Welcome!

Welcome to my unique perfume blog! Here, you'll find detailed, encyclopedic entries about perfumes and companies, complete with facts and photos for easy research. This site is not affiliated with any perfume companies; it's a reference source for collectors and enthusiasts who cherish classic fragrances. My goal is to highlight beloved, discontinued classics and show current brand owners the demand for their revival. Your input is invaluable! Please share why you liked a fragrance, describe its scent, the time period you wore it, any memorable occasions, or what it reminded you of. Did a relative wear it, or did you like the bottle design? Your stories might catch the attention of brand representatives. I regularly update posts with new information and corrections. Your contributions help keep my entries accurate and comprehensive. Please comment and share any additional information you have. Together, we can keep the legacy of classic perfumes alive!

Sunday, April 27, 2014

What are Leather or Animalic Fragrances?

Fragrances can be classified by certain olfactive families, or themes, or accords. In this guide I will briefly discuss the various themes.

Leather/Animal: 

These notes are characterized by their warm, heavy and persistent quality. These fragrances are comprised of blending honey, tobacco, synthetics, cassie flower & bark, cade oil, myrtle, and wood tars such as birch tar to create the scent reminiscent of leather. Musk, ambergris, civet and castoreum are animal notes. Most animal odors used today are made of synthetics. Leather and animal notes have been used as aphrodisiacs for centuries.



Ambergris (the synthetic is known as amber in the perfumery world) is a substance excreted by the sperm whale after eating cuttlefish, and found in lumps of varying size floating in tropical seas or washed ashore. Ambergris must be weathered for at least three years before use. Although ambergris was used for centuries as a perfume, no one knew the exact source until more recent times.

Amber notes are typically found in Oriental type fragrances. Ambergris has a sweet, woody odor.

True ambergris has not been used in perfumery in over thirty years due to the concerns of whale farming and is considered unethical and cruel. Plant sources such as labdanum resin, Tolu balsam, Peru balsam and ambrette seed have been used in place of true ambergris. Synthetic substitutes such as Ambrox, Ambrarome, Lorenox, Ambretone, Cetalox and Kephalis are used in today's fragrances to impart the coveted amber scent.




Civet is a butter like secretion taken from a pouch in the glands under the tail of the civet cat, found in Ethiopia Burma and Thailand. This odor is used to impart a musky fragrance in perfumes. Synthetic substitutes are often used in today's fragrances as the natural harvesting of castoreum is considered unethical and cruel.



Castoreum is a creamy reddish brown secretion taken from sacs in the glands on the beaver, it was first used by Arab perfumers since the 9th century AD. It is used to impart a leathery odor in perfumery. Castoreum has often been described as sharp, birch tar-like, resinous, warm, musky and slightly fruity. Synthetic substitutes are often used in today's fragrances as the natural harvesting of castoreum is considered unethical and cruel.



Musk grains are collected from a walnut sized pod in the glands of the male musk deer of the Himalayas. The strongest fragrance of all, it is said that a single drop left on a handkerchief can last 40 years. Today, most musky fragrances are made using synthetic substitutes as the natural harvesting of musk is considered unethical and cruel. Chemicals such as Cashmeran, Iso E Super, Muscone and Nitromusks lend a long lasting musk tone to many fragrances today.


Hyraceum is the petrified and rock-like excrement composed of both urine and feces excreted by the Cape Hyrax, (Procavia capensis), commonly referred to as the Dassie. After aging and petrifying over hundreds, if not thousands of years, it is a sought-after material that has been used in both traditional South African medicine and perfumery. The material hardens and ages until it becomes a fairly sterile, rock-like material (also referred to as "Africa Stone") that contains compounds giving it an animal, deeply complex fermented scent that combines the elements of musk, castoreum, civet, tobacco and agarwood. The material is harvested without disturbing the animals by digging strata of the brittle, resinous, irregular, blackish-brown stone; because animals are not harmed in its harvesting, it is often an ethical substitute for deer musk and civet, which require killing or inflicting pain on the animal.



