PARFUMS CHERIGAN UPDATE!

I have wonderful news to all my fellow fans of Cherigan Paris, on July 17, 2023, the United States site for Cherigan will be launched! All US buyers will pay in US dollars for a US to US delivery, no customs, no hassle. Also being launched is the newest fragrance, Fiesta Habana!!

https://cheriganparis.us.com/

Read more about this historic brand at https://cleopatrasboudoir.blogspot.com/2015/11/cherigan.html

Fiesta Habana is inspired by Ernest Hemingway, the most French of American writers in the Paris of the Roaring Twenties, published in 1926, Fiesta - The sun also rises, a story of passion, a tribute to absolute love and the pleasure of unlimited parties between France and Europe. Spain. Soon after, he moved to his favorite house on the Florida Keys, just across from Cuba, the libertine paradise of vibrant nightlife, casinos and partying in the 1930s, where CHERIGAN was already one of the favorite perfume brands of the local jet set.

According to Cherigan, Fiesta Habana is an ode to the vibrations of the night, a free and bewitching fragrance, enveloped in a swirl of Cuban rum and sweet tobacco, enhanced by a bewitching vanilla, preceded by an illicit trail, which takes you to other heaven. It is described as "Warm, amber, illicit."

Made up of 90% natural ingredients: Pure essence rum, davana, elemi, tolu, iris, immortelle, santamanol, tobacco, Madagascar vanilla, tonka bean, patchouli, orcanox. 

In case you are wondering, Orcanox is a molecule developed by the talented perfumers at Mane. Orcanox serves as an equivalent to ambroxan, which in turn, replaced ambergris after the ban on sperm whale hunting. It possesses a deep woody/amber scent with sensual musky and powdery tones. Santamanol, also created by the experts at Mane, replicates the creamy lusciousness of precious sandalwood, without having to actually utilize the endangered species.

Andron by Jovan c1981

"Andron for Women" by Jovan is a perfume that was launched in 1981. Jovan, a brand known for its affordable yet popular fragrances, created Andron as part of its lineup during a time when the brand was expanding its reach and product offerings.

Jitrois by Jean-Claude Jitrois c1988

Jitrois by Jean-Claude Jitrois: launched in 1988. Created by Jean-Claude Ellena. 

Jitrois is a luxury fashion brand founded by Jean-Claude Jitrois, known for his pioneering work with stretch leather and his avant-garde designs, particularly in leather clothing.

Eau Pour Homme by Giorgio Armani c1984

Eau Pour Homme by Giorgio Armani c1984

Sublime by Jean Patou c1992

Sublime by Jean Patou: launched in 1992 and created by Jean Kerleo.

Sinan by Jean-Marc Sinan c1981

Jean-Marc Sinan’s perfume “Sinan,” launched in 1981, emerged during a period marked by both a resurgence of classic elegance and a fascination with innovation in the world of perfumery. The early 1980s were a time of striking contrasts in the fragrance industry, where traditional opulence met new trends of minimalism and fresh, bold statements. This era was characterized by a growing appreciation for niche and unique fragrances, reflecting a desire among consumers for personal expression through scent. The 1980s saw the rise of signature perfumes that conveyed both individuality and sophistication, and “Sinan” fits seamlessly into this landscape.

The choice of the name “Sinan” for the perfume can be attributed to its evocative and multi-layered qualities. “Sinan” is a name with historical and cultural resonance, particularly associated with the famed Ottoman architect Mimar Sinan, whose work epitomized architectural grandeur and timeless elegance. By naming the perfume “Sinan,” Jean-Marc Sinan likely intended to convey a sense of sophistication, craftsmanship, and enduring appeal. The name suggests a tribute to the elegance and artistry embodied by Mimar Sinan’s architectural masterpieces, thereby infusing the perfume with an aura of classic refinement.

The name “Sinan” is appropriate for a perfume as it evokes a blend of historical significance and artistic excellence. It suggests a fragrance that is not merely a product but a statement of high art and cultural richness. This aligns with the 1980s trend of perfumes that carried an aura of exclusivity and intellectual allure. “Sinan” would appeal to those who appreciate the deeper connections between fragrance and historical or cultural symbolism.

Jean-Marc Sinan, though not as widely known as some perfumers, contributes to the world of perfumery through a dedication to craftsmanship and a keen sense of cultural and aesthetic influences. His work likely reflects a deep understanding of fragrance composition and a desire to create something that resonates on a profound level with its audience.

