Trussardi Uomo by Trussardi c1982

Trussardi Uomo is a fragrance for men that was launched by the Italian fashion house Trussardi in 1982. The perfume was created in collaboration with the Monteil company and was introduced to the United States market in 1983. The nose behind this classic scent is Béatrice Piquet, a renowned perfumer known for her work with several prestigious brands.

Trussardi Uomo is characterized by its blend of aromatic, woody, and spicy notes, making it a timeless and elegant fragrance choice. It is a reflection of the sophisticated and luxurious style that Trussardi is known for. 

Gigi by Gloria Guggenheim c1993

 Gigi is a feminine perfume by Gloria Guggenheim. Created by perfumer Jean-Pierre Weil of Creations Aromatiques for the American millionairess Gloria ('Gigi') Guggenheim.

 

Gem by Van Cleef & Arpels c1987

Gem by Van Cleef & Arpels is a classic fragrance launched in 1987. It's known for its sophisticated and timeless scent, created by the talented perfumer Roger Pellegrino of Firmenich. Gem has remained popular over the years for its unique blend of notes and its ability to evoke a sense of elegance and luxury.

 

Suzuro by Shiseido c1976

Launched in 1976, Suzuro by Shiseido exemplifies the company’s commitment to blending traditional Japanese elegance with contemporary aesthetics. Shiseido, a prominent name in the beauty and fragrance industry, has a legacy rooted in innovation and artistry. The choice of the name "Suzuro" is particularly evocative; derived from the Japanese word すずろ (pronounced "soo-zoo-roh"), it conveys feelings of restlessness and distraction—an emotional state of being on edge or unable to focus. This choice of nomenclature speaks to a broader psychological experience, perhaps reflecting the fast-paced lifestyle of the 1970s, when many women were navigating personal aspirations alongside societal expectations.

The term Suzuro evokes a kaleidoscope of imagery and emotions. It conjures the image of a delicate flower swaying in the breeze, both beautiful and fragile, yet restless in its motion. Women of the time, facing the pressures of modernity, may have found resonance in a fragrance that encapsulated their feelings of distraction and yearning for calm amidst chaos. Suzuro offered a sense of connection to their inner emotional landscape, providing a fragrant solace that mirrored their experiences.

In terms of olfactory interpretation, Suzuro is classified as a fresh floral fragrance for women, designed to evoke a sense of vitality and elegance. The fragrance opens with a refreshing blend of flowery and green notes, which instantly uplifts the spirit, reminiscent of a vibrant spring morning. This lively introduction transitions seamlessly into a radiant floral heart, characterized by a rich bouquet of blossoms that envelops the wearer in a warm embrace of femininity. As the fragrance settles, it reveals a powdery floral base that adds depth and sophistication, creating a serene yet enchanting aura.

Nueva Maja by Myrurgia c1960

In the 1960s, the context of perfume was evolving rapidly, reflecting societal changes and shifting tastes. This era saw a departure from the heavier, more formal fragrances of previous decades towards lighter, fresher scents that appealed to the younger generation. Myrurgia's decision to launch "Nueva Maja" in 1960 as a flanker to their original Maja fragrance was timely and strategic. The word "Nueva" means "new" in Spanish, indicating a fresh, modern approach to the classic Maja scent.

Choosing the name "Nueva Maja" was likely aimed at revitalizing the brand and appealing to a younger demographic while retaining the essence of the original fragrance. "Maja" itself refers to the archetype of a charming and confident Spanish woman, historically depicted in art and culture as lively and alluring. By adding "Nueva" to the name, Myrurgia positioned the perfume as a contemporary interpretation of this iconic figure, embracing modernity while honoring tradition.

For women of the 1960s, "Nueva Maja" would have resonated as a perfume that embodied sophistication with a youthful twist. It likely promised a fragrance experience that was both timeless and refreshing, capturing the spirit of independence and allure associated with the Maja persona. Women would have responded to "Nueva Maja" as a symbol of elegance and modernity, perfect for everyday wear yet with a hint of classic charm.