Beeswax and honey are also used in perfumery to impart subtle musky, animalic amber notes accented with tobacco and hay like balsamic sweetness, soft traces of powdery pollen and just a whisper of delicate flowers. This ingredient is often used to enhance certain facets in a perfume, such as flowers and citrus notes. Different flowers produce honey with particular characteristics. Herbaceous flowers produce camphor-like or mint-like honey. Clover honey has a sweet, spicy carnation-like essence. Both honey and beeswax absolute are also known to have a slight urinous odor due to certain chemicals present in their make up. Because bees are in no way harmed during the collection of honey or the beeswax, these two perfume ingredients can be considered ethical.



There are subdivisions of classifications in this family and they are:

  • floral leather
  • tobacco leather
  • soft amber fougere
  • floral amber fougere
  • leather chypre
  • woody spicy leather
  • musky
  • woody amber
  • floral spicy amber
  • citrus amber
  • soft amber


Perfumes which are classified as Leather/Animal notes are:
  • Tabac Blond by Caron
  • Cuir de Russie by Chanel
  • Scandal by Lanvin
  • Baume Tolu by Esteban 
  • Feminite du Bois by Shiseido
  • Miss Dior by Christian Dior
  • Tigress Musk by Faberge
  • Caleche by Hermes
  • Antaeus by Chanel
  • Cabochard by Gres
  • Musk by Jovan
  • Moss Breches by Tom Ford
  • Bandit by Robert Piguet
  • Equipage by Hermes
  • Miel de Bois by Serge Lutens
  • Bel Ami by Hermes
  • Diorama by Christian Dior
  • Khiel's Original Musk
  • Bal a Versailles by Jean Desprez
  • Desert by Fragonard
  • French Lime Blossom by Jo Malone
  • Film Noir by Ayala Moriel
  • Oud Cuir D'Arabie by Montale 
  • Aramis by Aramis
  • Avant Garde by Lanvin
  • Chypre Noir by Ava Luxe
  • Piroguier by Comptoir Sud Pacifique
  • Cuiron by Helmut Lang
  • Intreccio No. 1 by L'Artisan 
  • Boucheron by Boucheron
  • Myrrhe Ardente by Annick Goutal
  • Zadig by Emilio Pucci
  • Chai by Robert Piguet
  • Cuirelle by Ramon Monegal
  • Royal English Leather by Creed 
  • Spellbound by Estee Lauder
  • Cuir de Lancome
  • Mon Numero 10 by L'Artisan
  • Gendarme by Carriere
  • Jovan Musk
  • Dzing! by L'Artisan
  • Jolie Madame by Balmain
  • Wild Musk by Coty
  • Givenchy Gentleman
  • Derby by Guerlain
  • CK Be by Calvin Klein
  • Empreinte by Courreges
  • Daim Blond by Serge Lutens
  • Cuir Beluga by Guerlain
  • Persian Leather by Caswell Massey 
  • Jules by Christian Dior
  • Knize Ten by Knize
  • Marquis de Sade by Histoires de Parfums
  • Cuir Mauresque by Serge Lutens 
  • Feuilles de Tabac by Miller Harris
  • Jicky by Guerlain
  • Romeo Gigli by Gigli
  • Woman by Jovan
  • Dunhill by Dunhill
  • Sung by Alfred Sung
  • Peau d'Espagne by Santa Maria Novella 

What are Fougere Fragrances?

Fragrances can be classified by certain olfactive families, or themes, or accords. In this guide I will briefly discuss the various themes.

Fougere: 

Fougere, this family is characterized by bracing, herbaceous and woody scents that appear mainly in men’s colognes. Fougere means “fern” in French. Most fougeres are a blend of lavender, coumarin, oak moss, green and warm amber notes. Fougere fragrances take their name from Houbigant’s Fougere Royale which was created in 1885.


There are subdivisions of classifications in this family and they are: soft amber fougere, floral amber fougere, floral amber fougere, spicy fougere, and aromatic fougere.





Perfumes and colognes that are classified as Fougere are:

  • Paco Rabanne
  • Cool Water
  • Michael Jordan
  • Jicky
  • Canoe

What are Gourmand Fragrances?

Fragrances can be classified by certain olfactive families, or themes, or accords. In this guide I will briefly discuss the various themes.


