The name evokes emotions tied to luxury, stability, and power—characteristics that both men and women of the time would aspire to embody in their choice of fragrance.

The term Anthracite embodies a duality that resonates well with the contrasting yet complementary nature of the two fragrances. For men, it represents a crisp, clean scent reflecting confidence and vitality, while for women, it conveys a fresh, fruity floral-oriental allure that invites intrigue and warmth. In the early 1990s, as societal norms around gender began to evolve, fragrances like Anthracite that catered to both men and women became emblematic of a more progressive approach. Consumers were increasingly looking for scents that expressed individuality while also embracing traditional gender identities.

Cuir de Chasse by Etienne Aigner c1963

No. 1 Cuir de Chasse by Etienne Aigner, launched in 1963, carries a name steeped in tradition and luxury. The phrase "Cuir de Chasse" is French, translating to "hunting leather" in English and pronounced as "kweer duh shahss." The term conjures images of rugged elegance, evoking the scent of finely crafted leather goods, such as saddles or hunting gear, long associated with the outdoors and an active lifestyle. In choosing this name, Aigner tapped into an age-old connection between leather, luxury, and adventure, creating a fragrance that appeals to women seeking a scent that conveys strength, sophistication, and a casual sense of refinement.

Cuir de Chasse, being a leather fragrance for women, suggests a bold, assertive scent profile, with the rich, earthy tones of leather possibly accented by aromatic and woody notes. Leather as a fragrance note typically evokes warmth, durability, and depth, often associated with high-quality materials. The fragrance's classification as "casual" aligns with the idea of effortless elegance—perfect for women who desired to make a statement without being overly formal or ornate. At the time, this kind of scent may have appealed to women embracing a modern sense of individuality and independence, offering an alternative to the more floral or powdery fragrances dominating the market in the early 1960s.

The 1960s was a decade of cultural shifts, where traditional gender roles were being redefined, and women were asserting more independence in both the professional and personal spheres. Against this backdrop, Cuir de Chasse stood out by offering a leather-based fragrance—typically seen as masculine in perfumery—reimagined for women. Leather fragrances were already gaining popularity among men, but Aigner’s bold move to market Cuir de Chasse as a women’s scent was a departure from the floral and aldehydic perfumes that had been the standard for women in previous decades. This fragrance embodied a growing trend towards gender-neutral or androgynous elements in fashion and scent, catering to women who wanted to break away from traditional norms.