The name "Nueva Maja" evokes images of vibrant Spanish culture, with visions of flamenco dancers, bustling marketplaces, and sun-drenched Mediterranean landscapes. Emotionally, it suggests confidence, sensuality, and a zest for life—qualities that appeal universally but are particularly resonant with the spirit of 1960s femininity.

In the realm of perfumery, "Nueva Maja" would indeed be a unique name. It blends tradition with innovation, offering a promise of both familiarity and novelty in fragrance. The word "Nueva" adds a contemporary allure, suggesting something fresh and exciting yet rooted in a rich heritage.

Interpreted broadly, "Nueva Maja" signifies a new chapter in the saga of the Maja fragrance, adapting to the tastes and aspirations of a new era while celebrating its enduring appeal. It encapsulates a blend of tradition and modernity, making it a compelling choice for women seeking a perfume that resonates with both elegance and vitality.

Ozbek by Rifat Ozbek c1995

In 1995, Rifat Ozbek's fragrance "Ozbek" made its debut as a notable addition to the perfume industry, emerging during a time when exoticism and global influences were increasingly captivating the fashion and design worlds. The 1990s were characterized by a blending of nostalgia for bygone styles with a burgeoning curiosity for diverse cultural inspirations. This era saw a shift in the fragrance landscape towards celebrating individualism and distinct identities. Positioned at the intersection of these trends, Rifat Ozbek, a Turkish-born designer based in London, infused his first fragrance with the same eclectic and culturally rich aesthetic that distinguished his fashion collections.

The name "Ozbek" was a deliberate choice, laden with symbolism and personal significance. In Turkish, "Ozbek" is a variant of "Uzbek," referring to the Uzbek people of Central Asia. This name translates directly to "Uzbek" in English and evokes a sense of heritage and exotic allure. By selecting this name, Ozbek honored his cultural roots while highlighting the unique and exotic character of the fragrance.

"Ozbek" is an evocative name for a perfume, conjuring imagery of ancient traditions, vast landscapes, and the mystique of Central Asia. It suggests a scent that is not only unique but also deeply embedded in a cultural narrative. This choice aligns seamlessly with Rifat Ozbek’s design ethos, which frequently blends traditional elements with contemporary sensibilities. The name "Ozbek" imparts sophistication and depth, appealing to individuals who appreciate fragrances with a rich story and a connection to a broader cultural heritage.

Pavlova by Payot c1976

"Pavlova" by Payot was a fragrance launched in 1976. It's named after the Russian prima ballerina Anna Pavlova. The perfume is known for its elegant and delicate floral scent, capturing the essence of grace and femininity associated with the world of ballet. 

Scaasi for Women by Scaasi c1989

Scaasi for Women by Scaasi: launched in 1989. Signature fragrance of designer Arnold Scassi; in association with Prestige Fragrances, a division of Revlon. The scent was formally introduced on November 5, 1989. 

L’Insaisissable by Parfums Stéphanie de Monaco c1991

"L'Insaisissable" is a fragrance created by Parfums Stéphanie in association with Bourjois, with François Demachy as the perfumer. This scent was introduced around 1991, and it's known for its captivating and elusive nature, as suggested by its name, which translates to "The Elusive" in English. François Demachy is a highly respected perfumer known for his skill in creating unique and memorable fragrances.

Tortue by Polly Bergen c1969

Tortue by Polly Bergen: launched in 1969.  Polly Bergen was an American actress, singer, and businesswoman. She was born on July 14, 1930, and passed away on September 20, 2014. Bergen had a successful career spanning several decades, with notable achievements in film, television, and theater. She received an Emmy Award for her performance in "The Helen Morgan Story" (1957) and was nominated for an Academy Award for her role in "Pollyanna" (1960). In addition to her acting career, Bergen was also known for her singing talent and released several albums. Later in her life, she ventured into business, notably launching a line of cosmetics and fragrances.

Volupte by Oscar de la Renta c1992

Launched in March 1992 in association with Sanofi Beaute, a pharmaceuticals and cosmetics company that owns the worldwide marketing rights to de la Renta's fragrances from Avon starting in 1990. The fragrance was created by perfumers Sophia Grojsman and Nicholas Calderone.