Van Cleef by Van Cleef & Arpels c1993

Van Cleef by Van Cleef & Arpels is a classic fragrance, known for its elegant and timeless appeal. Launched in 1993, it has maintained its popularity over the years. The perfumers Andre Girodroux and Pascal Giraux, working with Haarman & Reimer, crafted this scent to embody sophistication and luxury, reflecting the brand's essence. With its blend of floral, oriental, and woody notes, Van Cleef remains a favorite among those who appreciate refined fragrances.

Sissi by Marc de la Morandière c1991

"Sissi" by Marc de la Morandière, launched in 1991, is a fragrance that holds a unique place in the world of perfumery. Composed by the renowned perfumer Pierre Bourdon of Fragrance Resources, it reflects a blend of creativity and craftsmanship.

With Pierre Bourdon's expertise, Sissi captures the essence of elegance and sophistication, paying homage to the iconic Empress Elisabeth of Austria, affectionately known as Sissi. The fragrance is said to evoke the spirit of this legendary figure, embodying her grace, charm, and timeless allure.

J’aime de Jacques Heim c1952

Launched in 1952, J'aime by Jacques Heim carries a name that immediately evokes romance, devotion, and a timeless charm. In French, the phrase "J’aime," pronounced "zhem," translates to "I love" or "I like" in English, and it was undoubtedly chosen for its intimate yet universal appeal. Jacques Heim’s clever use of the word pairs beautifully with his own name, creating a poetic fusion between the designer and his creation. This wordplay hints that “J'aime” is not only a declaration of affection but also a personal expression from Heim himself, suggesting that the fragrance is something he cherishes and invites others to adore as well. The name conjures images of passion, warmth, and elegance—feelings that would resonate deeply with women of the early 1950s, who were emerging from the austerity of the war years and entering an era of renewed femininity and self-expression.

A perfume named "J'aime" would have held strong appeal for women of the time, presenting itself as a fragrance that celebrates personal sentiment, allure, and the elegance of a confident woman. Women of the 1950s were drawn to symbols of sophistication, poise, and romance, and J’aime promised a sensory journey that blended these elements into one. They would likely have been intrigued by this fragrance, not only for its sensual name but also for its ability to convey the essence of feminine sophistication and inner beauty. The name “J’aime” invites an intimate connection, as if the fragrance itself could embody the feelings of love and beauty.

As a green, fruity, woody chypre, "J'aime" likely expressed these emotions through rich yet balanced notes that felt natural and grounding. Chypre fragrances were popular among women who enjoyed a complex yet harmonious scent profile, where earthy and fruity notes combine with mossy, green undertones. The “green” aspect of the fragrance would have felt fresh and modern, balancing the depth and warmth that the “woody” elements provided. In an era dominated by feminine, floral-focused scents, J’aime offered something a bit different: a blend that hinted at the outdoors and at refinement, tailored for a woman who wanted to feel elegant yet natural.

Lilith by Callaghan c1955

Lilith, originally launched in 1955 by designer Callaghan, experienced a revival in 1994. The relaunch was marked by a new creation by perfumer Sophie Labbe of Quest. The fragrance is distributed by Proteo Profumi. It's fascinating how fragrances can have such a rich history and undergo reinventions to stay relevant across generations.

Dionne by Dionne Warwick c1986

Dionne Warwick, the legendary singer, launched her own perfume called "Dionne" in 1986. It was created in association with Dion Cosmetics. The fragrance was a reflection of her style and persona, offering fans a way to experience a bit of her essence beyond her music.

Gone With the Wind the Fragrance c1989

 Gone With the Wind (Eau de Parfum) is a perfume by G.W.T.W.F. Inc. for women and was released in 1989. Created by Dragoco, Inc.

"Gone With the Wind" as a perfume sounds like it was a captivating concept, especially with its evocative name reminiscent of the classic novel and film. Dragoco, Inc. is renowned for crafting memorable fragrances, so it's intriguing to imagine the scent they created for this perfume. The release date in 1989 adds to its mystique, suggesting a blend that might reflect the elegance and romance of the bygone era depicted in the story. I can envision it being a timeless scent cherished by those who appreciate sophistication and nostalgia.

Jeanne Piaubert

 Jeanne Piaubert (nee Quanon) of 129 , Faubourg Saint-Honoré, Paris 

Lynette Perfumes Inc.