Gourmand: 

Gourmand notes are another newly added member to the fragrance family. These notes are characterized as edible, dessert like, citrus, sweet, vegetable, nutty, sorbet, candy-like, tea, fruits, almonds, cupcake, whiskey, or coffee scents. Many scents used in gourmand perfumes are vanilla, chocolate, creme brulee, milk, cotton candy, honey, maple syrup, pumpkin, hot milk, brown sugar, date, marzipan, caramel, hazelnut, cream, butter, coffee, nougat, praline, custard, cognac, licorice, cinnamon, gingerbread, toffee, marshmallow, marmalade and others.

Related olfactory groups include: citrus gourmand, fruity gourmand, floral fruity gourmand




Perfumes which are classified as Gourmand are:
  • Alien Essence Absolue by Thierry Mugler
  • Ambre L’Occitane en Provence
  • Amour Nocturne by L’Artisan
  • Angel by Thierry Mugler
  • Anima Dulcis by Arquiste Parfumeur 
  • Aomassai by Parfumerie Generale 
  • Aoud Café Mancera 
  • Arabie by Serge Lutens
  • Bergamot Truffle by Payard
  • Black Star by Avril Lavigne
  • Blue Agave & Cacao by Jo Malone 
  • Bois Farine by L’Artisan 
  • Brown Sugar & Fig by Bath and Body Works
  • Cacao by Aftelier Perfumes 
  • Café Noir
  • Candy by Prada
  • Casual Friday
  • Cocoa Tuberose by Providence Perfumes
  • Comptoir Sud Pacifique’s fragrances
  • Delicious by DKNY
  • Delicious Cotton Candy by Gayle Hayman
  • Dinner by BoBo
  • Doolciiisssimo by Hilde Soliani
  • Downtown by Calvin Klein
  • DSH perfumes
  • Eau De Charlotte by Annick Goutal
  • Elixir des Merveilles by Hermes
  • Extraordinary by Avon
  • Fabulous by Isaac Mizrahi
  • Fancy by Jessica Simpson
  • Fancy Choco by Alice & Peter
  • Fantasy by Britney Spears
  • Figue Amere Miller Harris 
  • Five O'Clock Au Gingembre by Serge Lutens 
  • Forbidden Euphoria by Calvin Klein
  • Haram by Brecourt 
  • Hungry, Hungry Hippies by smell bent
  • Hypnotic Poison by Dior
  • Histoires de Parfums - 1969
  • Ici by Coty
  • Intoxicated By Kilian
  • Juicy Couture by Juicy Couture
  • La Petite Robe Noire by Guerlain
  • Le Couvent des Minimes Cologne of the Missions-
  • Lemon Tart by Jo Malone
  • Lolita Lempicka by Lolita Lempicka
  • Loukhoum by Ava Luxe 
  • Magic Circus by MiN New York ‘Scent Stories’ 
  • Mackie by  Bob Mackie
  • Milk by Ava Luxe 
  • New Haarlem by Bond No. 9 
  • Nina by Nina Ricci
  • Nutmeg & Ginger Jo Malone 
  • NYC by Sarah Jessica Parker
  • Or du Sérail by Naomi Goodsir 
  • Philosykos Diptyque 
  • Piment Brûlant L’Artisan 
  • Pink Sugar by Aquolina
  • Plaisir by Laura Tonatto
  • Pomegranate Noir by Jo Malone 
  • Pretty Petals by Ellen Tracy
  • Provocative Interlude
  • Pure Purple
  • Rahat Loukhoum Serge Lutens 
  • Rock-N-Rebel by Flirt
  • Sensuous Nude by Estee Lauder
  • Sepia by Aftelier
  • Sire des Indes by Jean Patou
  • Spark by Liz Claiborne
  • Spiriteuese Double Vanille by Guerlain 
  • Star Flower by Anya`s Garden
  • Sugar by Fresh
  • Tilda Swinton Like This by Etat Libre d’Orange
  • Too Too by Betsey Johnson
  • True Religion Love, Hope, Denim
  • Un Bois Vanille Serge Lutens 
  • Unbreakable Bond by Khloe Kardashian
  • Vanille Aoud by Parfums M. Micallef
  • Vanilla Fields by Coty
  • Vanilla Grapefruit by Lavanila
  • Vanilla Musk by Coty
  • Vetiver Tonka
  • Vince Camuto by Vince Camuto
  • Wakely by Abercrombie & Fitch
  • Wish by Chopard
  • Womanity by Thierry Mugler
  • Wonderstruck by Taylor Swift
  • many of Demeter's Pick Me Up sprays are gourmand

How to Remove the Spray Top From Old Perfume Bottles

#1. Place one hand on the plastic spray nozzle on top of the perfume bottle. Place the other hand on the perfume bottle itself.