 

Nuit de Noel by Caron c1922

Nuit de Noël by Caron: launched in 1922, created by Ernest Daltroff. Pronounced "NUWEE-DUH-NO-EL", the name means "Christmas Night" in French.

Epris by Max Factor c1981

In 1981, the world was witnessing a transformation in its approach to love and personal expression. The early 1980s were characterized by a burgeoning sense of individuality and self-expression, influenced by the rise of new wave music, vibrant fashion, and a renewed focus on personal style. This period saw a blending of old and new sensibilities, with classic romantic ideals being reinterpreted through modern lenses. Love was increasingly seen as a powerful personal statement, and perfume became an essential tool for expressing one's unique identity and emotions.

The name "Épris," derived from the French verb "Éprendre," meaning "to be captivated with love" or "to be enamored," captures the essence of this transformative period. Pronounced "ay-PREE," the name evokes a sense of deep emotional engagement and enchantment. For a perfume, this name suggests a fragrance designed not merely to scent the body but to create a profound, captivating experience. The choice of "Épris" reflects a desire to convey the intense, almost irresistible nature of love—one that can sweep someone off their feet and linger in their memories.

Women of the early 1980s, seeking to project sophistication and individuality, would find "Épris" a compelling choice. The name resonates with the era's romantic idealism and personal empowerment. It implies a fragrance that is more than a mere accessory; it’s an embodiment of the wearer’s innermost feelings and desires. The word "Épris" evokes images of passionate love, captivating moments, and an air of refined elegance. It suggests a perfume that is not just worn but experienced—a sensory journey into the heart of romance.

Exquisite Sevres Porcelain Vanity Set on Ebay!

 Here is an exquisite item I found while browsing ebay this afternoon. I am NOT affiliated with this seller at all, but I thought it was too beautiful not to share with my readers. Occasionally, I I like to alert my readers to unusual or important treasures. 

Tempore Donna by Laura Biagiotti c1999

Tempore Donna by Laura Biagiotti was launched in 1999. It's known for its floral and fruity fragrance, with notes of peach, black currant, jasmine, rose, sandalwood, and musk. Ursula Wandel, a renowned perfumer, crafted this scent. It's celebrated for its elegant and timeless appeal, reflecting the sophistication and femininity associated with the Laura Biagiotti brand.

Ursula Wandel has contributed to various fragrances across different brands. Some of her notable creations include:

• L'Instant de Guerlain by Guerlain (2003): A sophisticated fragrance with notes of citrus, magnolia, jasmine, and amber.

• Attrape-Coeur (Guet-Apens) by Guerlain (1999): Also known as "Guet-Apens," this fragrance features floral and oriental notes, including jasmine, vanilla, and amber.

• Dune Pour Homme by Dior (1997): A masculine fragrance with a blend of woody, aromatic, and aquatic notes, including sandalwood, sage, and cedar.

• La Cologne du Parfumeur by Guerlain (2010): A refreshing citrus cologne with notes of bergamot, lemon, and orange blossom.

• Dolce & Gabbana The One for Men by Dolce & Gabbana (2008): A masculine fragrance with warm and spicy notes, including tobacco, ginger, and cedarwood.

These are just a few examples of Ursula Wandel's impressive portfolio as a perfumer. Her creations span a range of styles and olfactory profiles, showcasing her versatility and talent in the fragrance industry.

Undeniable for Women by Billy Dee Williams c1990

Undeniable for Women by Billy Dee Williams: launched in 1990 in association with Avon Cosmetics.

Salvador Dali by Salvador Dali c1983

Salvador Dali by Salvador Dali was launched in 1983 and was inspired by his wife Gala's gardens and made to the specifications of Dali and Gala.

Secret de Venus by Weil c1933

Parfums Weil originally launched Secret de Venus in 1933 as a parfum, and again in 1941/1942 in the USA as a bath oil (huile pour le bain et douche) or Bath and Body Perfume Oil. The bath oil version was an instant success and American women love it. Secret de Venus was launched later in France in 1947 but never really took off like it did in America.

