Wings by Giorgio Beverly Hills c1992

Launched in November 1992, Wings by Giorgio Beverly Hills emerged during a time of significant transition in the fragrance industry and broader cultural landscape. The early 1990s were marked by a burgeoning interest in more complex, layered fragrances that moved beyond the simplistic, heavily floral compositions of the previous decade. This period saw a shift towards fragrances that combined diverse notes to create sophisticated, multifaceted scents, reflecting the era's inclination towards both innovation and elegance. In this context, Wings embodied a modern vision of luxury, aligning with the contemporary preference for rich, intricate olfactory experiences.

The choice of the name "Wings" was both evocative and strategic. The name suggests a sense of freedom, lightness, and transcendence—emotions that align well with the fragrance’s airy and sophisticated composition. Imagery associated with "Wings" conjures thoughts of soaring through open skies, the sensation of liberation, and the elegance of flight. It evokes a feeling of elevation and boundless possibility, appealing to the aspirational and dynamic spirit of the early 1990s.

The fragrance itself, created by Jean-Claude Delville, is designed to capture these feelings through its intricate blend of top, middle, and base notes. The concept of "Wings" reflects not only the physical sensation of being lifted and carried away but also the emotional upliftment that a beautifully crafted scent can provide. This name encapsulates the perfume’s ability to transport the wearer to a place of grace and sophistication, mirroring the sentiments of aspiration and renewal prevalent during that era.

Zarolia by Maitland Philipe c1981

 Zarolia perfume was launched in 1981 by award winning designer Maitland Phillipe (Philip Maitland-Kraft) and distributed by T. Barclay Perfumes Inc..

Marie Earle Perfumes

Established in 5th Avenue New York in 1910.

Ombre Rose by JC Brosseau c1981

Ombre Rose by JC Brosseau:  launched in 1982 in USA. In association with Parfums Jean Patou: created by Françoise Caron of Roure Perfumers.

Société Parisienne de Verreries

SPV (Société Parisienne de Verreries/Parisian Society of Glass) at Orly. Abbreviated to 'SPV'; established by Louis de Beaune at Boulevard Auguste Blanqui in Paris in 1889; glass manufacturer, merged with C Depinoix in 1936.

Used signature ESPAIVET, which is a phonetizing of the acronym of the SPV glassworks. The earliest traces of the Société Parisienne de Verrerie are found between the years 1890 and 1925 located at 112 boulevard d'Italie (today boulevard Auguste Blanqui, in the 13th arrondissement of Paris.)

SPV initially specialized in optical glassware for the medical industry. In 1895, Pierre Curie was made technical advisor for optics in this company at this address. It was after 1925 that SPV diversified its production to make artistic and decorative objects: Mainly bottles and perfumery items as well as vases in the true Art Deco style.

There is still today a Société Parisienne de Verrerie in Orly (94) which manufactures bottles for laboratories... but the history of this company does not mention any relationship with the former SPV brand.

Vanderbilt by Gloria Vanderbilt c1981

Vanderbilt by Gloria Vanderbilt: launched in 1981 in association with Warner Cosmetics, Inc. Created by Sophia Grojsman.

Chloe by Karl Lagerfeld c1975

Chloe by Parfums (Karl) Lagerfeld: launched in 1975. Created by W. Pit Hugelmann/IFF/ Betty Busse.

Parfums d'Anjou

Parfums d'Anjou of Paris, France.

Red by Geoffrey Beene c1976

Red by Geoffrey Beene: launched in 1976.

Calisher and Company Perfumes

AB Calisher & Co. was located at 112 Franklin Street New York. Established in 1893 by Aaron B. Calisher, Joseph H. Calisher and Nathan Calisher.

Gianni Versace by Versace c1981

Gianni Versace by Gianni Versace: launched in 1981 in association with the Charles of the Ritz group. This was the first perfume introduced by late fashion designer Versace.

Poujol

Poujol, founded by Gustav K. Poujol, was a prominent name in the fragrance and cosmetic industry. The company was renowned for its imported French perfumes, which were carried in the United States by Mandel Brothers. This partnership helped Poujol’s luxury products reach a broader American audience, underscoring the brand’s appeal and quality.