#2. Pull straight up with your hand to remove the nozzle from the perfume bottle.


#3.Use a pair of scissors to cut away any plastic encasement surrounding the neck of the perfume bottle. A pocket knife can be used if the scissors are difficult to maneuver.


#4. Use the tip of the pocket knife, or scissors, to carefully pry off the metal section adjoined to the neck of the perfume bottle. Insert the tip of the blade under one section of the metal and gently pry upward. Repeat the process around the entire neck of the perfume bottle. Do not try to lift the knife too much as this will break the bottle.


#5. Use pliers to grasp the metal piece and gently pull up and away from the perfume bottle. Do this carefully to avoid breaking the glass bottle as well as spilling the perfume.


Refilling spray top perfume bottles is not recommended as they may leak.

Friday, April 25, 2014

Cigalia by Roger et Gallet and Scarabee by LT Piver

Rene Lalique is well known as a genius who designed and manufactured beautiful perfume flacons. In my opinion, the two most interesting pieces were made around the same time for two different companies, LT Piver & Roger et Gallet. Each bottle is a stylized insect, a cicada and an Egyptian scarab beetle. These were popular motifs during the Art Nouveau era and must have appealed to women with refined tastes.



Thursday, April 24, 2014

Parfums Renoir

Parfums Renoir was founded in 1939, nestled in Paris’s prestigious 20 rue de la Paix, an address shared by several influential perfume companies. Operating under the larger corporate entity, "Société d'Études et d'Expansion de la Parfumerie de Luxe, Société Anonyme" (SEEPL, SA), Parfums Renoir was one of three notable brands managed by this parent company, alongside Parfums Raucour and Parfums Robert Piguet. In addition to developing its own fragrances, Parfums Renoir also crafted perfumes for other companies, notably collaborating with Robert Piguet, a key player in haute perfumery.

In 1945, Parfums Renoir underwent a rebranding and became Parfums Raucour. However, most of Renoir’s established fragrances continued to be marketed in the United States under the Renoir name, where they were distributed by Mauvel Ltd of New York. This rebranding was part of a strategic pattern within SEEPL, SA, allowing the surviving company to inherit and maintain the fragrance lines, trade dress, and distribution channels of the former company, with only the brand name and packaging adjusting to reflect the new entity.




Eleanor Penner's Vanity Showing Perfume Bottles c1938

This photograph shows a vanity designed by Paul T. Frankl, who furnished the Los Angeles home of comedian and radio personality Joe Penner and his wife Eleanor in 1938. Photo and information from http://tinselcreation.com/2013/11/





The perfumes I can readily identify are:
  • Vol de Nuit by Guerlain c1933
  • Fleurs de Rocaille by Caron c1934
  • Unidentified Coty bottle
  • Pois de Senteur de Chez Moi by Caron c1927
  • Blue Grass by Elizabeth Arden c1934
  • Bellodgia by Caron c1927
  • Cassandra by Weil c1936
  • Shanghai by Lentheric c1934
  • Shalimar by Guerlain c1925
  • Toujours Fidele by D'Orsay c1912
  • Risque Tout by Lentheric c1935
  • Indiscret by Lucien Lelong c1935
  • Tabac Blond by Caron c1919
  • Vega by Guerlain c1936
  • Sous le Vent by Guerlain c1933
  • Liu by Guerlain c1929
  • My Sin by Lanvin c1924
  • Several unidentified bottles

Plus some Czech cut crystal bottles scattered around the vanity.

Cassandra by Weil c1935

 The Cassandra perfume first came out in 1935 in France,  and it was introduced into the USA in 1936. The perfume was created by Jacqueline Fraysse and took two years to perfect. It was available as parfum, cologne and toilet water.