Surrender by Ciro c1931

"Surrender" by Parfums Ciro was launched in 1932, a period steeped in the glitz and glamour of early Hollywood films, where themes of romance, seduction, and intrigue were prominent. The early 1930s marked a significant era in cinematic history, characterized by the transition from silent films to "talkies," bringing a new dimension to storytelling and emotional expression on screen. This period also saw the rise of iconic film stars like Greta Garbo, Marlene Dietrich, and Jean Harlow, whose performances often revolved around themes of passion and allure. Films such as "Grand Hotel" (1932) and "Shanghai Express" (1932) exemplified these themes, showcasing complex characters entangled in romantic and seductive narratives.

Given the cultural milieu, Parfums Ciro's choice of the name "Surrender" for their perfume aligns perfectly with the zeitgeist of the time. The word "surrender" carries connotations of yielding and giving in, often in the context of romantic or emotional capitulation. This made it a fitting name for a perfume, as fragrances are deeply tied to personal and intimate experiences. The name evokes a sense of giving oneself over to desire, much like the heroines in the films of the era. "Surrender" suggests a willingness to be vulnerable and to embrace one's sensuality, which would resonate with the themes prevalent in popular culture.

For women of the early 1930s, a perfume named "Surrender" would likely symbolize a blend of sophistication and boldness. It was a time when women were beginning to assert more independence and express their identities more freely, both in fashion and lifestyle. Wearing a perfume called "Surrender" could be seen as an embrace of their feminine power and an acknowledgment of their desire to be both desired and desirous. It would have appealed to the modern woman seeking to capture a sense of mystery and allure, much like the glamorous film stars they admired.

Nina Ricci Lalique Mini Perfumes

These adorable miniature perfume bottles were introduced for the Holiday season in 1955 and used until 1962, some were used afterwards. 

Ghost Myst by Coty c1995

Ghost Myst by Coty: launched in 1995. "You can't see it but it's there. The first fragrance to celebrate a woman's inner beauty, as well as her outer beauty. Ghost Myst by Coty is the fragrance you'll want to wear because it affirms and validates your inner self. The sheer beauty of light, airy scent; veiled in gossamer."

The idea of celebrating both inner and outer beauty is quite empowering. The description paints a picture of a delicate and ethereal scent, evoking feelings of lightness and grace. It's intriguing how the concept of invisibility ties into the essence of the perfume, emphasizing the subtle yet undeniable presence of inner beauty.

Todd Oldham by Todd Oldham c1995

Todd Oldham, the fashion designer, launched his fragrance "Todd Oldham" in March 1995, in collaboration with Parlux Fragrances. The scent was crafted by the perfumers at Florasynth. It was an exciting venture for Oldham, extending his creative vision beyond fashion into the realm of fragrance.

Florasynth is a fragrance company that specializes in creating aromatic compounds and scents for use in perfumes, cosmetics, and other products. They employ perfumers who are skilled in blending various ingredients to produce unique and appealing fragrances. In the case of Todd Oldham's perfume, Florasynth's perfumers were responsible for crafting the scent according to Oldham's vision and specifications. They are known for their expertise in the field of fragrance composition.

Black Pearls by Elizabeth Taylor c1996

The perfume "Black Pearls" by Elizabeth Taylor was launched in 1996, a period characterized by a resurgence of classic glamour and a renewed appreciation for timeless elegance. The mid-1990s saw a blend of modernity and nostalgia, with fashion and beauty trends often harking back to vintage styles while incorporating contemporary elements. This era was marked by a fascination with luxury, heritage, and the allure of Hollywood's golden age, making it an ideal time for the introduction of a fragrance inspired by a legendary jewel and a celebrated actress.