Lynette Perfumes Inc. was a company in the fragrance industry. They specialized in creating and selling a range of perfumes, colognes, and related products. Their offerings included luxury scents and everyday fragrances. It's likely they emphasized quality ingredients, unique blends, and elegant packaging to appeal to their target market.

Antinea by Rosine c1922

The launch of the perfume Antinea by Rosine in 1922 coincided with a period of burgeoning artistic and cultural exploration known as the Roaring Twenties. This era was characterized by a spirit of liberation, innovation, and a fascination with the exotic and the unknown. Society was captivated by stories of exploration, discovery, and mythical tales, which permeated literature, art, and fashion.

The name "Antinea" would have been particularly appealing for a perfume during this time. Antinea, as the legendary figure from Pierre Benoit's novel "L'Atlantide," symbolized a femme fatale archetype—mysterious, alluring, and enigmatic. She was the queen of Atlantis, a mythical city submerged beneath the sea, embodying both beauty and danger. Women of the 1920s were increasingly asserting their independence and breaking away from traditional roles, seeking to embody qualities of empowerment and allure. Antinea represented a compelling figure of feminine strength and allure, resonating with women who sought to challenge conventions and embrace their own sensuality and mystique.

The connection to Pierre Benoit's novel adds a sophisticated layer of intrigue to the perfume. It suggests a blend of literature and artistry, appealing to those with a penchant for storytelling and romance. The fragrance itself, inspired by the mysterious depths of the sea and the mythical allure of Atlantis, would evoke a sense of adventure and exoticism. Imagine wearing a scent that transports you to the ethereal beauty of underwater realms, evoking images of hidden treasures and lost civilizations.

For women of the 1920s, wearing Antinea would have been more than just applying a fragrance—it would have been a statement. It would signify a connection to mythical narratives, a celebration of feminine allure and strength, and a way to indulge in the romanticism of lost worlds and unexplored mysteries. The allure of Antinea lay not only in its captivating scent but also in its ability to evoke a sense of fantasy and escapism, appealing to the imaginations of those who dared to dream beyond the ordinary.

Senso by Ungaro c1987

Launched in 1987, Senso by Emanuel Ungaro emerged during a vibrant era in fashion and culture. The 1980s were marked by bold experimentation, both in the realm of fashion and in the world of fragrance. This was a decade characterized by opulence, with extravagant designs and a fascination with luxury. The perfume industry was buzzing with new releases, often accompanied by provocative names and luxurious packaging that reflected the era's penchant for excess and glamour.

The choice of the name Senso for Ungaro's fragrance is intriguing and multifaceted. In Italian, Senso translates to "sense" or "sensibility," which aligns seamlessly with the perfume's intent to evoke a profound sensory experience. The word carries with it connotations of heightened perception and emotional depth, suggesting that the fragrance is designed to stimulate the senses in a way that is both captivating and unforgettable.

Megara by Le Galion c1978

"Megara" by Le Galion, launched in 1978, emerged during a pivotal period in both fragrance history and societal evolution. The 1970s were characterized by shifting cultural norms and the burgeoning feminist movement, which influenced women's roles and aspirations across various facets of life, including fashion and beauty. Against this backdrop, "Megara" represented more than just a perfume; it encapsulated a blend of historical elegance and modern sophistication that appealed to the emerging desires of women in that era.

Choosing the name "Megara" for the perfume was a deliberate nod to its ancient Greek origins. In Greek mythology, Megara was known for her strength and resilience as the first wife of Hercules. This classical reference imbued the fragrance with connotations of timeless beauty and inner fortitude, qualities that resonated with the aspirations of women in the 1970s who were asserting their independence and seeking equality.

"Megara" stood out among other perfumes of its time due to its unique name and the imagery it evoked. Unlike many fragrances that leaned towards floral or fruity names, "Megara" suggested a perfume with depth and character, hinting at a blend of oriental and spicy notes that were becoming increasingly popular. The name itself was an invitation to explore a scent that promised sophistication and complexity, appealing to women who appreciated elegance and refinement in their fragrance choices.

For women of the 1970s, "Megara" represented more than just a fragrance; it symbolized empowerment and confidence. The name evoked images of ancient Greek beauty, architecture, and mythology, tapping into emotions of strength and grace. This resonated deeply with women who were navigating societal changes and seeking to express themselves through their personal style.