In addition to its distinguished line of perfumes, Poujol offered a wide range of personal care products. The company’s offerings included sachets, soap, talcum powder, and toilet waters. Poujol also extended its product line to cosmetics, featuring face powders and compacts, lipsticks, rouge, and cleansing tissues. This comprehensive range demonstrated Poujol's commitment to beauty and personal grooming, catering to various aspects of daily care and elegance.

Columbian Exposition 1893

World's Fair and Exposition souvenirs have long captivated collectors with their historical significance and unique designs. This fascination extends to the exquisite perfume bottles from the 1893 World's Columbian Exposition in Chicago, an event held to commemorate the 400th anniversary of Christopher Columbus's arrival in the New World. The fair, which ran for six months, drew over 27 million visitors and left an indelible mark on American culture and industry. The souvenirs from this grand event, especially the perfume bottles, remain highly sought after by enthusiasts.

Organza by Givenchy c1996

Organza by Givenchy: launched in October 1996 during the Paris spring Pret-a-Porter. . Created by Sophie Labbe. The fragrance was inspired by the gauzy fabric.

Deci Dela by Nina Ricci c1994

 Deci Dela by Nina Ricci: launched in 1994. Created by Evelyne Boulanger and Jean Guichard.

In 1992, Parfums Nina Ricci S.A. began developing a new fragrance to be marketed worldwide under the name "Deci Dela." The name was chosen from the French opera "Veronique" by high-level executives of Parfums Nina Ricci A.S. The name takes off on the old French saying "Now here, now there."

Scent Bottles: Opaline Glass

During the Second Empire, French glass manufacturers excelled in crafting scent bottles from opaline glass, a material distinguished by its opaque or subtly translucent appearance. Opaline glass, which can be found in a captivating array of colors such as apple green, turquoise blue, rose pink, jet black, soft lavender, and sunny yellow, is a testament to the era's artistic innovation.

The process of creating opaline glass involves adding tin oxide or calcified bone ash to the glass mixture, which imparts its distinctive opalescent quality. This technique results in a glass that is not only beautiful but also has a unique, soft luminosity. Unlike common milk glass, opaline glass displays a "fiery sunset glow" when held up to the light, a hallmark of its vintage appeal.

This iridescent effect enhances the opaline glass’s charm, making each piece a radiant example of craftsmanship from the Second Empire. The shimmering quality of opaline glass adds depth and warmth, making these scent bottles not just functional objects, but also treasured pieces of decorative art.

White Diamonds by Elizabeth Taylor c1991

White Diamonds by Elizabeth Taylor: launched in 1991. Created by Carlos Benaim. (created by Sophia Grosjman of IFF).

Elizabeth Taylor fashioned a fragrance inspired by her well-known love of fine gems: White Diamonds.

Narcisse Perfume Bottles

Caron's Narcisse Noir was so popular that it spawned many imitations, including the shape of the bottle. Some competitors tried to copy the bottle as close as possible without breaking the copyright or trademark laws, while others were a bit more unique in design.

Collecting Blue Glass Commercial Perfume Bottles

In this guide, I will introduce you to the wonderful world of commercial perfume bottles made up of blue glass. The allure of these bottles lies not only in their aesthetic appeal but also in the history and craftsmanship behind them. Most of the bottles in this guide date to the 1920s and 1930s period.

Starting a collection with a specific focus, such as blue glass perfume bottles, can add a unique dimension to your hobby. It provides a clear direction and allows you to curate a cohesive and visually stunning collection.

When embarking on this journey, consider exploring various sources such as antique shops, flea markets, online auctions, and specialized collector forums. You may encounter a diverse range of designs, from simple and utilitarian to ornate and intricately decorated bottles.

It's essential to educate yourself about the different styles, manufacturers, and historical context surrounding these bottles. This knowledge will not only enhance your appreciation for the pieces you acquire but also help you make informed decisions when assessing their value and authenticity.

As your collection grows, documenting each acquisition with details such as the maker, design characteristics, and acquisition date can enrich your understanding of the evolving trends in perfume bottle design and production.

Additionally, connecting with fellow collectors can be a rewarding aspect of the hobby. Exchanging insights, sharing discoveries, and participating in community events or exhibitions can deepen your engagement with the subject and foster meaningful connections with like-minded enthusiasts.