Elizabeth Taylor chose the name "Black Pearls" for her perfume as a homage to her renowned black pearl, La Peregrina. This exquisite pearl, with its storied history, encapsulated the essence of Taylor's own life—glamorous, dramatic, and timeless. La Peregrina had once belonged to royalty, including Mary, Queen of Scots, and Philip I of Spain, underscoring its regal and historical significance. By naming her perfume "Black Pearls," Taylor not only highlighted the unique beauty of the gem but also drew a parallel between the allure of the jewel and the fragrance itself. This connection to an iconic piece of history and personal memorabilia added depth and intrigue to the perfume's narrative.

Richard Burton's purchase of La Peregrina for $37,000 at Sotheby's in 1969 as a Valentine's Day gift for Elizabeth Taylor further amplified the romantic and luxurious aura surrounding the pearl. In 1972, Taylor commissioned Al Durante of Cartier to design a bespoke ruby and diamond necklace mount for La Peregrina, transforming it into a stunning and personalized piece of jewelry. This context of love, opulence, and exclusivity made "Black Pearls" an appropriate name for a perfume, as it conveyed a sense of sophistication, passion, and uniqueness.

"Black Pearls" would resonate with women who appreciate elegance, luxury, and a touch of mystery. These women would likely be drawn to the fragrance for its association with Elizabeth Taylor's iconic beauty and her legendary romance with Richard Burton. They would see the perfume as a symbol of timeless allure and an embodiment of their own refined taste and desire for distinction. The name "Black Pearls" evokes images of rare and precious beauty, deep and enigmatic like the ocean's depths, and the captivating charm of a classic Hollywood starlet.

Navy by Cover Girl c1990

Navy was launched in 1990 in collaboration with Cover Girl, a division of the Noxell Corporation. Procter & Gamble's acquisition of Noxell in October 1989 paved the way for this expansion of their product portfolio, with Navy perfume becoming one of the notable additions. This fragrance was quite popular during its time and became a staple for many fragrance enthusiasts.

Christian Aujard by Parfums Christian Aujard c1985

Christian Aujard was a French fashion designer known for his elegant and sophisticated creations, particularly in women's haute couture and ready-to-wear fashion. He established his brand and gained recognition for his distinctive style, which often featured intricate detailing, luxurious fabrics, and a focus on flattering silhouettes.

The perfume "Christian Aujard" by Parfums Christian Aujard was launched in 1985, which was a notable period in the fashion world. During the mid-1980s, fashion trends were characterized by bold and glamorous styles, influenced by power dressing and the emergence of shoulder pads, bold colors, and dramatic silhouettes. Designers like Christian Aujard contributed to this era with their emphasis on sophistication and femininity, catering to women who sought both elegance and empowerment in their attire.

As a subsidiary of Dana Perfumes, Parfums Christian Aujard likely aimed to capture the essence of Aujard's fashion aesthetic in fragrance form. Perfumes from this era often reflected the opulence and assertiveness of the fashion trends, featuring rich floral bouquets, oriental notes, or complex blends that complemented the dramatic fashion statements of the time.

Overall, the launch of "Christian Aujard" perfume in 1985 coincided with a vibrant period in fashion history, characterized by bold designs and a celebration of femininity and luxury. Christian Aujard himself contributed to this era with his distinctive fashion creations, embodying a style that was both timeless and contemporary.

Romeo di Romeo Gigli c1989

 Romeo by Romeo Gigli was launched in 1989, a fragrance that embodies the spirit of romance and allure. The name “Romeo” evokes a plethora of images and emotions, instantly conjuring thoughts of the iconic Shakespearean character known for his passionate love and timeless devotion. The name is derived from Italian, pronounced "roh-MAY-oh." It carries a sense of longing, tenderness, and an almost whimsical quality associated with young love. In the late 1980s and early 1990s, a perfume named Romeo would have resonated deeply with women seeking both elegance and a hint of enchantment in their lives. The allure of romance intertwined with femininity made this fragrance a fitting companion for those who wanted to embrace their softer, more romantic sides, especially in an era defined by bold expressions of individualism and emotion.