Emotionally, "Megara" would have been interpreted as a fragrance that embodies both the resilience of its mythological namesake and the sophistication of modern femininity. It offered women a scent that was not only luxurious but also meaningful, reflecting their desire for self-expression and individuality in a time of cultural transformation.

In summary, "Megara" by Le Galion in 1978 was more than a perfume; it was a statement of strength and elegance for women embracing their roles in a changing world. It captured the essence of a period marked by empowerment and self-discovery, resonating with women who sought to embody both historical allure and contemporary sophistication in their fragrance choices.

Tamango by Leonard c1977

Tamango was introduced by Parfums Leonard in 1977, a time when the fragrance industry was transitioning through various style phases. During the 1970s, the perfume market was characterized by a growing appreciation for more complex and sophisticated compositions, often blending fresh and floral elements with deeper, earthy undertones. This period saw the rise of fragrances that combined aldehydic freshness with lush floral bouquets and rich bases, reflecting the era’s penchant for luxurious and elegant scents.

Tamango, with its classification as a soft, crisp, green, aldehydic floral fragrance, aligned well with the trends of the time. Its use of aldehydes, a hallmark of the 1960s and 1970s, provided the sparkling, clean opening that was popular in many contemporary perfumes. The green, floral heart and sensual, powdery base were also reflective of the era’s inclination towards creating fragrances with a sophisticated yet accessible character. While it wasn’t entirely unique, Tamango distinguished itself through its careful balance of fresh, green notes and rich, powdery base, offering a refined and elegant option within a market that was increasingly embracing both bold and nuanced scent profiles.

The name "Tamango" was chosen by Parfums Leonard, drawing inspiration from a character in a novella by Prosper Mérimée, a prominent 19th-century French writer known for his vivid and dramatic storytelling. The character Tamango is the central figure in Mérimée's short story titled "Tamango", which was first published in 1829. The story, set in the early 19th century, follows the life of a West African slave and his rebellion against the oppressive forces of the French colonial system.

The name "Tamango" evokes images of exoticism and adventure, reflecting the perfume's sophisticated and somewhat enigmatic character. The character in Mérimée’s story represents a blend of strength and resilience, qualities that can be metaphorically linked to the fragrance’s enduring appeal and its complex olfactory structure. The name imbues the perfume with a sense of mystery and depth, suggesting a fragrance that is both elegant and layered.

Natchez c1982

Natchez, launched in 1982, was a fragrance that emerged from the creative vision of the Margaret Hodge Company. Florasynth, a renowned fragrance and flavor ingredient manufacturer, played a pivotal role in bringing this concept to life. Natchez likely holds a special place in the olfactory memories of many who experienced its scent.

Femina by Alberta Ferretti c1993

"Femina" by Parfums Alberta Ferretti was launched in 1993 in association with Proteo Profumi. Femina is a fascinating fragrance. It's intriguing to learn about its origins, association with Proteo Profumi, and the collaboration with Firmenich for its composition. 

Firmenich is a renowned Swiss company specializing in fragrance and flavor creation. Founded in 1895, it has become one of the leading firms in the industry, working with numerous luxury brands to develop perfumes and colognes. Their expertise lies in creating unique and captivating scents by blending various ingredients to achieve the desired olfactory profile. Collaborating with Parfums Alberta Ferretti on the creation of "Femina" suggests a commitment to crafting high-quality and distinctive fragrances.

Vepro USA likely played a significant role in its distribution and marketing, considering its launch through them. Ferretti's expertise in fashion would likely have influenced the perfume's aesthetic and style.

Giorgio by Giorgio Beverly Hills c1981

Giorgio was launched in 1981. Created by perfumer Jean-Pierre Subrenat.

Promesa by Myrurgia c1917

Promesa by Myrurgia: launched in 1917. Myrurgia is a renowned Spanish fragrance house known for its classic scents. Promesa is one of their iconic fragrances, known for its timeless appeal and elegant aroma.

Jovan Woman by Jovan c1976

Woman by Jovan is a classic fragrance that was launched in 1976. It's known for its timeless and alluring scent, and it has remained popular over the years.

Parfums Jovan is a fragrance company that was founded in 1968 by Bernard Mitchell and Barry Shipp in Chicago, Illinois, USA. It gained prominence with its line of musk-based fragrances, including the iconic Jovan Musk for men and women. The company has expanded its product range over the years and has become well-known for its classic and enduring fragrances.