Remember, collecting is as much about the joy of discovery and appreciation as it is about the tangible objects themselves. So, immerse yourself in the enchanting world of blue glass perfume bottles, and let your collection reflect your passion and individual style!

Les Parfums de Suzy

Les Parfums de Suzy was founded by Madame Suzy Michaud at the prestigious address of 5 rue de la Paix in Paris, a location synonymous with luxury and high fashion. Before venturing into the world of perfumery, Madame Michaud made her mark as a talented milliner in Paris, crafting exquisite hats that catered to the city's fashionable elite.

In the late 1930s and early 1940s, Madame Michaud expanded her creative pursuits by launching a collection of fragrances under the Les Parfums de Suzy brand. These perfumes quickly gained recognition for their elegance and distinctiveness, resonating with both Parisian women and international audiences.

The brand’s association with Macy’s, one of the most renowned department stores in the United States, further solidified its reputation. Through this partnership, Les Parfums de Suzy became accessible to a broader clientele, blending Parisian chic with American sophistication.

Bill Blass by Bill Blass c1978

Bill Blass for Women was launched in 1978 as a collaborative creation between the renowned American fashion designer Bill Blass and the global cosmetics giant Revlon. Bill Blass, a prominent figure in the fashion industry, was celebrated for his sophisticated and elegant designs, which were characterized by their classic American style and understated luxury. His foray into the world of fragrance with this perfume reflected his deep understanding of elegance and refinement.

The fragrance was introduced during a period when Bill Blass was solidifying his reputation as a key player in American fashion. Known for his high-profile designs and glamorous approach, Blass's foray into perfume was a natural extension of his brand's commitment to luxury and sophistication. The collaboration with Revlon, a company with a strong legacy in beauty and personal care products, was a strategic move that allowed Blass to leverage Revlon's extensive distribution network and expertise in fragrance creation.

Bill Blass for Women was designed to embody the same qualities that defined Blass's fashion creations: elegance, sophistication, and a touch of modernity. The perfume was crafted to appeal to women who appreciated classic beauty with a contemporary edge, offering a scent profile that was both refined and timeless. The fragrance's composition was intended to evoke a sense of luxury and sophistication, much like Blass's fashion designs, and it quickly became a notable addition to the world of high-end women's fragrances.

The association with Revlon ensured that Bill Blass for Women was well-received in the market, benefiting from Revlon's strong marketing and distribution capabilities. The perfume's launch in 1978 marked a significant moment in both Blass's career and in the fragrance industry, highlighting the intersection of high fashion and high fragrance.

Colgate Perfumes

Colgate & Co. was located at 55 John Street New York. Established 1806. Richard M. Colgate, Gilbert Colgate, Sidney M. Colgate, Austen Colgate.

Key Dates:

• 1806: Company is founded by William Colgate in New York to make starch, soap, and candles.
• 1857: After founder's death, company becomes known as Colgate & Company.
• 1873: Toothpaste is first marketed.
• 1896: Collapsible tubes for toothpaste are introduced.
• 1898: B.J. Johnson Soap Company (later renamed Palmolive Company) introduces Palmolive soap.
• 1910: Colgate moves from original location to Jersey City, New Jersey.
• 1926: Palmolive merges with Peet Brothers, creating Palmolive-Peet Company.
• 1928: Colgate and Palmolive-Peet merge, forming Colgate-Palmolive-Peet Company.
• 1947: Fab detergent and Ajax cleanser are introduced.
• 1953: Company changes its name to Colgate-Palmolive Company.
• 1956: Corporate headquarters shifts back to New York.
• 1966: Palmolive dishwashing liquid is introduced.
• 1967: Sales top $1 billion.
• 1968: Colgate toothpaste is reformulated with fluoride; Ultra Brite is introduced.
• 1976: Hill's Pet Products is purchased.
• 1987: The Softsoap brand of liquid soap is acquired.
• 1992: The Mennen Company is acquired; Total toothpaste is introduced overseas.
• 1995: Latin American firm Kolynos Oral Care is acquired; Colgate-Palmolive undergoes major restructuring.
• 1997: Total toothpaste is launched in the United States; Colgate takes lead in domestic toothpaste market.
• 2004: Company acquires European oral care firm GABA Holding AG; major restructuring is launched.

Colgate Company of Jersey City, NJ from 1879 to 1959.