Wednesday, April 23, 2014

Le Gui by Duvelle c1925

Le Gui by Duvelle, launched in 1925, is a captivating fragrance named after the French word for "mistletoe." This choice of name evokes the mystique and allure associated with the traditional winter plant, often linked to romance and the holiday season. The name "Le Gui" suggests a fragrance that is both enchanting and festive, capturing the essence of the season's charm.

Duvelle, the company behind Le Gui, was a subsidiary of Doran Cosmétiques Laboratories, a well-established name in the cosmetics industry. As a subsidiary, Duvelle benefited from the resources and expertise of Doran Cosmétiques Laboratories, which allowed it to create and market its own distinctive fragrances. The collaboration between Duvelle and its parent company ensured that Le Gui was crafted with the same attention to quality and innovation that characterized Doran’s broader range of products.

The release of Le Gui in 1925 was part of a period rich with new and exciting fragrance developments, reflecting the era's fascination with exotic and evocative scents. The name and the association with mistletoe lent an air of elegance and intrigue to the perfume, making it a memorable addition to the world of early 20th-century perfumery.

Bottles: 

Le Gui was housed in a variety of bottles, the first bottles were made up of green malachite slag glass. This includes parfum bottles, talcum bottles, cream jars, and cologne bottles.



In the 1937 edition of Drug and Cosmetic Industry, Volume 41, Doran Cosmetique Laboratories proudly showcased its offering of "Le Gui," a perfume noted for its sophisticated and delightful fragrance. The description emphasizes the perfume’s elegance and appeal, suggesting that it was crafted with care to appeal to a refined clientele.

"Le Gui" was presented in an array of six different gay pastel-colored bottles, each one representing a unique shade: jade green (the malachite bottles), baby blue, orchid purple, maize yellow, rose pink, and nile green. These clear glass bottles were sprayed with an opaque enamel in a range of pastel colors. This technique created an attractive, colored exterior that not only enhanced the visual appeal of the bottles but also added a touch of elegance and sophistication. These pastel hues were carefully chosen to reflect a sense of grace and charm, making the bottles not just containers, but also decorative objects that would enhance any vanity. The choice of colors underscored the perfume’s association with freshness and subtlety, aligning with the aesthetic preferences of the time.  The jade green bottles were of the malachite glass.

The use of clear glass as the base allowed the rich hues of the enamel to stand out vividly, while the opaque finish provided a refined and luxurious look. Each color choice—ranging from the calming jade and blue to the vibrant maize and rose—was carefully selected to evoke a sense of charm and delicacy, aligning with the aesthetics favored by consumers of the time.

By employing this method, Doran Cosmetique Laboratories ensured that "Le Gui" was not just a fragrance but also a visually appealing accessory. The enamel-coated bottles served as decorative objects, making them desirable for both their scent and their stylish appearance. This attention to detail in packaging underscored the brand's commitment to providing a complete sensory experience, blending olfactory pleasure with visual allure.

The perfume was available in five different sizes, catering to various preferences and needs. This range of options allowed customers to choose a size that best suited their personal use or gifting requirements. The inclusion of multiple sizes also made "Le Gui" accessible to a broader audience, further expanding its market reach.

The note on "BENJAMIN ANSEHL CO." indicates that this company played a role in the distribution or promotion of "Le Gui," highlighting the collaborative efforts involved in bringing the perfume to a wider audience. Overall, the presentation in the Drug and Cosmetic Industry publication reflects the sophistication and appeal of "Le Gui," positioning it as a desirable and stylish choice in the 1930s fragrance market.


Drug and Cosmetic Industry - Volume 41, 1937:

"Doran Cosmetique Laboratories offers "Le Gui" parfum, a delightfully sophisticated odor packaged in six different gay pastel colored bottles, jade, blue, orchid, maize, rose, and nile. It is available in five sizes. BENJAMIN ANSEHL CO."



 




In the 1960 edition of the American Druggist Blue Book, "Le Gui" toiletries were presented with a detailed breakdown of their product offerings and pricing. The array of products highlighted the brand's diverse range, catering to various preferences and budgets, while emphasizing its commitment to quality and luxury.

Bath Powder was offered in a 6-ounce size for $2.50. This product, designed to enhance the bathing experience, was likely formulated to complement the fragrance of "Le Gui" while providing a soothing, perfumed touch to the skin.