Parfums Benoit

Parfums Benoit, founded by Marco Barouche in 1926 at 10 boulevard Bonne Nouvelle, Paris, was a notable perfume house of its time. It collaborated with Garcia Anastasios Somoza, located at 77 A Prado St, Havana, Cuba, indicating a transatlantic presence and possibly a distribution or manufacturing partnership.

During its active years between 1926 and 1942, Parfums Benoit released several fragrances, contributing to the rich tapestry of perfumery during that era. The affiliation with Parfumerie Brecher suggests a network within the perfume industry, potentially involving shared resources or distribution channels.

Overall, Parfums Benoit's legacy underscores its role in the early 20th-century perfume industry, marked by its Parisian origins and international connections.

 

Hanae Mori by Shiseido c1968

Hanae Mori perfume, created by Japanese fashion designer Hanae Mori and originally launched by Shiseido in 1968, holds significance as her first fragrance. The name, pronounced as "HAN-eye MORE-y," is accurate. It's a beautiful scent that has remained popular over the years.

In Japanese, "Hanae Mori" (花衣 森) roughly translates to "flower garment forest" or "forest of flowered clothes." "Hanae" (花衣) combines the characters for "flower" (花) and "clothing" or "garment" (衣), while "Mori" (森) means "forest." So, the name evokes imagery of a natural, floral landscape intertwined with the world of fashion.

Amadis by Pierre Cardin c1958

Amadis by Pierre Cardin was launched in 1958. The name "Amadis" is derived from the romantic medieval French legends, particularly from the character Amadis de Gaulle. Additionally, "Amadis" is also a fashion term referring to a type of tight-fitting sleeve. It's interesting to see how the perfume's name draws inspiration from both literature and fashion.

Azzaro by Loris Azzaro c1970

Azzaro by Loris Azzaro: launched in 1970, some sites state it was launched in 1975 (distributed by CosmEurop). The fragrance is also known as Azzaro Couture (Le Parfum-Couture de Loris Azzaro). Created by Maurice Thibond.

"Azzaro — the slightly wicked evening perfume."

 Azzaro by Loris Azzaro, is a fragrance that's been around for quite some time. Indeed, there can be discrepancies in launch dates, as different sources might provide varying information, but Maurice Thibond is indeed credited with its creation. It's fascinating how fragrances can evolve over time and sometimes take on different names or variations.

Le Jardin by Max Factor c1983

Le Jardin by Max Factor: launched in 1982. Created by Dragoco perfumers.

"Le Jardin" by Max Factor was indeed a popular fragrance launched in 1982. It was created by Dragoco perfumers and became quite renowned for its floral and fresh scent. The perfume's name, which translates to "The Garden" in English, evokes imagery of blooming flowers and nature's abundance. It's fascinating how fragrances can transport us to different times and places, isn't it?

Red by Giorgio Beverly Hills c1989

Launched in 1989, Red by Giorgio Beverly Hills emerged during a dynamic period in the fragrance industry characterized by bold and vibrant trends. The late 1980s and early 1990s were marked by a resurgence of opulence and luxury, with a growing fascination for fragrances that were both assertive and evocative. This era saw an emphasis on dramatic and impactful scent profiles, mirroring the vibrant aesthetics and larger-than-life attitudes of the time.

The choice of the name "Red" for this fragrance was a deliberate and striking decision. Red, as a color, is universally associated with strong emotions and vivid imagery. It evokes a sense of passion, power, and boldness. In the context of perfume, red often symbolizes a fragrance that is intense and captivating, designed to leave a lasting impression. The color red is also linked to concepts of sensuality and confidence, making it an ideal choice for a fragrance intended to stand out and command attention.

Bob Aliano, the perfumer behind Red, crafted a scent that matched these connotations. The fragrance was designed to be both vibrant and sophisticated, reflecting the energetic and luxurious spirit of the late 1980s. The use of red in the branding and packaging of the perfume accentuated its bold and dynamic character, appealing to those who wanted to express their individuality and assertiveness through their choice of scent. The imagery and emotions evoked by "Red" align perfectly with the luxurious and confident atmosphere that Giorgio Beverly Hills sought to convey, making Red a memorable and impactful addition to the fragrance market.

Escada by Margaretha Ley c1990

Escada Margaretha Ley was introduced in 1990. Created by perfumers of Créations Aromatiques.

Van Cleef Pour Homme by Van Cleef & Arpels c1978

Van Cleef Pour Homme by Van Cleef & Arpels: launched in 1978.