Colgate & Company had been a pioneer in establishing international operations, creating a Canadian subsidiary in 1913 and one in France in 1920. In the early 1920s the firm expanded into Australia, the United Kingdom, Germany, and Mexico. Colgate or its successor firm next created subsidiaries in the Philippines, Brazil, Argentina, and South Africa in the late 1920s. In 1937 the company moved into India and by the end of the 1940s had operations in most of South America. By 1939 Colgate-Palmolive-Peet's sales hit $100 million.

Niki de Saint Phalle c1982

"dangerous but worth the risk..."

Niki de Saint Phalle was launched in 1982 in association with Jacqueline Cochran, Inc..

Depose and Deponiert: and other French and German marks

This guide with help you translate some of the most common words that are found or may be found on French or German antiques and vintage collectibles.

Occasionally in the world of antiques, you may come across a mark, DEP, which could mean either Depose or Deponiert. This mark is commonly found on German or French bisque dolls, celluloid,  porcelain, jewelry, glass or metal goods. Dep stands for the German word Deponiert which means registered, or copyright. Dep is also a shortened form of Depose which is French for registered.

Without knowing a manufacturer or country of origin, it is safe to say that if your item is marked DEP, it is most likely of French or German manufacture.

Here is a short list of other words related to patents or other markings found on German antiques:

• Angestrichen mit der Hand: handpainted
• Besteuern Sie Steuer: excise tax

Sometimes DEP is accompanied by GES to form the following mark DEP/GES, the GES is an abbreviated form of the word Geschutz, if you see this mark, your piece is of German origin. Sometimes people think that Geschutz is a manufacturer, in reality it only means "protected against copying" in German.

• DRGM, a German patent mark that stands for Deutsches Reich Geschmacksmuste
• DRP is German for Deutsches Reich Patent
• Fabrikmarke: factory mark
• Frankreich: France
• Gegr. : an abbreviated form of the word gegrundet which means established/founded
• Gebruder: brothers
• Ges. Gesch. : abbreviated form of Gesetzlich Geschutzt: legally protected, patented, copyrighted
• Ges. Mbh: company or corporation
• Glashuttenwerk: glassworks factory
• Glassmanufaktur: glassworks factory
• Hochfeine: fine quality/high quality
• Juwelier: jeweler
• Kristall: crystal
• Kunststoff: plastic
• Kupfer: copper
• Musterschutz: copyright
• Papierstoff: papier mache
• Porzellanfabrik: porcelain factory, this mark is sometimes on the back of dinnerware.
• Abteilung: department
• Schutzmarke: trade mark
• Silber: silver
• Steingurfabrik: stoneware factory
• Tschechoslowake: Czechoslovakia
• Verboten: prohibited
• Waschbar: washable
• Werkstatte: workshop/studio
• West Germany: used from 1948-1991 (useful in dating vintage costume jewelry)
• Zelluloid: celluloid
• Zettel: label
• Zinn: tin/pewter
• Zoll Abteilung: customs department

Here is a short list of other words related to patents found on French antiques:

• Alliage: alloy
• Antiquité: antique
• Argent: silver
• Atelier: studio
• Brevete: this word is commonly found on French items and some people mistake it fo a manufacturers marking, but it simply means patented.
• Bté. SGDG: means "patented." It is shortened from the phrase Breveté Sans Garantie du Gouvernement  which means "Patented without State Guarantee."
• Cie./Compagnie: company
• Cristallerie: glass factory
• Cuivre: copper
• Cuivre jaune: brass
• Decore a la main: hand decorated
• Decore par: decorated by
• Département de douanes: customs department
• Depose: registered
• Drapier: clothier
• Email: enamel/paint
• Etain: tin
• Et Fils: and Son
• Etats Unis: United States
• Exciser l'impôt: excise tax
• Exportation: export
• Fabrique Par: manufactured by
• Grand Magasin: department store
• Impôt: tax
• Joaillier: jeweler
• le Celluloïd: celluloid
• le Plastique: plastic
• Marque déposée: trademark
• Marque de Fabrique: this word means trade mark.
• Millésime: vintage
• Métal: metal
• Modele Depose: Registered Design
• Or: gold
• Orfevre: silversmith
• Peint à la Main: hand painted
• Porcelaine Fabrique: porcelain factory, sometimes found on the back of dinnerware.
• Ste. : an abbreviation for Societe
• Tcheqoslovaquie: Czechslovakia
• Vendeur: seller
• Verrier: glassworker
• Verrerie: glass works factory

Uninhibited by Cher c1988

"Uninhibited. Bottled, but not contained."