Crafted by the talented perfumer Sophie Labbé at International Flavors & Fragrances (IFF), Romeo is classified as a fruity floral fragrance for women, showcasing a blend of soft and crisp aromas that captivate the senses. The fragrance opens with a vibrant medley of bergamot, mandarin, and Sicilian lime, creating a refreshing citrus burst that is both invigorating and uplifting. This initial wave is complemented by the juicy sweetness of mango and the slightly tart essence of blackcurrant, resulting in a fruity explosion that embodies youthful exuberance. As the fragrance unfolds, the heart reveals a bouquet of flowers, featuring the delicate notes of orange blossom, romantic rose, and the fresh aroma of wild lily of the valley. These floral elements create a lush tapestry, inviting wearers into a fragrant garden where jasmine and white carnation bloom, accented by the soft earthiness of iris.

The base notes of Romeo add depth and sophistication to this enchanting fragrance. Here, the smooth warmth of sandalwood grounds the composition, providing a soft, creamy finish that lingers elegantly on the skin. The juxtaposition of fruity and floral notes with the richness of sandalwood creates a multi-dimensional scent that evolves beautifully over time, allowing the wearer to experience a myriad of emotions throughout the day. The interpretation of "Romeo" in scent captures the essence of romance, merging vibrant fruitiness with the softness of florals, inviting wearers to embody the passion and tenderness that the name signifies.

Or de Torrente by Parfums Torrente c1980

"Or de Torrente" is a fragrance launched in 1980 by Parfums Torrente, in association with Eurolux U.S.A. It's known for its luxurious and sophisticated scent, embodying the essence of elegance and refinement. With its launch, it quickly gained popularity among perfume enthusiasts and became a classic in the fragrance world. The name "Or de Torrente" translates to "Gold of Torrente," which reflects the opulence and richness of the fragrance.

Complice de Francois Coty c1973

Francois Coty originally created Complice ('Accomplice') in 1934, but died before it could be launched. It remained on ice until 1973, when the Coty company launched it in a period design bottle. The name Complice was filed for trademark in 1939, company claimed use since 1938.

That's quite an interesting history! François Coty was a prominent figure in the world of perfumery. It's fascinating to see how Complice had such a prolonged journey from its conception in 1934 to its eventual launch almost four decades later. The fact that the name was filed for trademark in 1939, with the company claiming use since 1938, adds an intriguing layer to its backstory. It's a testament to the enduring appeal and significance of certain fragrances that they can transcend time and still find success when brought to market years later.

PERFUME HACK - My Perfume Bottle is Cloudy Inside!

Collectors of antique perfume bottles may find some that are desirable but which have turned cloudy. Denatured alcohol is sometimes effective in clearing the glass. Vinegar or a weak solution of muriatic acid in water is sometimes effective. Javelle water is a powerful bleach or some of the commercially made bleaches used in laundering clothes can be used to remove cloudy appearance from glass. After using any of these solutions, the bottle must be washed with soap and hot water and then rinsed thoroughly before it is used again for perfume. 

An old fashioned cleaning method is to place a handful of birdshot, dried lentils or uncooked rice with hot soapsuds in the bottle and shake gently. Torn up newspapers in hot soapsuds is effective for a wide mouthed bottle. Remember to use a sieve when pouring out the cleaning solution and whatever you used such as the birdshot or uncooked rice. You can rinse off the birdshot and reuse them later, but be sure to empty the uncooked rice into your trashcan. Do not pour it down your drain.

Other suggestions are to use toilet bowl cleaner to remove water scum and other dried on substances from glass bottles. I have also had some luck with nail polish remover (acetone) - shaken around and then the interior of the bottle rinsed out very well with soapy water.

If you have a cork stuck inside your perfume bottle. Tie a good knot in a piece of strong, put the knot end into the bottle, shake the cork into the neck of the bottle, pull the string and the cork will come out with it.

The Perfume Shop

The Perfume Shop, a musical comedy performed in 1929. 

The book and lyrics of Lady Lightfingers was written by Luther A. Yantis while the music was by Hampton Durand. Jimmie Caruso supplied the orchestra for plating during the show. Lady Lightfingers was a play by W. B. Sutherland.