Vintage Counterfeit Perfumes and Fantasy Fakes

During the 20th century, the perfume industry was rife with counterfeiting at every turn. There was some trickery going on in the 1930s-1950s regarding designer named perfumes. I can find famous names on bogus labels for perfumes in bottles that you would never see used by that brand. Various con men had boxes and labels printed up, then decanted or adulterated, refilling cheaper bottles with even cheaper perfume, then slapping the newly printed labels on them, and passing them off as genuine.

I have created a comprehensive guide for fake vintage perfumes going back to the 1920s and into the 1970s. Much of the crucial information I have gathered has been revealed nowhere else and it can answer a lot of questions regarding so called "rare" editions or bottles of designer perfumes. 

Discussed in this guide are rebottlers, fake pricing schemes, and outright counterfeits. A significant portion of the guide is devoted to what I call "fantasy fakes." Fantasy fakes are, in my own parlance and definition, is the usage of bottles and labels that a genuine perfumery brand would have never used. This also includes names of perfumes that were never part of their catalog such as "Ce Soir Ou Jamais" by Christian Dior. I have done extensive research on these in order to determine whether they are genuine or fake. You might be surprised, delighted or even disappointed at the information I uncovered.

Before you shell out hundreds for a rare "Poiret" perfume bottle, please see my guide first!

Io by La Perla c1995

"Io" by La Perla was launched in 1995, in collaboration with Morris, and it's sometimes referred to as "Io La Perla." The name "Io" means "I" in Italian and "Je" in French, reflecting its intimate and personal essence. Daniella Roche Andrier, a perfumer from Givaudan-Roure, was responsible for crafting this fragrance. It's known for its elegant and sensual blend, capturing the essence of femininity.

Scent Cases from the Grand Tour

What we term perfume caskets today were known as "scent cases" during the 19th century. These were often purchased in Europe, most notably in Paris. Originally purchased from the shopping arcades at the famous Palais-Royal in Paris, these retail outlets sold luxury goods such as fine jewelry, furs, paintings and furniture to the wealthy elite. The peak of casket manufacture is the Napoleon III period from 1852 to 1870.

Halston Couture by Halston c1987

Halston Couture by Halston: launched in 1987 in association with Revlon. Created by IFF.

Feminite du Bois by Shiseido c1992

Feminite du Bois by Shiseido: launched in 1992. Created by Christopher Sheldrake in collaboration with Pierre Bourdon. This was Shiseido's first perfume to be sold in the United Kingdom.

273 by Fred Hayman c1989

273 Rodeo Drive for Women by Fred Hayman: launched in 1989. Created by Florasynth. The name is taken from Hayman's address on North Rodeo Drive and is the first to be released under his own name after he sold the Giorgio empire to Avon in 1987. 

Hahna by Rosine c1919

In the early 20th century, particularly around the time of Hahna's launch in 1919, Europe was captivated by a trend known as Japonism, a fascination with Japanese art, culture, and aesthetics. This movement heavily influenced fashion, art, and even perfumery in Western societies. Paul Poiret, a prominent figure in French fashion at the time, was known for his avant-garde designs and was deeply inspired by the Orient, particularly Japanese motifs and themes. His designs often featured kimono-style silhouettes, intricate embroidery, and bold use of colors and patterns reminiscent of Japanese textiles.

Against this backdrop of Japonism, the launch of Hahna perfume by Rosine in 1919 reflects the prevailing cultural interest in Japanese elements. The name "Hahna," derived from the Japanese word "hana" meaning "flower," aligns with the trend of incorporating exotic and mystical Eastern references into Western luxury goods. Poiret and other contemporaries would have appreciated the evocative power of a name like "Hahna," conjuring images of delicate blossoms, serene gardens, and the allure of the mysterious East.

For women of the time period, a perfume named "Hahna" would have offered a sense of escapism and sophistication. The fragrance, subtitled "L'Étrange Fleur" (The Strange Flower) and "La Fleur Secrète" (The Secret Flower), suggests an air of mystery and allure, promising wearers a unique olfactory experience akin to discovering a hidden, exotic bloom.

Luciano Pavarotti by Luciano Pavarotti c1994

Luciano Pavarotti was one of the most celebrated operatic tenors of the 20th century. Born on October 12, 1935, in Modena, Italy, Pavarotti rose to international fame for his powerful and emotive voice, as well as his charismatic stage presence. He became known for his remarkable ability to hit high notes with clarity and ease, earning him the nickname "The King of the High C's."