In 1988 Cher decided to introduce her own line of perfume. Called “Uninhibited,” a name that seemed quite appropriate for Cher, the line debuted with much fanfare that year. Distributed by Parfums Stern in association with Avon.

Audace by Rochas c1936

In 1936, the year Audace by Rochas was launched, Europe was amidst a period of social and artistic upheaval. The interwar period, marked by both economic recovery and lingering post-war tensions, saw a flourishing of avant-garde movements in art, fashion, and culture. Marcel Rochas, a prominent couturier known for his innovative designs that embraced both classic elegance and modernity, captured the spirit of this era with Audace, his new perfume creation.

Marcel Rochas deliberately chose the name "Audace" for his perfume. In French, "audace," pronounced "oh-doss," translates to "audacity" or "boldness" in English. The name suggests a perfume that embodies daring and courage, qualities highly valued in the context of the 1930s when women were increasingly asserting their independence and breaking societal norms.

For Rochas, "Audace" was not just a name but a statement. He believed that a woman's scent should precede her, making a lasting impression long before she was seen. This philosophy reflected his belief in the power of fragrance to convey confidence and allure, qualities he sought to celebrate through his creations.

To those who related to a perfume named "Audace," it would evoke images of assertive femininity and evoke feelings of empowerment. Women of the time, particularly those embracing the changing roles and freedoms offered in the modern era, would have been drawn to a scent that promised to enhance their presence and leave a memorable impression.

Mai by Shiseido c1968

Mai by Shiseido, launched in 1968, carries a name steeped in both cultural significance and poetic simplicity. The word "Mai" (舞) is Japanese, pronounced "mah-ee" in layman’s terms. In its native language, it refers to a traditional form of Japanese dance, often performed with grace and precision, evoking images of movement that is both fluid and controlled. This concept of "Mai" conjures a feeling of elegance, tranquility, and timeless beauty. The dance itself is a ceremonial performance, often associated with rituals and celebrations, where each step is measured and intentional. By choosing the name "Mai" for their fragrance, Shiseido may have sought to encapsulate these qualities in olfactory form, offering women a scent that mirrored the refinement, poise, and femininity of this ancient art form.

The name also evokes emotional imagery—one of quiet sophistication and deep cultural roots. Women of the late 1960s, a time of evolving societal norms and increasing individualism, would have likely been drawn to the notion of "Mai" as it bridged the gap between traditional elegance and modern femininity. The subtlety and grace associated with the word would have resonated with women seeking a perfume that captured not only their beauty but also their inner strength and allure. The delicate balance between tradition and modernity made the name and scent particularly evocative for women in Japan and beyond.

In terms of scent, the name "Mai" suggests a perfume that unfolds in delicate layers, much like the dance it is named after. The floral fragrance can be interpreted as a sensory dance, where each note, whether aldehydic, spicy, or powdery, moves gracefully into the next. The aldehydic top provides a clean, sparkling opening, reminiscent of the fresh, ethereal quality of air and light that accompanies the beginning of a dance. The floral heart, infused with spices, adds warmth and complexity, echoing the subtle passion and intensity of a dancer’s movements. Finally, the powdery base settles like the soft footfall of a dancer coming to rest, leaving behind a trail of sensuality and lasting femininity.

Alex Ross & Sons

Alex Ross, Perfumers in London.

The London Directory notes an A. Ross, perfumer & ornamental hair manufacturer located at 119 Bishopsgate Within in 1802; an Alex Ross & Co, perfumers at 119 Bishopsgate Within in 1809; in 1827 an Alex Ross & Sons, perfumers & peruke makers at same address, and in 1839 Alex Ross & Sons, patent peruke makers at same address.