Taglio by Lucien Lelong c1945

Lucien Lelong's fragrance "Taglio" has an interesting history. Originally launched in 1928 as "Parfum N," it was later renamed "Taglio" for the US market in 1945. This renaming could have been part of a strategic marketing effort to better appeal to American consumers during the post-war era, a period when French perfumes were particularly sought after. Lucien Lelong, a prominent French couturier and perfumer, was known for his elegant and sophisticated fragrances, and "Taglio" is likely reflective of his signature style, characterized by a blend of classic and innovative elements.

Tribu by Benetton c1993

Tribù by Benetton is a fragrance line that was launched in 1993. It was created by Geraldine O'Keefe, a perfumer and fragrance consultant known for her expertise in crafting unique scents. The Tribù line reflects Benetton's signature style of vibrant and youthful energy, offering a range of fragrances that are both fresh and distinctive.

Bleu de Chine by Marc de la Morandiere c1987

The launch of "Bleu de Chine" perfume in 1987 occurred during a period marked by significant cultural exchange between China and the West. This era saw an increasing fascination with Chinese art, fashion, and cinema in Western societies. Films such as "The Last Emperor" (1987), which won multiple Oscars for its portrayal of Chinese imperial history, captured the imagination of audiences worldwide. In fashion, designers like Vivienne Tam and Jean Paul Gaultier incorporated Chinese motifs and silhouettes into their collections, reflecting a trend towards Eastern-inspired elegance. Moreover, in music, artists like David Bowie and Peter Gabriel began integrating Chinese instruments and melodies into their compositions, signaling a cross-cultural exchange in popular music.

The name "Bleu de Chine," translating to "Blue of China," carries with it a sense of exoticism and sophistication. Marc de la Morandiere likely chose this name to evoke the serene beauty and cultural richness associated with traditional Chinese ceramics and textiles, which often feature deep, vibrant shades of blue. This choice aligns with the perfume's aspiration to embody elegance and timeless allure, appealing to those who appreciate both the mystique of the East and the refinement of Western luxury.

"Bleu de Chine" makes a compelling name for a perfume due to its evocative nature. The color blue symbolizes tranquility and depth, qualities that are desirable in a fragrance meant to captivate and soothe the senses. Additionally, the reference to China adds an element of exotic allure and cultural richness, suggesting a perfume that promises both sophistication and a hint of mystery.

Women of the late 1980s would likely have related to a perfume called "Bleu de Chine" for its association with elegance and cultural sophistication. In a time when fashion and beauty trends were embracing diverse influences, a perfume named after a symbol of Eastern artistry would have appealed to those seeking to express their appreciation for global aesthetics and luxury.

Cuir du Canada by Dana c1947

Cuir du Canada by Dana, was launched in 1947. Meaning "Canadian Leather", it is a quite rare perfume to find. One generally sees perfumes labeled "Cuir de Russie" (Russian Leather) by various manufacturers but I believe that Dana was the only company who produced a Canadian leather perfume.

"Cuir du Canada" does indeed sound like a unique and intriguing fragrance, especially considering its rarity compared to the more common "Cuir de Russie" perfumes. The name alone evokes images of rugged wilderness and perhaps hints at a different blend of scents compared to its Russian counterpart. It's fascinating how perfumes can capture and evoke specific cultural and geographical associations through their names and compositions.

Venezia by Laura Biagiotti c1992

"Venezia" by Laura Biagiotti is a classic fragrance, launched in 1992. It was crafted by perfumer Michel Almairac of Creations Aromatiques. The scent is renowned for its rich, luxurious blend of oriental and floral notes, capturing the essence of Venice's romantic charm and elegance. With its warm and sensual character, it has become an iconic fragrance loved by many over the years.

Hypnotique by Max Factor c1958

In 1958, the world was emerging from the post-war era with a renewed sense of optimism and change. The late 1950s was a period marked by significant cultural shifts, including the rise of the consumer society and the beginning of a new era in fashion and beauty. The influence of Hollywood and the glamour of movie stars were at their peak, as was the fascination with luxury and sophistication. This was the backdrop against which Max Factor launched "Hypnotique," a perfume that would come to embody the essence of this transformative time.