Cologne was available in two sizes: 1 ounce for $1.25 and 4 ounces for $3.00. These options allowed customers to choose between a smaller, more portable size or a larger bottle for more extended use, reflecting different needs for daily use or travel.

Solid Perfume came in a 1-dram size for $1.75. This compact form of fragrance offered convenience and portability, making it easy for users to apply their favorite scent discreetly throughout the day.

The Perfume line was offered in several sizes: 1 dram for $2.25, 2 drams for $3.75, 4 drams for $6.75, and 1 ounce for $12.50. This range provided options for various preferences, from small, affordable sizes to more luxurious, larger bottles, catering to both occasional and regular users.

Talcum Powder, presented in a 3-ounce size, was priced at $1.50. This product was designed to complement the fragrance line while providing a soft, perfumed finish to the skin.

Finally, Toilet Water was available in a 4-ounce bottle for $4.50. As a lighter alternative to perfume, it offered a more subtle and refreshing scent experience.

The detailed listing in the American Druggist Blue Book underscores "Le Gui's" extensive product range and its appeal across different segments of the market, offering a variety of price points and formats to suit the needs and preferences of its clientele.


Fate of the Fragrance:


By the 1960s, "Le Gui" had been discontinued, marking the end of its presence in the fragrance market. The decision to cease production reflected the evolving trends and shifts in consumer preferences that characterized the industry during this period. As new brands and formulations emerged, older products like "Le Gui" faced increasing competition, leading to their eventual phase-out. Despite its discontinuation, "Le Gui" remains a nostalgic reminder of early 20th-century elegance and sophistication, embodying the charm and style of its era through its unique packaging and distinctive scent offerings.



Tuesday, April 22, 2014

EBAY FIND!: Cook's Sample Perfume Bottles on Display Card c1910

ON EBAY: Cook's Sample Perfume Bottles on Display Card c1910. This is a superb and very rare advertising piece. I love the little bottles with their little seals and ribbons still attached. The perfumes are: Sweet Violet, Throne, Alicia, Dorinna, and Rivera.

http://www.ebay.com/itm/Rare-Edwardian-Perfume-Sample-Card-With-Bottles-For-Edward-Cook-Co-Ltd-c1910-/331183416611?pt=UK_Collectables_Advertising_ET&hash=item4d1c11e523







Edward Cook & Co., Ltd., (East London Soap Works)

Edward Cook was a soap manufacturer located at Norwich, England.  In the 1830s, he moved his firm to Goodman’s Yard in Whitechapel and by 1859, the company was moved again to Cook’s Road in Bow and the factory was then called the Soapery. His son, Edward was a reputable chemist. Many women worked in the soap packing department. Their best known brand was the Throne Toilet Soap.

After WW2, the company was acquired by John Knight, LTD, famous for their Castile soap which they created in 1919.



Chemist and Druggist: The Newsweekly for Pharmacy, Volume 73, 1908:
"Soaps and Perfumes for Christmas. Messrs Edward Cook & Co Ltd soap specialists, Bow London E, have this year prepared for the Christmas trade an exceptionally large variety of their soaps in souvenir boxes either alone or combined with bottles of perfume or other toilet requisites. The cases which the Company usually employ for three cakes of Excelsior Savon Violette de Luxe, Savon Violette de Parme, Russian Violet toilet soap and Savon Mignora, are sufficiently artistic to be with the contents acceptable as a Christmas present, but they have numerous special cases for example glove and handkerchief boxes each containing a bottle of Throne perfume, a tablet of Violette soap, and a box of Royalist tooth powder and individual boxes shaped like a crown and finished in leatherette containing two tablets of Riviera soap and a bottle of perfume. There are also boxes of soaps only covered with leatherette bearing in gold scrolls such phrases as 'With best wishes' and 'The Season's Greetings' and a dainty little case for gentlemen contains a stick of Solace antiseptic shaving soap. The most handsome and attractive case of the series is a crimson and gold box containing a bottle of White Lilac perfume and two tablets of Excelsior Savon de Luxe. Our subscribers will find in the selection full particulars of which they can obtain on application to Messrs Cook lines which should bring business at Christmastide."





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