Parce Que by Roberto Capucci c1963

Parce Que! by Roberto Capucci, launched in 1963, carries a name that resonates with playful elegance and spontaneity. The phrase "Parce Que!" translates from French to "Because!" (pronounced as "par-suh kah"), evoking a sense of whimsy and joy. This phrase suggests a celebration of the simple pleasures in life, inviting wearers to embrace the moment and indulge in the fragrance without hesitation. The name conjures images of vibrant gardens, sun-drenched days, and carefree laughter, embodying the spirit of femininity and spontaneity that was particularly resonant in the 1960s. Women of the time, seeking liberation and self-expression, might have found in "Parce Que!" an invitation to celebrate their individuality, reflecting a burgeoning sense of freedom and a desire for authenticity in their personal choices.

The scent itself was meticulously crafted by the renowned perfumers at Roure to encapsulate the refreshing essence of a lush grove, reminiscent of the invigorating aroma of rain-soaked soil after a storm. Classified as a soft floral woody aldehyde fragrance, Parce Que! opens with a bright, uplifting character, presenting a subtle yet impactful interplay of notes. The initial impression is soft yet invigorating, where the airy quality of aldehydes gives it an ethereal lift, similar to the brightness found in nature after rain. The delicate floral bouquet of iris and tuberose adds a creamy, almost velvety texture that wraps around the senses, while cassis introduces a hint of fruity sweetness, balancing the composition beautifully.

The heart of the fragrance is enriched with the enchanting orange blossom, which infuses a fresh, citrusy note that feels both invigorating and comforting. This floral richness is anchored by the sensual warmth of Tonkin musk, providing depth and sophistication to the blend. As the fragrance settles, the soft woody undertones emerge, grounding the scent in a luxurious embrace that feels timeless yet contemporary.

Madame by Philippe Venet c1968

 Philippe Venet is an esteemed fashion designer and perfumer known for his elegant creations that blend modernity with classic style. He gained prominence in the fashion industry during the 1960s, a decade characterized by a bold exploration of identity, femininity, and self-expression. By naming his fragrance “Madame,” Venet cleverly positioned it as a symbol of sophistication and maturity. The word "Madame," derived from French, is pronounced as “mah-dahm,” and it evokes a sense of elegance, authority, and refinement. It conjures images of poised women who are confident and alluring, embodying the essence of grace and sophistication that the fragrance aims to capture.

The name “Madame” resonates deeply with women of the late 1960s, a time when many were embracing their femininity and independence while still navigating societal expectations. This fragrance would have appealed to women seeking to express their maturity and allure, making it an ideal choice for evening wear. The association with “Madame” suggests a refined and cultured persona, one that is both captivating and commanding.

In terms of scent, “Madame” is classified as a green floral chypre fragrance, emphasizing freshness while offering a rich, complex profile. The fragrance opens with verdant green notes that evoke the sensation of a lush garden in full bloom. As it unfolds, the heart reveals an exquisite blend of jasmine, rose, and hyacinth, each flower contributing its unique character—jasmine adds sensuality, rose brings romance, and hyacinth provides a crisp, fresh aroma. These floral notes are anchored by a base of earthy moss, creating a harmonious balance between the lively top notes and the grounding base.

La Perla by La Perla c1986

La Perla by La Perla: launched in 1986. It is also known as "La Perla Classic." The perfume was created by Pierre Wargyne, perfumer from IFF.

Feerie by Rigaud c1937

Launched in 1937, Feerie by Rigaud emerged during a time of profound transition in both the world and the perfume industry. The late 1930s were marked by significant cultural shifts as societies grappled with the aftermath of the Great Depression and faced the impending threat of World War II. In the world of fashion and luxury, there was a growing desire for escapism and a return to glamour, reflecting an emerging trend of sophistication and a longing for beauty amid global uncertainties.

Feerie, the French word for "fairyland" or "enchantment," evokes a sense of magic and wonder. Choosing this name for a perfume was a strategic move by Rigaud to captivate the imagination of women seeking an escape from the harsh realities of the time. The term "Feerie" suggests a whimsical, dreamlike quality, perfectly suited to a fragrance designed to transport its wearer to a realm of elegance and allure.

The name "Feerie Moderne" underscores the perfume's modernity while retaining its enchanting essence. It was intended to appeal to women who were drawn to sophistication and fantasy, reflecting the glamorous side of life that was often portrayed in cinema and high fashion of the period. These women, likely socialites or those with a penchant for luxury, would have been attracted to Feerie for its ability to evoke a sense of magical transformation and sophisticated charm.