The choice of the name "Hypnotique" for Max Factor's perfume reflects a deliberate intention to captivate and allure. The French word "Hypnotique" translates to "hypnotic" in English. The term evokes a sense of enchantment and mesmerizing allure, suggesting that the perfume has the power to enchant and captivate those who experience it. In the context of a fragrance, "Hypnotique" implies a scent so compelling that it has the ability to draw people in, almost like a spell.

"Hypnotique" is an apt name for a perfume because it conveys the sensory experience that the fragrance aims to offer. Fragrances often seek to evoke emotions and leave a lasting impression, much like a hypnotic spell. The name suggests that the perfume possesses a captivating quality that can deeply influence and charm its wearer and those around them. It implies that the fragrance is not just a scent but an experience that transcends the ordinary.

A fragrance named "Hypnotique" would likely appeal to women who are confident, sophisticated, and unafraid to stand out. These women would be drawn to the idea of a perfume that enhances their allure and leaves a memorable impression. They would likely respond to the fragrance with enthusiasm, seeing it as a way to express their own sense of mystery and charm. The name "Hypnotique" would resonate with those who appreciate the power of scent to influence mood and perception.

Noir by Fashion Fair c1973

 Fashion Fair’s perfume Noir, launched in 1973, quickly became a beloved fragrance among its clientele, embodying the brand's luxurious appeal. However, its journey took an unexpected turn when, in 1979, the perfume had to be renamed Ebone due to a trademark infringement suit filed by Parfums Weil. The name "Noir" had already been trademarked by Weil, and this legal conflict forced Fashion Fair to reevaluate their branding. Rather than risk further legal complications, the brand chose to rename the fragrance, demonstrating how even successful products can be reshaped by external factors such as intellectual property rights.

This case highlights how legal disputes can influence the course of a brand, with naming choices being particularly sensitive in industries like perfumery, where names play a significant role in a fragrance's identity. The shift from Noir to Ebone was more than just a legal necessity—it also became a part of the fragrance's evolving story, allowing the brand to maintain its distinctive presence in the market while adhering to the constraints of trademark law. This episode underscores how business decisions are often intertwined with legal frameworks, even in the creative world of perfumery.

Maroussia by Zaitsev c1992

Maroussia by Zaitzev: launched in 1992 in association with Soreal, a joint venture between L'Oreal and a Russian company. The fragrance was developed in Grasse for L'Oreal by Martin Gras for Russian fashion designer Viacheslav "Slava" Zaitzev.

The name is derived from the Russian name Maroussia, Marusja (Maria).

Maroussia by Zaitzev is a fascinating fragrance with a rich history. It's intriguing how it blends the Russian cultural element with the finesse of French perfumery. The collaboration between L'Oreal and the Russian company, as well as the involvement of Martin Gras and Viacheslav Zaitzev, showcases the fusion of talents from different backgrounds, resulting in a scent that captures the essence of both worlds. The choice of the name Maroussia, derived from the Russian name Marusja (Maria), adds a personal touch and hints at the fragrance's connection to its roots.

 

Sweet Revenge by La Palma International c1992

Sweet Revenge by La Palma International was launched in 1992. This unique fragrance was specially crafted for author Sugar Rautbord by the renowned Givaudan-Roure, in collaboration with La Palma International.

Incognito by Noxell c1992

Incognito by Noxell: launched in 1992 in association with Cover Girl, a division of the Noxell Corp. Procter & Gamble was looking to expand its portfolio and bought Noxell in October 1989 and in turn now owned Cover Girl. The name Incognito was originally filed for a trademark in 1989 by the Noxell Corp. and granted a trademark in 1990. 

It's fascinating how the evolution of corporate acquisitions and brand strategies can shape the cosmetics industry. Incognito by Noxell seems to have a rich history intertwined with the business maneuvers of Procter & Gamble. It's intriguing how a brand's identity can transition through different ownerships while still maintaining its essence.