Throughout his career, Pavarotti performed in leading opera houses around the world, including La Scala in Milan, the Metropolitan Opera in New York City, and the Royal Opera House in London. He was particularly acclaimed for his performances in the operas of Giuseppe Verdi and Giacomo Puccini.

Pavarotti's voice transcended the confines of opera, as he also achieved mainstream success through collaborations with pop artists and performances at large-scale concerts and events. His rendition of "Nessun Dorma" from Puccini's opera Turandot became his signature aria and remains one of the most recognizable classical pieces.

Aside from his vocal talent, Pavarotti was known for his philanthropy, participating in numerous benefit concerts and humanitarian efforts throughout his life.

Luciano Pavarotti passed away on September 6, 2007, leaving behind a legacy as one of the greatest tenors in the history of opera.

Luciano Pavarotti's foray into the world of fragrances with Luciano Pavarotti for Men in 1994 was a notable venture. Distributed by Eurocosmesi, a division of Gauber S.r.l., this fragrance aimed to encapsulate the essence of the renowned tenor. Crafted by the skilled perfumer David Apel from Givaudan, it presumably sought to evoke sophistication and charisma, much like the legendary opera singer himself.

Kalispera by Jean Desses c1962

In 1962, the year when Jean Dessès launched his perfume "Kalispera," the world was immersed in a period of cultural dynamism and shifting social norms. It was an era marked by the heyday of haute couture and the flourishing of glamour in fashion and lifestyle. Jean Dessès, renowned for dressing European royalty and aristocracy, epitomized elegance and sophistication in his designs. Against this backdrop, "Kalispera" emerged not just as a fragrance but as a symbol of luxury and refinement, embodying the essence of Dessès' exquisite creations.

The Queen of Greece suggested that if Desses were to launch a fragrance that he should christen it "Kalispera." Intrigued by the thought, Desses created the fragrance as a tribute to her. Her Majesty was chosen for this honor because Desses, of Greek heritage, was her favorite fashion designer and the royal family was a favorite customer of his. 

The name "Kalispera" itself holds significant meaning. In Greek, "Kalispera" translates to "Good evening." It's a greeting that carries warmth, elegance, and a touch of exclusivity. Jean Dessès likely chose this name for his perfume to evoke a sense of sophistication and allure, reminiscent of the glamorous evenings and social engagements his clientele frequented.

For women of the time, "Kalispera" would resonate deeply. It would be more than just a perfume; it would be a statement piece, an accessory that complemented their high-fashion lifestyle. The name alone suggests an association with evenings filled with elegance, perhaps cocktail parties, gala events, or intimate dinners under the stars. Women would relate to "Kalispera" as a scent that enhances their allure and sophistication, aligning perfectly with the fashion-forward trends of the early 1960s.

The response to "Kalispera" would likely be overwhelmingly positive. It would evoke images of opulent ballrooms, sumptuous fabrics, and the sparkle of chandeliers. Emotionally, it would stir feelings of confidence, grace, and a sense of being at the pinnacle of style. The fragrance would embody the essence of femininity and allure, appealing to women who sought to make a statement through their perfume choice.

The uniqueness of the name "Kalispera" lies in its exotic charm and cultural richness. In the realm of perfumes, where names often evoke sensory experiences and aspirations, "Kalispera" stands out for its distinctive Mediterranean flair and sophisticated connotations. It signifies more than just a greeting; it encapsulates a lifestyle of elegance and refinement, appealing to those who appreciate the finer things in life.

Interpreted through the lens of fashion and luxury, "Kalispera" would be seen as a tribute to sophistication and exclusivity. It would denote a connection to European aristocracy and the glamorous world of haute couture, reinforcing Jean Dessès' reputation as a couturier of distinction and taste.

In conclusion, "Kalispera" by Jean Dessès epitomizes the glamour and elegance of its era. With a name steeped in cultural significance and a fragrance designed to capture the essence of sophistication, it remains a timeless emblem of haute couture luxury, cherished by women who seek to embody grace and allure.

 

It's fascinating to learn more about the origins of Kalispera perfume by Jean Dessès. The connection to Greek heritage and the royal endorsement add layers of significance to the fragrance's history. It's a beautiful tribute to Queen Frederika and reflects the esteemed clientele and reputation of Jean Dessès as a designer and perfumer.