Silver Alloy Marks and Trade Names

In this guide I will outline the numerous silver alloy marks and trade names that have been used throughout the world on antiques and collectibles.

Many of these marks can confuse the buyer, dealer or collector if they aren't knowledgeable in the different trade names and alloys.

Please note that these markings and trade names are not for sterling silver. I have listed as many trade names and types of alloys as I can find.

Breathless by Charbert c1933

Breathless by Charbert was launched in 1933.

Deborah International

In the 1980's, Omni was launched as a bargain designer impression fragrance by Deborah Richman and distributed under the brand Deborah International.

Graffiti by Roberto Capucci c1963

Graffiti by Roberto Capucci, launched in 1963, captures a vibrant spirit, reflecting the dynamic nature of contemporary art and fashion. The name “Graffiti,” derived from the Italian word for "scratched" or "scribbled," evokes the raw creativity and expressive freedom of urban street art. Pronounced as "grah-FEE-tee," the term conjures vivid images of colorful murals splashed across city walls, often representing rebellion, cultural commentary, and a youthful exuberance. This bold imagery resonates with a sense of liberation and artistry, appealing to women in the 1960s who were increasingly embracing their individuality and seeking to express themselves in fresh, daring ways.

In an era marked by significant social and cultural upheaval, women were beginning to break free from traditional constraints and assert their identities. The name "Graffiti" encapsulates this spirit of rebellion and self-expression, aligning perfectly with the burgeoning youth culture and the rise of the feminist movement. Women of the time may have related to a perfume named "Graffiti" as a declaration of their autonomy—a scent that was as fearless and unique as they were. It symbolized a departure from convention, embracing a world where individuality was celebrated, and personal expression was paramount.

The fragrance itself, created by the talented perfumers at Roure, is classified as a chypre fragrance for women, characterized by its complex blend of notes that evoke the warmth and ardor of Italy. Described as "airy, green, and fresh," Graffiti opens with a burst of invigorating greenery, reminiscent of a sun-drenched garden. The inclusion of thyme hints at the herbaceous charm of the Mediterranean landscape, while jasmine and rose weave a floral tapestry that adds a touch of romance and elegance. Hyacinth and ylang-ylang introduce playful and exotic nuances, inviting the wearer into a lush, fragrant world.

As the fragrance develops, the heart reveals its complexity—a captivating interplay of moss and warm woods that anchors the scent in a rich, earthy embrace. The depth of amber lends a warm glow to the composition, creating an inviting and sensual aura. This combination of freshness and warmth reflects the duality of urban life in the 1960s, where the vibrancy of city streets met the natural beauty of the Italian landscape.

Help! My Perfume Has Sediment and has Darkened

I get a lot of questions from readers who cannot understand why their vintage perfume has little things floating in them. I have definitely had my share of bottles that had the floaties in some of my old perfumes too. This is mainly due to the natural decomposition process of the perfume. 

According to some of the questions I get from readers, they are afraid they may have unknowingly bought a counterfeit. While it is true that many modern counterfeits may have nasty bits floating in the suspicious fluid, there are perfectly reasonable explanations why you could find sediment in your genuine vintage bottle. 

If you collect vintage perfume you will notice some of the resins tend to collect in the bottom of the bottle. The sediment is actually the natural oils and essences coagulating as they start to break down. The alcohol and water inside will probably start to evaporate slowly over time and you will be left with a thick, syrupy concentrated perfume residue inside.

Miss Zadig by Emilio Pucci c1973

Miss Zadig by Emilio Pucci: launched in 1973.

Ce Soir ou Jamais by Parfums Offenthal c1927

Parfums Offenthal of Paris was established by Lucienne Offenthal, a purse maker at 24 rue de la Paix, Paris in 1925. She sold perfume, luxury giftware and purses under the "Pompadour" name in the 1920s - 1930s. The "Pompadour" shop was at 78 Champs Elysées, Paris in the Arcades (in 1928)

Offenthal was best known for her Ce Soir ou Jamais perfume, launched around 1927. This perfume was a favorite of the actress Sylvia Sidney.

Parfums Du-Be

 PARFUMS DU BÉ of 245 Fifth Avenue, New York. NY was established in 1936.